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Living Room Recessed Lighting Light Hardwood Floors Design Photos and Ideas

Cover Architecture and EEK Studio redesigned the fireplace so it no longer obstructs the side of the window. The surround lighting creates a warm and inviting effect, even when the fireplace is not lit.
The courtyard is enjoyed from multiple vantage points, including the main living spaces and an office on the main floor, as well as a second-floor hallway and bedrooms.
The materials for the prefab were chosen to help the lodge blend into the wood. According to the architects, “the lodge features an intentionally limited palette of natural materials, including the same species of timber, western red cedar, on the external cladding and internal lining. Left unfinished, the exterior will weather naturally to a silver-gray color that is reminiscent of the local landscape, which will contrast the cozy, warmer tones of the interior."
The architects incorporated sustainably sourced parota wood into the living room’s sunken seating area. The Turn Tall side table is from Blu Dot, and the pillows are from West Elm.
In the living room, Two Mario Botta chairs look towards the new fireplace, a Memphis coffee table and an original leaded-glass window. The rug is designed by Faye Toogood for CC Tapis. Happy the dog sits on a sofa from Toronto’s Home Societe.
The living area is oriented around a floating window seat crafted from oak. "We wanted a place for guests to comfortably sit, read, and reflect in the beautiful Colorado surroundings," says Tarah. "We sourced the perfect slab of white oak from a local mill. We kept the edges raw and used a light, matte finish that highlighted the natural beauty without it being over saturated. I wanted it to feel as unfinished and natural as possible."
An exposed ridge beam at the ceiling and sloping ceiling defines the living room in the open plan. The lights over the dining table are by Muuto.
The fireplace is covered in Norman brick from Mutual Materials, in an era-appropriate stacked pattern.
The inoperable picture windows were replaced with large sliding glass doors that open to the new seating patio.
Now positioned as they are at the top of the home, the living room and dining room have ten-foot high ceilings and wide open views of the water.
The original fireplace was kept, and the plaster around it removed to reveal the brick, which was white-washed.
Berube's starting point was the continuous wall of black millwork clad in a solid matte surface by Fenix. "We decided on a dark palette to work with the exterior,
For the renovation of their midcentury ranch house in Chicago, Trey Berre and his wife, Maria Ponce Berre, compared bids from three contractors, ultimately hiring ABO Construction. The total budget for the project climbed to $174 per square foot after it was discovered that the roof had suffered rain damage and needed to be replaced for $40,000.
Birdseye designed the home to be "as visually quiet as possible," says Mac.
Mac describes adding the fireplace’s Domingue plaster finish as a real "labor of love." "The end result was a credit to the builder and his team. It really pulled the spaces together, and there is nothing better than the natural light playing with the plaster finish," explains the architect.
Floor-to-ceiling glass melds the tiny building with its surroundings, while nine-foot-tall ceilings give it a spacious feel.
The main living area features a black pellet stove in the corner and a raw-edge, white oak window seat, which add rustic elements to the clean, bright space.
The couch swing was the last element of The House to be designed. "I wanted something comfortable and unique, but not weird," says Tarah. "In a stroke of genius, Drew suggested a couch swing." The piece was made by the couple in the garage just days before the first booking and is one of the guests’ favorite features.
The fireplace was painted white and now has a wood stove installed (not shown). "Once we got the wood stove, the room just came to life and became super cozy," says Jocie.
The mezzanine level hosts the bedrooms and overlooks the lower living spaces.
Floor-to-ceiling glass doors that stretch 27 feet long connect the interior to the side patio.
Around the corner from the kitchen, a family room sits between the courtyard on one side and the backyard on the other.
A concealed door opens into the principal bedroom suite.
In the living room, an Era sofa from Lytle Pressley joins a Calder coffee table by Minotti and a Grand Repos armchair and ottoman by Antonio Citterio for Vitra. The fireplace is by Fireorb.
“The house went up so fast compared to a lot of buildings we do, because it’s such a simple design,” explains designer Tim Whitehill.
The mezzanine level was transformed into a family room, leaving the fireplace pretty much as is. A painting by Anyeley’s sister, Addoley Dzegede, hangs over a Thataway sofa by Blu Dot. Above the fireplace is a Frame TV by Samsung, displaying a piece by San Francisco artist Barry McGee.
The open-plan living area features rift-cut white oak flooring.
The concrete hearth at the fireplace has angled sidewalls and a bevelled edge.
The rear wall with stacking sliding doors opens to surrounding decks and the "hero" view.
Floor-to-ceiling shelves and storage bookend a cabinet that conceals the television.
The home’s interior is a fusion of glass and reclaimed redwood, the latter sourced from a nearby decommissioned airplane hangar.
The pair replaced the cluttered firewood storage with a floating hearth that can double as a seat and display for art.
Raj and Watts extended the fireplace column to the ceiling to highlight the room’s expansive scale, and had it coated in concrete plaster. It was important to retain the wood-burning fireplace—a rarity in the city—but “we wanted to re-clad it in a material that also spoke to the industrial past of the building,” says Raj.
Given the home’s tight and efficient footprint, the architects sought to use simple materials and strategic moves to delineate different spaces and uses. The lower ceiling height of the living room, for example, distinguishes it from the dining area, which has a taller ceiling.
The Kamp Haus cabin interiors are minimalist with large windows that take advantage of the views.
To extend the living room view, the architects used corner glass, eliminating the need to use a jamb or corner post that would have interrupted the landscape.
The light-filled living room features a Kasota limestone fireplace. The slab stones were “fleuri” cut across the grain for a swirl effect, then sandblasted to age.
The home is articulated along the ridge to command the highest point on the property, providing the clients with sweeping views across the rolling farmland.
The living room opens into the kitchen and a hallway that leads to the master bedroom suite. Deep-set skylights above the living space let in morning light from the east.
The floating oak staircase in the first-floor family room leads to the rooftop garden, which features a lounge area, grill, and small bar room with a restroom. Bespoke oak shelving behind the stair offers a display area for books and other objects.
The sunken living room created an opportunity for a bespoke joinery unit that can be used as a bench overlooking the courtyard as well as a storage space for books and objects. Topped with the same Iranian travertine marble that is used for the flooring in the entrance, it extends the hallway along the courtyard into the living room.
The family room on the second level.
The ceiling height was lowered over the seating area in the living room to create a cozy enclosure there, while double-height windows on the perimeter bring in yet more light.
A look back at the atrium on the left and the foyer on the right—sleek, built-in storage lines the entry on one side, opposite a two-sided fireplace.
The design team added new perimeter window openings to encourage light into the home wherever possible.
The wood-wrapped footbridge on the floor above defines the passage into the living room.
L&M Design Lab leveraged the diagonal axis of an L-shaped, 366-square-foot flat in Shanghai to make it feel more spacious, carving out room for everyone’s hobbies—including a mini singing hall. The home, which is on the top floor of an older building, can be traversed in just 13 steps from north to south, say the designers, giving the project its name, A House Within Thirteen Steps. This view shows the diagonal axis of the apartment, looking back to the kitchen.
Bean Buro’s Urban Cocoon draws inspiration from Japanese teahouses. This reference point can be felt at the entryway, which features light timber and slatted screens.
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