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3,471 Living Room Coffee Tables Design Photos And Ideas

After architect Andrew Berman renovated a 2,800-square-foot, two-bedroom SoHo loft, designer Justin Charette fitted out the interior with minimalist furnishings and built-ins to complement the landmark building’s industrial and historical features—including a pressed tin ceiling and exposed wood beams. Designed as a pied-à-terre for a bicoastal client, the converted loft retains its high ceilings and tall windows that flood the open-plan interior with natural light while introducing a more streamlined aesthetic that includes a neutral palette of white oak, exposed brick walls painted white, and sleek contemporary furnishings—many of which were sourced from local New York designers and makers.
When OSSO Architecture first began renovating this loft in a Brooklyn paper factory, it hadn’t been touched since the 1980s. Owner Malik Ashiru says the project achieved his goal of “a big, open space where people could come in and not feel cramped.” The formerly constrained spaces in the 1,400-square-foot, two-story apartment have been reconfigured into an open-plan living space with an office on the first floor and a loft guest bedroom above. On the second floor, the primary bedroom and bath open up to a rooftop terrace. Level changes delineate different spaces in the open-plan first floor, which is stylishly furnished with Ashiru’s midcentury furniture and artwork collected from his travels around the world.
Husband-and-wife founders of Calico Wallpaper Rachel and Nick Cope show how easy it can be to put a personal, design-led touch on loft living—even when it’s a rental. When the Copes rented a Red Hook loft in an industrial 1860s warehouse, the couple turned their rental into a testing ground for their marbleized wallpaper business and installed wallpaper in each of their rooms. The custom pieces take inspiration from the loft’s immediate surroundings and characteristics—from the silver-and-gold marbled mural that complements the loft’s exposed structural beams to a color-gradient wallpaper in the primary bedroom that takes cues from the sunset seen from Red Hook.
Floor-to-ceiling glass melds the tiny building with its surroundings, while nine-foot-tall ceilings give it a spacious feel.
Amanda got rid of the mirrored wall and installed FLOS AIM Pendant Lights in the living room.
Artwork with stenciled letters by Christopher Wool inject a graphic dynamism into the living room. "Since they're a pair, it made sense to have them flank the television," O'Donnell says. A custom wall-hung media cabinet with angled doors—echoing the ones used elsewhere in the space—keeps the floor clear. The Noguchi table was one of Marc's first furniture purchases post-college, and the 1950s-era lounge chairs in the style of Maurizio Tempestini were a pandemic purchase from a vintage shop in St. Louis via 1stDibs.
Architect Amanda Gunawan’s 1,620-square-foot Biscuit Loft in Downtown L.A. is awash in gentle light. Designed by French-born, Missouri-based architect E.J. Eckel in 1925, the building had been converted by Aleks Istanbullu Architect in 2006 into a live/work complex. Amanda introduced Japanese-inspired touches to soften the industrial language. The harmonious living room features a CB2 sofa, white Eames Lounge Chair and Ottoman, Knoll Wassily Chair, and a rug and timber bench from Zara Home.
Crisscrossing steel cables give the apartments’ vaulted ceilings extra structural support as well as aesthetic interest.
SHED replaced the windows with new wood units of the same style. Note how the shelving at the half-wall aligns perfectly with the window mullions.
The half-wall makes furniture arrangement in the living room a bit easier, as a couch can be placed against it to create a conversation area near the preserved window seat.
SHED borrowed space from the front porch to increase the size of the living room by four feet and create a lounge spot in front of the fire.
The main living area features a black pellet stove in the corner and a raw-edge, white oak window seat, which add rustic elements to the clean, bright space.
"Selecting furniture for this space was a unique experience because, as it is not our primary residence, we wanted to find the right balance between guest-friendly pieces and custom pieces that felt unique and designed with the space in mind," says Tarah. "We split the difference by sourcing some budget-friendly pieces that were lower impact but high function at a reasonable cost."
The fireplace was painted white and now has a wood stove installed (not shown). "Once we got the wood stove, the room just came to life and became super cozy," says Jocie.
Wallpaper, ceiling features, George Nelson bubble lamps, and a slatted wood wall help differentiate areas in the open space. "I went a little crazy with wallpaper," says Flore. "I think it's more interesting than paint. But the best wallpaper here is this ocean. It’s good for creativity, good for life."
This sitting room–cum–art studio mixes modern with vintage. Flore’s prized 1950s Freeform Sofa by Isamu Noguchi, the glass FIAM Ghost Chair by Cini Boeri, and an Eames Plywood Lounge Chair provide plenty of iconic perches from which to contemplate his work—in this case, it's Urban Cubism on the easel.
Artist Christopher Florentino created this studio to be a source of inspiration. "This space is for me as an artist—to create in, to keep me inspired," he says. "I don’t think there are many spaces that have a Keith Haring and Shiro Kuramata chair in the same space. I’m trying to show who I am as a designer and as an artist."
Another perspective of the living area shows the adjacent kitchen and dining room, which feature cedar cladding along the ceiling to visually unite all of the spaces.
Inside, the voluminous living area features a double-height fireplace clad in cedar and large-format tiles—both of which are echoed along the facade as well. Full-height windows wrap around the opposite corner, providing an abundance of sunlight and helping to naturally heat the space during wintertime.
The second level showcases the ceiling’s rimakatto finish. The battens soften the home’s appearance while improving acoustics.
Just beyond the open-plan kitchen and dining room is the living room with a Gelderland sofa and JOV rug.
The original stone walls and wood ceiling beams were cleaned and restored to their natural finish.
Throughout the home, the walls and floors feature the natural grain patterns of lacquered plywood. The Stokke Tripp Trapp chair in the dining room was Lizz’s when she was growing up in the 1980s while the two Steen Ostergaard chairs were a thrift store find, and Project Room designed the table.
In the Dank Lounge, a film screen lowers in front of room-darkening curtains on movie nights. The deep sectional was built by Lizz and Isaac while the Blob coffee table is by Project Room, and the Scandinavian rya rug is vintage. The couple’s art collection includes works by many friends and local artists. A print by Alex Smith, along with drawings by Cammie Staros and Karl Haendel, hang in the lounge beside a painting by John Finneran and a photo by Lizz.
The couple’s baby, Esphyr Rain Superbloom, and Eli lounge next to a MOCA mirrored bench, also by Project Room, and an off-white leather sofa. “I won’t tell you how little we paid for the couch,” Lizz says of the vintage find. The hand-painted pendant is also by Project Room while the assorted Rowena Sartin pillows are by Iko.
The hearth is custom made with locally poured concrete. The white oak timber beam that caps the inset hearth echoes the beam detail in the entry.
In the double-height living area, a pair of vintage Sirocco chairs by Arne Norell face an oval coffee table from Elte.
A sofa from Città sits in the light-filled living room.
The overlapping roofs rest on structural timber window frames, allowing for column-free views through the interior.
The couple’s two sons, Isaac and Charlie, play music with Charlie’s girlfriend, Saskia Randle, in the living room, where an Isamu Noguchi Akari lantern hangs above a Cloud sectional from RH Modern.
The mezzanine level hosts the bedrooms and overlooks the lower living spaces.
Floor-to-ceiling glass doors that stretch 27 feet long connect the interior to the side patio.
A view of the cozy lounge room, with its fireplace, sandstone rock wall, and windows overlooking the lush surroundings.
The minimal interior lets the great outdoors take the limelight.
Small details—from organic products to sustainability sourced materials—helped the couple to bring their zen MO home.
There are a variety of living areas, allowing the family to come together or inhabit different spaces. The den has a piano where the children can indulge in their passion for music.
The most costly parts of the build were the board-formed concrete walls and fireplace. “We believe it was worth spending the money here for a few reasons,” reveals architect Cavin Costello. “The mass anchors the house into the landscape, and the material is incredibly durable—something we need in the harsh desert sun. The board-forms give the home a wonderful character.”
Sean Brown’s Toronto apartment is stacked with a collection of nostalgic magazines from the 90s and early 2000s, coordinating with his viral CD rugs.
Photo: Willem-Dirk du Toit
The minimalist living space is furnished with a Jonas sofa and a midcentury Peter Hvidt and Orla Mølgaard-Nielsen coffee table produced for France & Son.
All-Weather 8000 Series double-glazed sliding doors frame views of the landscape and flood the interior with natural light.
The living and dining room look out to the central courtyard, promoting indoor/outdoor living. Here, five doors slide into a pocket in the wall to create a nearly 23-foot-wide opening on one side looking into the garden. Another set on the opposite side enhances cross ventilation.
Birch plywood floating cabinets line the wall, carving out room for a painting that commands the dining room. The rest of the decor is quiet with subtle pops of greenery to echo the striking piece.
Crawford taught himself how to reface the brick fireplace façade, using a creamy-colored, thin set brick. “It was his first time using a tile saw or laying brick, but his meticulous precision paid off,” says Devlin.
The wood slat wall was a great solution for spreading light throughout the split-level and looks right for the era of the house. At $2700, it was also much more cost effective than Devlin’s original design of a metal staircase.
Ashoka enlisted the services of the San Miguel de Allende–based interior studio NAMUH in selecting pieces for the interiors. The living room features a soft gray buffalo leather sofa, a reclaimed oak table with metal accents, and an Indian jute rug.
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The modern living room is one of the busiest spots in the house. It is where family and friends alike gather to share stories, watch movies, read, and unwind. As you'll find in the projects below, there are endless ways to configure a fresh living space with modern options for chairs and sofas, sectionals, end and coffee tables, bookcases, benches, and more. Innovative fireplaces add a touch of warmth.