All Photos/exterior/roof material : tile

Exterior Tile Roof Material Design Photos and Ideas

DGN Studio renovated and extended a semidetached Victorian terrace near London Fields for clients Rebecca and Roman. The rear extension is defined by a material palette of exposed concrete and white-oiled oak, which was chosen for its durability, as well as its warm texture and grain. “We are very aware of the dialogue around the sustainability of concrete as a building material, so we were keen to make sure its use was related to a specific set of practical tasks for which it would stand the test of time,” says DGN studio cofounder Geraldine Ng.
The building is unremarkable from the outside, preserved to match the working-class homes all around. The architects insulated the roof and replaced the vernacular terra cotta tiles.
A second tiny house is set within an existing structure and contains a kitchen, dining area, and bathroom.
Entrance foyer.
The front facade of the house roofed with pink slate complemented with walls painted in peach tones.
Architect Robert van Katwijk of TBO Architects designed Eva and Michiel’s Rotterdam home.
In addition to turning what had been two apartments into a single residence, Techentin reconfigured the garden facade, adding a terrace, French doors, and a freestanding chimney.
The site in Darling Point is on a winding street leading up a hill, and the new architecture is designed to express the pitched-roof language of the original terrace house. “It’s incredibly steep at the back, which means the house looks rather modest from the street front—just a pitched-roof garage and a gate,” says architect Bronwyn Litera. “At the rear facing Rushcutters Bay, however, it drops away over a height of five stories. The house is also in a heritage conservation zone, which meant that the existing roof line and chimneys needed to be retained. We worked closely with TC Build to form a ‘plan of attack,’ which involved propping the two long walls and the roof, and completely gutting the interiors.”
The exterior of the front door has been painted bright orange, a reference to the shipping containers' (painted over) Cor-Ten steel. From the street, this is the only indication of what lies inside.
It was important that the renovation fit into the vernacular of the traditional neighbourhood, both in terms of scale and external materiality. As a result, the shipping containers are visible only in the interior and backyard.
A simple floor plan emphasizes the rugged materiality of this elongated, cabin-style home in Valle de Bravo.
Diane—who taught art history at the Alberta College of Art and Design—adapted a Japanese design for the Moongazer, and her husband David designed and built the clerestory roof. “The cabin is cedar, somehow perfectly proportioned and a fantastic little spot to be,” she says. “On the strength of that, I figured I could do it again.”
Natale and Caleb Ebel’s home in the Silverlake neighborhood of Los Angeles was built in 1922. It has 2 bedrooms/2 baths upstairs, and there’s 1 bedroom/1 bath on the lower level, which can work as a separate private suite for family from out-of-town, or a studio for the couple.
Sustainability and forward-thinking architectural techniques merge in this experimental tiny cabin clad in 3D-printed tile.
This is where the Italian Villages project started three years ago: The first house to be restored was Casa Greco, a medieval building that was damaged by an earthquake. Located at the far end of the village, it offers spectacular views over the surrounding valley.
“People who grew up here can be surprised by the exterior of the house, but inside they don’t feel like they’re in a spaceship. They can relate it to their own homes,” says Pons.
The home's archetypal form rises from the windswept caatinga, a vast stretch of flat, semiarid land where the northeastern tip of the country juts into the Atlantic.
In the Brazilian village of São Miguel do Gostoso, a house by architects Pep Pons and Matteo Arnone is emblematic of the area’s budding tourism industry.
A view from the opposite end.
During the renovation, Chu extended the bathroom next to the master bedroom outwards to create a bath and shower room that blurs the boundaries between interior and exterior. He also added a skylight made from a repurposed car sunroof, which was purchased secondhand for $100 and could be operated by remote control to easily let the elements in. “There were many challenges in what we wanted to do,” says Chu. “Then, we searched for materials and ways of doing that—or we let the site inspire us.”
The sliding front door is made of glass panels, and its bright red color was inspired by the red doors (symbolic of fortune and prosperity) found in traditional villages in Taiwan. “We wanted the front door to be transparent so that light filters into the interior even when the door is closed,” says Chu. “It was very important to have a constant relationship between inside and outside.”
Still House sits within a row of colorful shophouses along Koon Seng Road in Singapore’s culturally rich Joo Chiat district.
BVDS Architecture didn’t do any work to the exterior, apart from the box dormer which is clad in tiles to meet permitted development requirements. "From the outside, I think some people would regard the extension as a mistake, as it defies logic to build something that is only half a floor high," says architect George Bradley.
Determining the structural integrity of the original brick dairy was paramount to the design of the new addition perched above. The existing brick walls, footings, and roof structure were all assessed, and steel features prominently in the extension to ensure stability.
The dairy is juxtaposed against the “modern industrial” extension, which is clad in Cemintel Barestone panels. The original facade and windows of the dairy bring a unique character to the project.
The 2,022-square-foot home has three bedrooms and three baths. The exterior facade was kept as is in the remodel.
Roof terraces connect the two volumes on the lot.
The tile-clad addition sits in the former yard of the wedding room, and now hosts the entry, dining room, and kitchen.
Wonder Architects skillfully integrated the new addition with the older brick structure on the site, as well as the surrounding homes. The original structure held a wedding room that was built in the 1980s.
The new house embraces the dual frontage potential of the lot - stretching from street to street. On the rear, a garage and second living space open to the street.
The house directly engages with the street through direct access, large openings, and windows.
The architects knew the roof would be clearly visible within the neighborhood, so they opted to use slate for its beautiful aesthetic.
The shadow cast by the roofline resembles a series of mountain peaks.
An aerial view of the restored roofs with the curving plane of the veranda cover tucked beneath. The designers used polymer mortar for the finish of the veranda roof, "which is smooth and forms contrast with the adjacent textured tile rooftops," notes the firm.
The curved cornice at the veranda roof was built on site.
"The design team restored and preserved many valuable historical elements such as the gateway and carvings of the arched door opening," says the firm. Through the arched door is a reception room and an equipment room.
The restored facade of the Quishe Courtyard by ARCHSTUDIO references the melding of traditional and modern architecture within. "Qi" means "seven" in Mandarin, and "she" means "house," giving the project its name; its address in the hutong is seven, and it originally boasted seven pitched-roof buildings.
Located in a quiet street, this project takes advantage from an abandoned building of 1920
1234