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The view from the kitchen is layered, first glimpsing a partial view of the dining room and the stained glass at the front exterior in the distance.
After: The industrial accents were kept at the ceiling in a nod to its past. The city required interior insulation to fulfill code, which meant McCuen was unable to expose the more rough, industrial texture on the walls.
Spaces flow freely from one to the next, creating a continuous open floor plan.
Among the family’s favorite pieces is a 1957 leather Paulistano chair by Paulo Mendes da Rocha that Russell and Oona purchased to celebrate their marriage. “It’s important to us that the house is filled with beautiful things, but it has to be a place where it’s okay to put your feet on the sofa,” Oona explains.
The roofs of both wings converge at the garden to create a continuous porch around the house.
The opening to the dining area has been increased, and the square footage added to the original footprint has allowed for a grand staircase that now connects the lower level.
Silver opened up and vaulted the ceiling, which instantly created a bright and airy, modern interior. He also centered the picture window and added sliding doors that lead out to two separate outside patios.
The living room is furnished with rattan chairs from Fritz Hansen, a Muuto side table, an Artichoke pendant by Poul Henningsen for Louis Poulsen, and a blue Living Divani sofa, one of a few color-popping accents found throughout.
In the living room, a custom chaise by Shimna and an Archibald Gran Comfort chair by Poltrona Frau surround a custom lacquer coffee table by BenchCraft.The lights, made from recycled cardboard, are by Seattle design studio Graypants.
Great Room with Living Room in foreground.  Kitchen at left and Dining Room at right with firepit at exterior beyond