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Living Room Pendant Lighting Design Photos and Ideas

The living room requires minimal lighting, thanks to its expansive windows.
A lofted space doubles as a guest room with a couch that pulls out into a bed. At night guests can see the stars through the skylight while laying in bed.
In Hannah’s initial sketch of the house, she drew an A-frame with a floor-to-ceiling windows in the front. “It was important to have that tall ceiling in the living space and all the light,” she says. In the front living room, a maple pendant light from Modern Maine crowns the space. And a locally manufactured Jotul stove warms the space. A 84-inch projector screen was installed parallel to the sliding door, so the couple can tuck it away during the day and at night pull it down to watch movies.
The living room, enjoying the most spacious volume beneath the vaulted ceiling, includes a Noguchi pendant lamp, (at right) a vintage 1955 Kroehler sofa, (at left) a vintage Fin Juhl Japan Chair and ottoman, and (also at left) a vintage Magnus Olesen loveseat and coffee table.
The sofa is the Hastings Sectional Sofa by Rejuvenation, with Turn Tall Side and Coffee Tables in Wood by Blue Dot, and, for a reading light, the Simone Double Sconce in True Black by Schoolhouse.
Window seats frame the fireplace to create alcoves for people to sit and children to play. Drawers in the window seats have storage for toys and board games. An Altona Barebulb Chandelier Pendant from Rejuvenation hangs above, while the Basket Weave Wool Rug by Parachute covers the floor.
In the sunken living room, the floor tile is by Ariostea and runs from inside to out. The sofa is Milo Baughman for Thayer Coggin.
Deep blue Heath Ceramics tile accents the fireplace surround, which was relocated from the back room.
A Pierson Sofa by Room and Board sits with a vintage travertine coffee table from Chairish and two Maker's Armchairs by Lawson Fenning. The Dixon Six Light Ceiling Fixture, also from Lawson Fenning, is overhead.
The fireplace is a salute to midcentury-modern design. Brick is used both here in the living room and in the den.
Slabs of pink marble warm the kitchen, which opens to the living area. Stampton collaborated with Paul Valentine, who curated the furniture, which features pieces by Shin Okuda and Kristin Dickson-Okuda.
The custom-made terrazzo floor with its striking red pigment was made by “Nicos”, a local artisan. He and his team throw the cement, then throw the pebbles, then sand the whole floor five times.
"We can't get enough of the ceramic tile flooring, it's so Brazilian and it looks surprisingly good in the interior of an apartment,
A dry-stacked rock hearth supports a Charnwood freestanding woodstove, which was carefully chosen to fit the scale of the surroundings.
In the living room of the main house, a sofa by Patricia Urquiola surrounds a Nathan Young coffee table, capped with a floor lamp by Achille Castiglione.
On visits to Japan, Richard was taken with the work of architect Kazuo Shinohara, who’d designed a home with a tentlike roof. “I didn’t set out to make the interior here look like a tent,” Richard says, “but friends have told me, ‘You love disappearing into the wilderness and staying in a tent, and you’ve made your house look like one.’”
In Orinda, California, Pearl and Larry Toy hired Blue Truck Studio to adapt the home they built in the ’70s for aging in place.
A Marset Dipping Light pendant is suspended from the living room ceiling. It complements the collection of heirloom pieces, as well as the collection of stools including Kartell’s Pilastro, the Eames-designed Model A from Vitra, and Normann Copenhagen’s Bit. Nestled underneath the window is a Hungarian-made radiator from Betatherm.
Ceramic pendants by Courtney Duncan and a yellow sculpture by Antonio join a Hay sectional in the living room. Antonio crafted the stained glass panel at left.
Displaying canvases by Steven Criqui (left) and Antonio Adriano Puleo (right), the transformed living room features a sculptural ceiling accented by a grate that brings light from the skylight in the expanded attic space above. Puleo designed the geometric print on the bench, which was made by James Melinat of Reigns Studio, who also built the custom cabinetry and bookshelves. Trifold sliders from Fleetwood open to the rear yard.
The entry foyer now serves as a lounge and music room.
For years, this room had no defined purpose until Carolina claimed it as her own, turning it into a space to practice ballet, host friends, and enjoy time to herself.
In the living room, the built-in daybed was fabricated by Michael Mellon and Benjamin Winslow out of old-growth redwood. The vintage Japanese and Turkish rugs were sourced from Slow Roads. “We chose the green fabric for the daybeds because we wanted it to be retro looking,” explains Nick, who worked with San Francisco company Hardesty Dwyer & Co. on the upholstery. The Noguchi pendant light is vintage, and the orb sconces were sourced from In Common With.
In the living room, the built-in daybed was fabricated by Michael Mellon and Benjamin Winslow out of old growth redwood. The rugs are vintage Japanese and Turkish rugs sourced from Slow Roads. "We chose the green fabric for the daybeds because we wanted it to be retro looking,
The living room features a pendant from Ochre and Silk, barstools from Hati Home, and a wool rug from Revival. The European Walnut floors throughout the home are Stuga “Zig Zag.”
While Leah and Kyle initially wanted to fully open up the wall between the kitchen and the living room, discovering that it was load-bearing changed their plans. “We ended up opening the wall up so you could see into the beautiful kitchen, and made a custom hood vent with shelves,” says Leah. “Looking back, I am not sure I even would have wanted it removed now.”
The garden pavilion is minimally furnished with two Nychair X seats, an Armadillo rug, and a vintage storage unit brought from Barcelona.
Alex and Jean filled the living area with furniture from their previous homes. New double-glazed timber-sash windows and custom shutters—a £38,000 splurge—flood the space with light.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">“The curtain allows the space to be opened up or closed off in all kinds of different ways, and gives it more warmth and better sound-proofing,” says Vibeke.</span>
The designers painted the walls of the living room bright white and outfitted the space with custom millwork beneath the fireplace and modernist light fixtures and furniture.
The open-concept living area, a benefit of the Quonset-design, includes velvet chairs from CB2.
To reflect light around the room, Alper chose to use two shades of white in this space. The warmer of the two, Cotton Balls, was used on the walls.
A wall of storage in the living area has become a revolving display of souvenirs and found objects, either from their travels or shopping trips around the city. A wide window was installed to make the room feel like a treehouse. "I really wanted the home to feel bright and serene,
The red Up chair is a classic Italian design... and a piece Patnaik bought before they'd even broken ground on this project. The pine ceiling adds some visual warmth to balance out the cool metal and tiles. (Patnaik originally had visions of doing the whole home in pine, but the damp climate would've made maintenance too challenging.)
The sliding doors that connect the bedroom with the living area are crucial to the flow of the space.
“Decoration is something that fascinates me,” says Carolina. “Mixing old with modern works very well for me, so I have my great-grandmother's bed, but the dining room has Philippe Starck chairs.”
If color doesn't scare you in the slightest, go for broke!
Behind humble plywood, wool keeps the house insulated.
Kelly Kai (left) and Catalina Monsalve (right) relax in the Morongo Valley home they renovated together.
Low-lying furniture and art makes the high-ceilinged living room appear even bigger. Most of the furnishings were sourced secondhand, though the hanging lamp is a DIY Nick made by fusing two paper shades together.
In Lorne, Victoria, Austin Maynard Architects gave an old shack near the beach a modern revamp and a timber extension that allows for elevated sea views. With interiors lined in recycled Silvertop Ash, the house oozes a cozy, cabin-like feel.
The floors are Doug fir, and the framing and rest of the wood inside is redwood. The french doors and lower window were made by Mike York at Ocean Sash &amp; Door Company, while the upper windows were made by Jeff and Molly.
The dining area pendant is a vintage Louis Poulsen piece, and the dining table is from HAY. The dining chairs are a mix of antique wood chairs, a Thonet, and an Eames DCM chair. The lounge chair is a mid-century Norwegian piece from Skarbos.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">with light-beige walls, pinewood floors and repurposed original wooden beams,</span>The main areas are typically Nordic with
Glass doors slide open to create seamless transitions between the interior and exterior living areas.
Ben Kicic and Emilio Halperin have a loft in common—and the Bed Stuy studio showcases their work and curios with DIY shelving and light that’s just right.
The home’s eaves—over eight feet long—allow the garden doors to be kept fully open without rain blowing inside, barring a severe storm. The deep eaves also provide solar protection to the interior.
"The effect of the plantings on the terrace is enormous,” reflects the couple. “Not only do the branches and formations give a sense of the four seasons, but the way it looks from the living room contributes to a sense of calmness. It gives the illusion that we are viewing art."
The original layout was very much of the time: a perfect midcentury modern flow, with a closed-off kitchen and a fire put in the floor. “They were cool but impractical spaces,” says Schaer.
The daybed beneath the window was specifically designed for LOVT. Apart from hiding storage, it can be moved from the wall and split into two unites to provide extra seating.
A steel staircase connects the living room to the new second story while acting as a functional sculpture in the space. Cameron repurposed the timber paneling from another building site.
Sabine Marcelis for IKEA’s coveted ‘doughnut’ lamp adds a pop of playfulness to the open-plan lounge area.
RJ and Frances took down the wall to connect the kitchen with the living area, improving the home’s circulation.
The home has retained much of its historic character, including its original wood floors and doors.
Benjamin Moore's Barberry paint accents a wall in the living room, which it lit by a chandelier by Andrew Neyer. The ottoman is by Muuto.
Refinished floors and a coat of Benjamin Moore’s Devon Cream helped breathe new life into the space. The original ceiling fixture remains in place.
Marka and Joe's English Setter named Finn rests in the living room; not pictured is Finn's sidekick Charlie, the couple's other beloved dog.
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