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All Photos/exterior/roofline : flat

Exterior Flat Roofline Design Photos and Ideas

Hektor is divided into four independent suits and a central communal area.
A raised pool in the northeast corner of the building provides relief on hot, sunny days.
In this temperate, oceanside climate, the house relies on natural ventilation, with numerous operable windows.
Monika and Darren Bennett worked with SM Studio on their custom home in Vancouver, B.C. The main house has 2703 square feet, plus a 514 square foot garage/studio on the rear alley, with a courtyard and pool in between the two buildings.
Copper cladding will patina over time. Horizontally articulated windows and standing seams give the facade a sleek, streamlined presence.
The home features a combination of interior and exterior living spaces that afford privacy to the occupants. “There are social spaces for everyone to be together, but also spots outside the building where people can have a private coffee—and that’s so important,” says architect Line Solgaard.
The home is perched lightly on the site and the landscape has been integrated into the architecture through a sympathetic form and materiality, and the expansive windows. “We long for this untouched nature,” says architect Line Solgaard of the site. “It brings us calmness and maybe even helps us be more in touch with ourselves.”
Composed of overlapping cubes of different sizes, the Gjøvik house by Danish firm Norm Architects gracefully embraces its hillside terrain—naturally blending in with its stunning surroundings near Mjøsa Lake an hour north of Oslo.
On the exterior, floating steel siding shields the home from the elements while allowing fresh air to flow in and out.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">A Chicago-based firm known for preserving cultural landmarks builds a refined weekend home on Lake Michigan’s southern shore.</span>
The bedroom is elevated around five meters above the forest floor, and the space beneath has—like the green roof—been given back to the Bushveld. “Naturally, this space is shadier than the surrounding forest, so it creates a different microclimate for different species to flourish in that area,” says architect Ant Vervoort. “It’s an area that we have cultivated.”
Sundberg used materials, which include concrete and zinc in addition to larch, that were as close to their natural and untreated form as possible. "It is the right thing to do here," he says. "We don't want our design to pretend to be something it is not."
The charred cedar exterior gently basks in the Alaskan sun.
A full-height, double-glazed window lets ample light into the secondary bedroom.
About 100 miles southwest of Mexico City, nine black concrete blocks in a forest clearing make up one family's holiday home. Designed by Fernanda Canales with landscaping by Claudia Rodríguez, Casa Bruma makes elegant use of a construction material that's commonplace in Latin America
Fifteen years ago, the “rickety” cabins that the family had built over the years on their lakeside property were reassessed as lakeshore homes, and the family’s taxes soared. They decided to subdivide the lots—they sold two, and three of her brothers took lakeside lots, while Diane and another brother took back lots. The old boxcar has been preserved and encased in one of her brother’s lake homes. “I didn’t want to build a lake house,” she says. “I wanted to give my grandchildren the old boxcar experience of freedom and simplicity. I wanted them to be able to hear the wind, feel the rain, and be one step from nature.”
“We need an architecture that generates and stores power, an architecture that harvests and recycles water, an architecture that reuses waste,” says Clinton Cole, the founder of CplusC, a design-build firm based in Sydney. “We need an architecture that produces fruits, vegetables, fish, and eggs. We need an architecture where nature and beauty exist symbiotically.” <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Clinton’s passion seems more urgent than ever against the backdrop of one of the worst bushfire seasons on record in Australia. Fittingly, he has designed a new home for himself, his partner, and their three children to be an eye-catching emblem for the cause. </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">The three-level, 1,722-square-foot residence fills a wedge-shaped lot in an inner suburb of Sydney. With greenery spilling out of its facade and a working garden sprouting from the roof, it is a self-consciously verdant presence on an otherwise typical street</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">.</span>
When a Los Angeles–based entrepreneur and writer were seeking creative refuge, they didn’t have to travel far for inspiration. The duo simply looked to their backyard to erect a 245-square-foot guesthouse on their hillside property in the Los Feliz neighborhood. Nestled just behind their main residence, the tranquil space, designed by Jerome Byron, serves as a work/play sanctuary for the couple and their two children.
When Paul and Yuki Gasiorkiewicz bought a nondescript 1930s bungalow in Echo Park, they knew right away that a redesign would be in order. But when they took a closer look at the detached garage in the rear, they discovered a surprisingly stunning view that made them scrap ideas of a renovation in favor of building a brand new accessory dwelling unit.
Set back from the street, the International-style home features deep, overhanging eaves and a band of clerestory windows that wraps around the entire home.
side facade view
Built in 1963, the Flansburgh House remains an architectural gem within Lincoln, Mass.
The holiday home is nestled into a narrow site in Buffalo Bay, a small beachside town near Buffelsbaai, with a Milkwood forest to the rear and the ocean to the front. The two living levels sit above a large garage/storage area on the lower ground floor and open completely out to the views.
Danish architect and designer Sigurd Larsen teamed up with Raus to create a 193-square-foot cabin in Berlin, Germany, that lets city dwellers escape the hustle and bustle of urban life and connect with nature.
The couple did most of the build themselves, turning to friends for help with particularly challenging elements. “We did it on a budget – but it was paid for in other ways,” says architect-owner, Chris Stanley. “It took away most of our weekends throughout our 20s—most of our hangovers were spent building rather than watching movies!”
The west-facing facade of the detached garage and ADU. This structure anchors the east side of the property and creates a courtyard between itself and the main house.
“The addition is oriented towards the sun and faces the original Californian bungalow, allowing you to look at the heritage house from the new part and vice versa,” said Welsch. “It combines two unlikely architectural expressions—the casualness and generosity of a lightweight timber-clad building with the heaviness of earth construction.”
The view from the rear lawn towards the house. The outdoor living room is accessible from the family room (on the right) and the living room (on the left).
To the front, the gardens are laid around a central lawn with a circling driveway which provides parking. There is also a garage for family cars.
Dad, a swimmer and triathlete, pops down to the river every chance he gets, rinsing off in the outdoor shower afterwards.
"Funton Old Chelsea Yellow brick with a Flemish-like bond is used to directly pick up on the existing predominant brick style of the older neighboring houses,
"The owner wanted the front door to match the same yellow of Caterpillar, the heavy machinery company,
Designer Marc Perrotta and travel editor and writer John Newton renovated and expanded a colonial building in Mérida, Mexico, with the help of Jorge Novelo Caamal of Paralelo 20. The house’s pale-green plaster facade gives away little of what awaits inside.
The structure appears to hover above a stone retaining wall.
The original home was converted into a bedroom level, and given a second-story addition and roof deck. The dark exterior color, a charcoal-eggplant hue, lets the landscape colors stand out in contrast. “The existing house roof became the roof deck,” says Rogers. “And then I just shifted over the addition so that it floated over the landscape.”
On the boathouse's lakeside, the family can just open a garage door and lead one of their two small boats down the rails and into the water. Beside is a small deck.
The volumes that contain the living room and a guest bedroom were designed with roof terraces, and green roofs cover four of the other volumes.
Upcycled wood—sourced from fallen trees near the site—was used as part of the shrub-covered green roof.
The goal was to be able to squeeze a full bathroom, kitchen, living room, storage, as well as a sleeping space that would accommodate a king-sized bed into the cabin's original tiny footprint.
Airstream’s Flying Cloud 30FB Office travel trailer includes a designated workspace in the back corner.
Wexler and Harrison's original plan was to create affordable vacation homes for a growing middle class. When this home first went on the market with the others in 1962, it was competitively priced between $13,000 and $17,000. Today, the kitchen has been restored following guidelines from its original configuration, and the landscaping was updated in 2001 with Wexler's oversight.
Setback from the street, this extremely private one level property has sliders with outdoor access, solar panels, and mountain views from every room.
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