Howells Architecture + Design is a small architecture + interior design practice, serving the Pacific Northwest, West Coast, and Rocky Mountain West. Our mission is to create warm, tactile, clean-lined spaces that have a natural flow and are built to last. Humane. Refined. Intuitive. Respecting both past and present. These goals guide every project, big or small. Firm principal Michael Howells has extensive experience in residential renovation and single family homes. Our work has been published in many local and national magazines.

Focusing on rural homes in New England with emphasis on excellent plans, emotionally uplifting spaces, low energy use, tactile and locally sourced materials and a very collaborative process.

Dutch artist Paula Leen's works revel in the feel of felt. Pillows, throws, rugs, curtains and wall hangings become canvases of tactile contrasts; the hard edges of vases and lamps dissolve into tenderness at the touch. She proves that opposites attract, and that they are most attractive when they are in her hands.

Insider Outsider is a small design practice with a rigorous focus on place-making for engaged, sustainable and practical living. We are driven to make purposeful, tactile and enduring buildings that create and sustain strong connections between people and the communities, landscapes and structures they inhabit. Folio on instagram @insider__outsider

We believe that all design begins with the human experience and a creative approach toward problem solving. Driven by the desire to create cohesive, innovative designs and experiences, we strive for beauty and elegance in every design consideration. Warmth, vibrance, and tactility are combined with an unwavering eye for tailored details, resulting in elegant and livable spaces that enrich daily life. Inspiration is drawn from multicultural influences from around the world, as well as a contemporary commitment to inventive uses of materials and building technology. Design specialities include the architectural and interior design of residences, restaurants/hospitality, retail and office spaces.

Spiegel Aihara Workshop (SAW) is a San Francisco-based architectural practice founded by Dan Spiegel and Megumi Aihara. SAW is a transdisciplinary design firm, operating at the nexus of architecture, landscape, and urban design—which allows them to work across scales (from the tactile object to the city) and timelines (from the immediate to the ecological) at the onset of a project. They believe in the transformative power of good design, in the inextricable relationship between building and context, and in the vital role the built environment plays in the development of community.

Note is a Stockholm-based design studio founded in 2008. Note is named after what the firm seeks to achieve, to both note something and get noted. Note likes to pay attention to surroundings, and try to create things that make others do the same. By looking at what is unique in every project and emphasizing that, Note transforms non-material values into tactile objects and spaces. Note works within the fields of architecture, interiors, products, graphic design, and design strategy.

Massproductions is a Stockholm based furniture company, run by experienced designers Chris Martin and Magnus Elebäck. Massproductions develop high quality, tactile furniture in a modernist spirit. Englishman Chris Martin and Swede Magnus Elebäck launched the company in 2009. “Our knowledge and passion is in mass production, hence the name. Our goal is to use industrial processes to create furniture which people can get excited about, something that gives them pride of ownership. You can do that with a hand-crafted piece, but for us the satisfaction comes from achieving it with an industrially produced article,” says Chris Martin.

Explore the world of opulence with the selection of designer shoes available at Avar Shoes. Step up your fashion game and savour the tactile delight of high-end footwear. https://avarshoes.com/

bSTUDIO Architectural Design is a multi-disciplinary international design practice founded in 2006 by Breanna Carlson. Based in Brooklyn, New York and Los Angeles, California, our work includes jewelry, home products, lighting, furniture, interiors, and architectural projects. Integral to every project is a desire to stretch the imaginative bounds of quotidian objects, programs, and materials to reveal latent graphic, spatial, and tactile relationships in an engaging way.

Living in a digital age has fueled his passion for the tactile and handmade. There is a warmth to handmade things because they have a story, life, and history that comes from the person who makes them as well as the person who possesses and cares for them.

Karawitz is a creative and efficient Parisian architect’s office which strives to embrace both ecology and design. Its ever more innovative creations with their bioclimatic technical capacities, systematically aim for a contemporary edge when it comes to aesthetics. KARAWITZ do not choose between intelligent and beautiful architecture, they demand both, without compromise! Their desire for innovation encourages architects to meet the delicate and fascinating challenge of creating resolutely modern architecture, able to fit in anywhere and at any level, with power adapted to sustainable requirements, brimming with character and able to appeal to onlookers. But architecture is not the end of it. What counts is the value of use of designed areas, their functional, and technical as well as aesthetical, acoustic and tactile features.

You know when you visit your local vintage shoppe hoping for that rare, once-in-a-lifetime find that you spend a lifetime searching for? Or perhaps when you take your first trip overseas, staring out of the airplane window seat at the vast ocean below you. Or your first boy/girl dance? That’s Pigeon Toe. Founded in Portland, Oregon in 2009, Pigeon Toe Ceramics is the brainchild of fine artist and designer Lisa Jones. With a flair for modern, Scandinavian design and a knack for the craft, Lisa and her team lovingly mold each vessel, basin and bowl with delicate strength. Playful and charming, Pigeon Toe Ceramics redefine the rustic chic aesthetic with casual irreverence. Lisa’s products transcend trends, leaving behind an heirloom that’s hardly old-fashioned. Polished and refined, yet naturally imperfect, Pigeon Toe Ceramics is inspired by a new age of homegrown, depression-era aesthetics. Clean and tactile, white and pure.

RO | ROCKETT DESIGN is a full service architecture and design collaborative interested in improving, re-imagining and creating spaces, landscapes and environments. We aim for our projects to provide and evoke the spectrum of experience from utility to simple joy; places that we want to return to over and over. Our design philosophy is centered around the belief that spaces need to be shaped, lit and clothed in a way that can dynamically mediate an occupant’s relationship with the surrounding site, both near and far. We have a specific focus on the proportion of spaces, the use and registration of natural light throughout a room and the manner in which materials lend character and tactility to a place. Our studios live in Los Angeles and San Francisco, however they function as one, thinking and producing interactively and seamlessly in real-time on all projects.

Lundberg Design is a San Francisco-based twenty person architectural firm founded by Olle Lundberg in 1987 that does work for private and commercial clients throughout the United States. We specialize in high-end modern design, with no particular emphasis on any particular building type. While the core of our practice is architectural, we remain committed to providing design at many levels and are often involved in product, landscape, graphic, and sculpture design. Our signature style tends to be characterized by sculptural form, simply and elegantly executed, with a firm belief in the importance of the carefully thought out detail. We also have our own dedicated 4,000 sq. ft. metal fabrication facility for custom design work and experimentation. All of the design work is centered on the qualities of materials – how they can be plied, bent and cut to produce a visual and tactile result. We are a firm that loves the physical qualities of the objects we create. We are located in the Dogpatch neighborhood of San Francisco, in a 1933 mattress factory building. It is a perfect building for the kind of firm we are – raw concrete walls and exposed timber trusses, with high volumes and enough square footage to house our architectural practice, fabrication shop, and even a work-week apartment for Olle. The practice has always been very diverse – we have designed homes, restaurants, wineries, corporate headquarters, distilleries, hotels, apartment buildings, bars, lobbies, and even San Francisco’s bus shelters. We describe our style as “nature-inspired modernism,” and we strive for elegant, simple solutions in our work. We like materials with substance – wood, stone, steel; materials with heft and texture – really the opposite of veneer. For us the making of architecture is a collaborative act; between ourselves and especially with our clients – while we aim for poetry we also pride ourselves on making buildings that work very, very well.

Interiors Dubai is a modern interior design company with an emphasis on tactile beauty. It provides services ranging from the planning and execution of residential interiors to stage design, furnishings. Our interior designers cover the entire spectrum of styles, materials, and budgets. Web - https://interiorsdubai.ae/ Email us - info@interiorsdubai.ae Call us- 056-600-9626

Monopol made high quality steel products since its establishment in 1879. Originally based in East Germany, the company relocated to Marburg in West Germany after WWII. The company is renowned for its for its stainless steel corkscrews and kitchen utensils. Monopol can openers are heavy, tactile, beautifully crafted. In 2005, the brand was acquired by Westmark, which continues to manufacture products in the Monopol line.

Parisian designer Benjamin Graindorge is self-deprecating but completely content in his chosen métier, professing that “learning is freedom.” His enlightened state derives from time spent in Patagonia as a student—a period when he considered dropping out of design school—and a later sabbatical in Japan. Before his travels, Graindorge admits he was more interested in the image of an object than its relationship to its user. Following his worldly design education, as well as a yearlong stint with renowned furniture designers Ronan and Erwan Bouroullec, his work has taken on a new dimension. It’s still ethereal—spy his ceramic vases and lamps for Moustache, which ripple and bubble across an otherwise smooth surface, or his limited-edition art pieces for gallery Ymer & Malta—but it is ultimately grounded in a humanistic expression of scale and tactility. “For me,” Graindorge says, “the perfect assemblage is the human body.”

Led by Mara Skujeniece, Studio Skujeniece designs furniture and interior products. Central to Mara’s work which takes much of its inspiration from her Latvian origins, is the tactility of material, honesty in expression and a well thought-out process. Among other projects, the studio was commissioned to design the tableware for de Bakkerswinkel bakery/cafes in Amsterdam and a Moroccan ceramic collection ‘Made in Fez’ for Butterfly Works, Amsterdam. Mara Skujeniece is also currently a teacher at Design Academy Eindhoven.

Studio Diaa designs atmospheres where integrated architecture, interiors and custom objects merge to create holistic environments. We craft spaces with a distinctive tactile quality, artfully combining light, sound and materials. Our architecture and interior designs engage the senses, paying close attention to the nuances that shape experience. We strive for site-specific designs that offer a heightened awareness of place, informed by an attentiveness to the surrounding environment and needs of the inhabitants. Working in close collaboration with clients, craftspeople, artisans, consultants and builders, we cultivate a shared experience of design. We believe in revealing the inherent beauty of materials and capturing natural qualities of the environment: light, wind, water and land. Atmosphere is about finding beauty in subtlety. We create intimate and thoughtful buildings, spaces and objects that aspire to move the human spirit.

Sculptures Jeux and its philosophy are based upon an eclectic mixture of tactile, visual and perceptive emotions in the revelation between daily dimension and sculpture. Can creative power and functionality express themselves in the same project / object? Bernard Vuarnesson and his wife Ariane thought so: after Ariane completed her Art studies at the Louvre School, and Bernard graduated at the Ecole Supérieure du Bois and the Conservatoire National des Arts et Métiers in Paris, they both embraced this principle by founding Sculptures Jeux in 1973 and giving life to “playful sculptures” in interior furnishings.

Led by Stephanie Forsythe + Todd MacAllen, molo is a design and production studio based in Vancouver, Canada. Balancing between the realms of art, design and architecture, molo products and projects are grounded in space making and range in scale from tea set to museum. The design of molo products stems from Forsythe + MacAllen’s architectural exploration. They are inspired by the concept of smaller, tactile objects having true potency in the experience of a space. By working across a range of sizes, Forsythe + MacAllen discover how furniture can heighten the sense of human scale and experience in architecture, or how furniture and product design benefit from thinking in the larger context of place and space making. Hands-on making has always been fundamental to Forsythe + MacAllen’s design process. Ideas pass from mind to hands to material and back again, ingraining a tactile sense of materiality, construction, space and experience. This process has developed to include experimentation with factory production, in close collaborations with manufacturers. It is a way of working that leads to happy accidents and discoveries, inspiring design improvisation and original thinking. molo’s award-winning soft collection, comprised of flexible space partitions, lighting, seating and table elements exemplifies their exploration of production process and experiential space making. Recognized for poetic beauty and pragmatic innovation, softwall and softseating were acquired by the Museum of Modern Art for their permanent collection. molo and the soft concepts have also been honoured with the prestigious Danish INDEX Award, for design to improve life. Forsythe + MacAllen began working together in 1994 at Architecture school. Constructing a number of houses and small-scale objects, Forsythe + MacAllen won several international competitions for design projects and conceptual ideas, including Grand Prize in the Aomori Northern Style Housing Competition, juried by Tadao Ando and Jean Nouvel. The Aomori submission would later evolve into the waterfront Nebuta House, a museum dedicated to its namesake festival. These early projects and ideas have become molo’s foundations. Since its formation in 2003, molo has assembled a dedicated team and grown into a thriving collaborative design and production studio. Additionally, molo has an extended family of specialized manufactures, consultants and contractors that they work with in a beautiful endeavour to bring imagination to fruition.

Derek Chen is the founder of Council Design. A designer in his own right—by way of Engineering School and Silicon Valley—he is also the founder of Urbana Design, a company named after the Illinois city where he spent much of his childhood. Through Urbana Design, Chen produces sleek tabletop items and contemporary furniture. His work has been covered in media outlets including Wallpaper*, The New York Times, InStyle, and Plaza. Chen’s work reveals the engineer’s eye for the strategic application of technology as well as an awareness of the visual and tactile appeal of natural forms and materials—it is an easy blend of high-tech and hand-craftsmanship. He lives and works in San Francisco.

The first thing to know about MOS is that we are a collective of designers, architects, thinkers, and state-of-the-art weirdoes. The two principals, Michael Meredith and Hilary Sample, teach at Harvard University and Yale University while maintaining the practice. We work all over the world, designing private houses, institutional buildings, urban strategies, research, books, installations, and other projects that are less easily categorized. We really don't know exactly when MOS started, but it was sometime in 2003. At first our name was !@#?, which we quickly found was too difficult to use because 1. you couldn't pronounce it and 2. you couldn't get a web address. So eventually we drifted towards MOS - an acronym of our names and a shared desire to be horizontal and fuzzy, as opposed to tall and shiny. We began our makeshift office around a large table and began working through a range of design experiments - a make-believe of architectural fantasies, problems, and thoughts about what we would be building if we could only get the work. Today, as we've grown, we continue to operate around one large table as a small experimental office that works closely on each project through playful experimentation, serious research, and old-fashioned problem-solving. Through our work we engage architecture as an open system of interrelated issues ranging from architectural typology, digital methodologies, sustainability, structure, fabrication, materiality, tactility, and use, as well as larger networks of the social, cultural, and environmental. This process of participation and inclusion - radical inclusion - allows MOS to operate, producing and inflecting environments at a multiplicity of scales.

molo, based in Vancouver, Canada, is a collaborative design and production studio led by Stephanie Forsythe, Todd MacAllen, and Robert Pasut. The molo studio is dedicated to the research of materials and the exploration of space making. As a design and manufacturing company, molo creates and distributes its unique and innovative products to clients around the world. molo products grow from Forsythes and MacAllen's architectural explorations. Inspired by the idea that smaller tactile objects have a real potency in the physical experience of space, molo sets out to create objects that define intimate temporal spaces. Recognized for poetic beauty and pragmatic innovation, molo's products have received numerous international awards and have been acquired into the collections of museums and galleries worldwide including the Museum of Modern Art (MoMA) in New York.

Atelier Kastelic Buffey is the architecture studio of Robert Kastelic and Kelly Buffey, architects dedicated to the practice and art of building. Founded in 2004, the architecture of Atelier Kastelic Buffey is distinguished by its clarity of vision, poetics of space and attention to detail. A quiet simplicity is achieved through a rigorous process and commitment to conceptual intent. With a unified approach to interior-exterior relationships, AKB transforms the ephemeral into the tactile, creating architecture with a palpable sense of space. Pragmatic elements of volume, light, proportion and materiality are studied to develop refined experiences that respond to each project's unique site, context and program. The resulting buildings are engaging, elegant and functional with an exceptional warmth. AKB enjoys working in close collaboration with clients to ensure all needs are met. Through research of relevant data, theories and precedents, the studio combines the practical and the abstract to establish concentrated and creative solutions with an inherent consciousness toward sustainability.

Born of a unique expertise in contemporary textile design and e-textile technology - an innovative marriage of textiles, design and electronics, IFM's exclusive lighting products add style and warmth to any room. Our patented Plush Touch™ sensing technology is the magic behind our lighting products. By embedding electronic fibers directly into fabric, we've created lighting controls that combine softness and style to provide a delightful interactive experience. Because these lighting controls are beautiful, inviting and downright fun to use, they appeal to just about everyone - from design aficionados, to anyone who enjoys playful tactile experiences. Kids love them as much as grown-ups. Just a gentle tap of the plush fabric turns on, off or dims the lights, and transforms the act of lighting a room into an extraordinary sensory experience. Just one touch and you'll be hooked.

Goldiehome is a collection of eco-conscious homewares inspired by the geometry and tactility of nature. By fusing sophisticated design with environmentally-responsible practices, Goldiehome strives to set a new standard for organic modern luxury. Each piece is made from SKAL & GOTS certified organic cotton. Fibers are custom spun to achieve fine detail in jacquards and higher thread count sheetings. From the actual products to the packaging and collateral materials, Goldiehome aspires to make the best environmental choices within the framework of commercial manufacturing. Elana Bober is the Founder and Head Designer of Goldiehome. A graduate of Yale University and the Parsons School of Design, Elana worked for eight years in the home industry before founding Goldiehome. As Designer for Donna Karan Home Collection, she developed a keen sense of aesthetics and brand. As Director of Design for Keeco, Elana mastered global manufacturing processes. Goldiehome merges her expertise and innate sense of style with her love of the natural world.

Patty Benson started Papaver Vert in 2007 making her small apartment shared with her husband into a small creative studio in Northern California. Based on form, function and bold color, Patty's work utilizes the time consuming technique of crocheting and wet felting wool to create tactile pieces with a contemporary twist. Learning how to crochet a few years ago, she immediately found a medium that combinedher love of wool with her love of home decor. Feeling that home accessories shouldn't just be limited to ceramic or glass, and that felted wool doesn't have to mean something old-school, she loves the idea of taking the ancient technique of felting to design something entirely new. Patty loves that wool is a renewable resource and she stands behind a non-mass produced sensibility. Each piece is lovingly handmade in her studio and she figures the more attention put into the craft, the better the quality, the longer it will last and the less need to buy more, more, more.

Aachen-born designer Sebastian Scherer embraced the value of less from a young age. “My first apartment was in Mies van der Rohe’s house,” he recalls, “so I started dealing with the principles of Bauhaus early.” After developing a passion for furniture design at the Aachen University of Applied Sciences, where he studied under Karel Boonzaaijer and Jan Armgardt, Scherer relocated to Berlin and set up his own studio in 2010. Bearing the indelible mark of van der Rohe’s influence, his minimalist pieces toy with our perception of depth through clever use of light, color, and material. Comprised entirely of colored glass, his Isom series of hexagonal side tables appear to flatten with distance, evoking an isometric drawing of a cube. Functional yet strikingly visual, Scherer describes them as the “perfect combination of form and function.” - The original ideas in our design process always launch an extensive journey of discovery. While searching for the best materials and the perfect production processes, NEO/CRAFT constantly considers the enjoyment and pleasure that a table, lamp or everyday object should evoke – each day of the year, and for decades to come. A certain material may trigger an initial design idea. But choosing the right material also lends products a unique tactile nature, ensuring that their quality endures over the years and that they never lose their inherent beauty. Innovative production processes, meanwhile, open up exciting and surprising new opportunities. NEO/CRAFT develops products from top-grade raw materials, which are processed in highly innovative ways. Their form is often deceptively simple – after all, it’s the details that make every object unique.

LTBa is a Denver-based architecture practice, specializing in modern new homes and remodels. We are passionate about finding innovative design solutions that respond to our client’s needs and exceed their expectations. Nearly two decades of experience has taught founding Principal, Luke Taylor-Brown, AIA, that attention to client service and communication are the foundation of every successful project. Our holistic approach to architecture highly values both conceptual thinking and technical competency. We seek clean, elegant design solutions and pursue inventive use of materials in order to excel at creating homes that are highly livable, cost-effective, and energy efficient. We know that each project is unique, and success depends on the collaboration of many people. We embrace that challenge and work hand-in-hand with our clients, consultants, and craftsmen to produce exceptional results. It is our goal to deliver homes that inspire and bring joy to their inhabitants for years to come. On a larger scale, we also consider every project an opportunity to contribute thoughtful architecture to enhance Denver’s residential neighborhoods. _ _ _ Luke Taylor-Brown, AIA, is LTBa’s owner and principal. Raised in western Massachusetts, Taylor-Brown’s interest in art and innate desire to build things led him to pursue architecture from a young age. Graduating with honors, Taylor-Brown received a Bachelor of Architecture degree from Syracuse University’s School of Architecture. His broad professional experience includes working for award-winning firms in Boston, MA and San Francisco, CA. Inspired by natural light and the tactile nature of materials, Taylor-Brown’s design approach looks for ways to connect both architecture to the natural world, and people to the architecture they inhabit. Warm and personable, he is a keen listener and able translator of his client’s ideas. Dedicated to exceptional client service and imaginative design solutions, he founded LTBa, in 2016. Luke and his wife, a Colorado native, are raising their two young children in the Crestmoor neighborhood of Denver. When at home, you will find the family and their friends around the kitchen island, playing games, and sharing great food and conversation.

Founded in 2004, Atelier Kastelic Buffey is the Toronto-based architecture studio of Robert Kastelic and Kelly Buffey, architects dedicated to the practice and art of building. The quest to capture the poetic and ineffable qualities of space manifests in AKB’s design process, which prioritizes a clarity of vision, attention to detail, and a rigorous commitment to conceptual intent. The work of the studio benefits from Robert and Kelly’s extensive training in both architecture and interior design: AKB is able to execute projects at an extremely high level of resolution, evidenced by a quiet simplicity and an uncommon level of refinement. A unified and holistic approach to interior and exterior space merges building and landscape into a seamless experience, transforming the ephemeral into the tactile. Elements of volume, light, proportion and materiality are orchestrated to resonate and respond to each project's unique site, context and program. The resulting buildings are warmly engaging, elegant and functional. AKB recognizes the importance of a collaborative process in maintaining an open dialogue with their clients, ensuring all needs and desires are met. Meticulous research, precedent studies and the deployment of current sustainability strategies enable the studio to fuse the practical and the abstract in an architecture that is creative, inspired and enduring.

I am a third generation artist and have been getting my hands messy in one form or another since my mother put me in my first drawing classes at the age of eight. Before dedicating myself full time to my art I spent two decades working in luxury fashion in New York. Inspired by the varied textures, intricate drapes, and color palettes of the designers I had the opportunity to work alongside I seek to similarly create art that elevates and transforms the energy of a space with vibrant colors, the sensation of movement and tactile experience to match the visual .My paintings are layered, both literally and metaphorically. Each painting begins with the written word. Journaling on a blank canvas, I write about people, places,, fantasies, dreams, and feelings. Though this psychic output may not be visible in the final product, it sets the energetic direction of each piece. I work with a variety of tools, including putty scrapers, rollers, sponges, cloth, and even my bare hands and feet, creating layers of rich color, bold lines and, ultimately, paintings that are both compelling and accessible.

Nadia Inanna's origins trace back to the serene coastal landscapes of Connecticut, a contrast to the bustling urban life she now leads in Chicago. Her professional path is distinguished by a six-year immersion in creative writing, fortified by an academic foundation in fashion merchandising and enhanced by her enduring love for design. Her narrative celebrates unwavering ambition, meticulous dedication, the spirit of collaboration, and a deeply rooted sense of empathy. Her story is laced with the dual threads of her heritage—the regal Russian culture of her ancestors and the innovative, can-do spirit of America. These influences shaped her academic choices, steering her towards a field that allowed her to weave her creative flair with the structural rigor of business dynamics. This educational journey was about acquiring knowledge and shaping a vision that would guide her future endeavors. Her professional life reflects her ability to create harmony between words and visuals, lending a voice to the silent artistry of fashion designers and visual storytellers. Her career is punctuated by moments of profound partnership as she draws together various strands of creative expression into a cohesive narrative. In parallel with her literary accomplishments, she has also mastered the tactile world of design. Her skills traverse the breadth of accessory creation, from the time-honored craft of leatherworking and metalwork to the innovative frontiers of 3D printing. She stands at the threshold of launching her line of accessories, a culmination of her creative journey and a testament to her drive for innovation.

Resembling artworks more than conventional fabrics, the contemporary creations produced by the Anne Kyyrö Quinn studio are not textiles as you once knew them. Cut, sewn and finished by hand, our unique choice of luxury natural fabrics are crafted into interior textiles designed to harmonise timelessly with any setting. Each product is conceived as a gesture of simplicity, yet, we make space for bold colours, rich textures and striking motifs. Anne Kyyrö Quinn’s sculptural approach has pioneered a new genre of interior textiles based on three-dimensional structure rather than smooth surface ornamentation. Our products are based on a portfolio of eighteen core designs inspired by organic shapes and expressed with Scandinavian simplicity. Whether crafted into cushions, throws, table runners, wall panels or blinds, each design has a tactile feel that appeals to the eye as well as to the hand. As we merge twenty-first century design with textures inspired by the natural world, our products bridge the gulf between the urban interior and the natural landscape, and bring an elegant, unassuming beauty into everyday life. Our commitment to design excellence makes Anne Kyyrö Quinn one of Britain's leading manufacturers of handcrafted interior textiles. Since the studio was established in 1999, our products and bespoke textile services have been distributed internationally to design showrooms and retail outlets, and marketed by independent agents. From our base in London, we provide a consultancy service for special residential or contract projects, working with architects, contractors and interior designers to create tailor-made pieces for a wide range of interior settings. As Anne Kyyrö Quinn’s products continue to gain acclaim in leading interiors around the world, our commitment to quality, innovation and design excellence travels with them.