The Pavilion Company is a home design and construction company, focusing on custom new builds and extensive remodels.

Dwell on Design – April 5 - 7, 2018 – Los Angeles A festival of design featuring hundreds of brands, unmatched onstage conversations led by Dwell editors and unlimited industry influencers, full-scale prefab homes, Dwell Outdoor, Ride 'n Drive, Modern Family Pavilion, Consultations, and more.

Jenny Wu is a partner at the Los Angeles based design firm Oyler Wu Collaborative, which she started in 2004 with Dwayne Oyler. The office has been published globally and is recognized for its experimentation in design, material research, and fabrication. Their work straddles between two scales: small scale experimental installations as well as large scale building projects. Their recent projects include "reALIze," an art installation based on the face of Muhammad Ali (designed in collaboration with Michael Kalish), "Anemone," an architectural installation made with 60,000 rubber tubing in Taipei, Netscape, a temporary pavilion made of nine miles of knitted rope for Sci-Arc (Southern California Institute of Architecture) graduation, and a 16 story residential tower in Taipei, Taiwan. She is a design faculty at Sci-Arc and received her BA from Columbia University and MArch from Harvard University.

Zaha Hadid (1950- ) is amongst the most famous, celebrated, and reviled architects working today. Some criticize her work as insensitive to context and function--sculpture at the scale of architecture--while others praise the first female Pritzker Prize winner's deconstructivist style as perpetually on the vanguard of form and technology. For all her attention, she has produced few buildings. The first to actually be built was a fire station at the Vitra headquarters in Weil am Rhein, Germany, which was quickly abandoned as a functioning firehouse and repurposed into gallery space. Her other prominent commissions include the Rosenthal Center for Contemporary Art in Cincinnati; the Chanel Mobile Art Pavilion which has been in Tokyo, Hong Kong, New York and other places; the BMW Central Building in Leipzig, Germany; and Maggie's Center at the Victoria Hospital in Kirkcaldy, Scotland. She works from her studio in London.

Without Ludwig Mies van der Rohe (1886-1969), there would not have be the International Style we know today as the impetus for mid-century modernism. Born in Aachen, Germany, Mies (who was born Ludwig Mies and adopted his mother's maiden name, Rohe, in 1921) worked, in his early years, in the office of Peter Behrens, which employed Le Corbusier, Walter Gropius, Hans Meyer, and Peter Grossman at the same time as well. Inspired by the work of Karl Friedrich Schinkel, Mies lay his first monumental foundations in the early 1920s with an office building and skyscraper in Berlin (though, of course, they could have been placed anywhere), both sheathed in glass. His 1929 Barcelona Pavilion--from which also comes the Barcelona chair produced by Knoll--became iconic of the International Style and its use of modern materials (like glass, steel, and, here, marble and travertine) meant for any and all locations. Like many German modernists, Mies immigrated to the United States during the Nazi reign and found his home in Chicago. In the U.S., he created American masterpieces like the S.R. Crown Hall at the Illinois Institute of Technology, the Seagram Building in New York, and the Farnsworth House, just outside of Chicago. Though he passed away in 1969, his legend, like his influence, continues to live loudly.

Eliel Saarinen (1873-1950) was an important figure in the earliest awakenings of Scandinavian Art Nouveau architecture, and was responsible for such masterpieces as the highly regarded Finnish Pavilion at the 1900 World's Fair. In this country, Saarinen is best known as the Dean of Cranbrook during that school's golden age, when his students included Charles and Ray Eames, Harry Bertoia, Florence Knoll, and, of course, his son Eero Saarinen.

gon is an architecture office headed by Gonzalo Pardo. His practice focuses on the research and development of multi-scale projects whose common denominator is a ludic, experimental, critical, and optimistic point of view of contemporaneity. Its interests focus on the creative processes of architectural design and construction, but also on the role that mediation and communication play in architecture as fundamental vehicles for transforming the world into a more sustainable, dignified, and free place. Gonzalo Pardo graduated as an architect from ETSAM and holds a PhD cum laude since 2016. His doctoral thesis “Body and House. Towards the contemporary domestic space since the transformations of the kitchen and the bathroom in the West” was also awarded the Extraordinary Prize of Doctoral Thesis 2016-2017, and an honorable mention at the XI Contest of the Thesis Contest of Arquia Foundation. Associate Professor in the Department of Architectural Projects at ESTAM, since 2007 he teaches at different universities and institutions covering different subjects related to the process of architectural design. Deputy Commissioner of the Spanish pavilion at the 16th Venice Biennial, he has won 41 national and international awards since 2000, including the first prize for the renovation of the AZCA block in Madrid in 2007; the second prizes in the international skyscraper competitions in New York and Velux in Denmark in 2007; COAM prize in 2004 for the curatorial cycle Paréntesis, and Runner-Up price in Europan 14 competition at Barcelona site.

John Gollings is an architectural photographer specializing in the built environment including the documentation of both ancient and modern cities around the world. In 1967 John had begun work as a freelance advertising photographer specialising in fashion. This work gradually broadened into large scale location work and travel accounts. Much of his work is in Asia and includes many years at Angkor Wat and Kashgar, on the Silk Road. John's work is characterised by strong formal composition but with a didactic, and wider, contextual viewpoint. He holds a master’s degree in architecture from RMIT University and is an Honorary Fellow of the Australian Institute of Architects. John was Creative Director, with Ivan Rijavec, of Now + When for the Australian Pavilion at the 12th Venice Architecture Biennale. John Gollings operates from a collaborative design, photography and 3D rendering studio in Melbourne, Australia.

“The provocation of the random and the unpredictable is our strategy in approaching the spatial and programmatic aspects of architecture. We work at discovering the factors leading beyond pure functionality – it is how we see the essence of architecture.” Marie-Therese Harnoncourt-Fuchs (*1967) and Ernst J. Fuchs (* 1963) founded the next ENTERprise Architects in 2000 in Vienna, Austria. From the beginning tnE have operated in a field that ranges from experimental installations to architectural practice, treating both approaches as equal and mutually influential. Projects like the Zirl House / AT (1997), Stadtwind / AT (2000), Blindgänger / AT (2000), Underground Swimming Pool / AT (2001), Audiolounge / AT (2001), Trinkbrunnen / AT (2003), How to Start a City / AT (2003), Lakeside Bath Caldaro / IT (2006), Cloud Tower - Open-air pavilion Grafenegg/ AT (2007), Residential development Auer-Welsbach-Straße / AT (2007), Archaeological Center Mainz / GER, competition 1st prize (2010), Noeklius _ informed sculpture / AT (2014), Fidesser House / AT have been widely published and awarded. The studio was nominated several times for the Mies van der Rohe Award / Further Prizes: Austrian Baupreis, Clients’ Award of the Austrian Architects Association, City of Vienna Award for the Advancement of Architecture, the Lower Austria Award for Cultural Achievements in Architecture. Their projects and installations have been shown among others at Archilab Orléans / FR (2000, 2001, 2003), Latent Utopias, Steirischer Herbst / AT (2002), Bienal de São Paulo / Brazil (2003), Manifesta / IT (2009), Venice Biennale / IT (2004, 2006, 2010, 2016),’Fractional Systems’ at Mackey Garages, Los Angeles (2010), Walking Chair Gallery Vienna / AT (2011), Aedes Gallery Berlin / GER (2004, 2014). Their project UN/COMMON SPACE UN/DEFINED LIVING for "Places for People" was presented in the Austrian pavilion at the 15th International Architecture Exhibition LA BIENNALE DI VENEZIA 2016 in Venice / IT. Marie-Therese Harnoncourt and Ernst J. Fuchs are internationally invited for talks and lectures, and they have held teaching appointments among others at the University of Applied Arts Vienna / AT, Vienna University of Technology / AT, University of Innsbruck / AT, University of Art and Design Linz / AT, Academy of Fine Arts and Design Bratislava / SK, École Spéciale d’Architecture Paris / FR. The first monograph of the next ENTERprise 'Close to the Bone' was published in 2007 (DD22, Damdi Architecture Publishing Co., South Korea). www.tne.space

MVRDV was set up in Rotterdam (Netherlands) in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. In close collaboration, the 3 principal architecture directors produce designs and studies in the fields of architecture, urbanism, and landscape design. Early projects such as the headquarters for the Public Broadcasting Company VPRO and the WoZoCo housing for the elderly in Amsterdam brought MVRDV international acclaim and gained the attention of a wide field of clients. Realized projects include the Dutch Pavilion for the World EXPO 2000 in Hannover, an innovative busiess park 'Flight Forum' in Eindhoven, the Silodam Housing complex in Amsterdam, the Matsudai Cultural Centre in Japan, Unterföhring office campus near Munich, the Lloyd Hotel in Amsterdam, an urban plan and housing in The Hague Ypenburg, the rooftop housing extension Didden Village in Rotterdam, the cultural centre De Effenaar in Eindhoven, the boutique shopping building Gyre in Tokyo, Veldhovens Maxima Medical Centre and the iconic Mirador housing in Madrid.

Bruno Taut was an early modernist architect and urban planner. After studying and doing apprentice work in architecture and construction, Taut started his own firm in Berlin with his brother Max. He wanted to marry the fine arts and applied arts, and amongst his notable early work was the Glass House, a 1914 pavilion for an exhibition in Cologne. He went on to work as the architect-in-chief for the German city of Magdeburg from 1921-24 and joined a group of forward-looking influential architects known as "The Ring" in 1925. The rise of the Nazi party forced Taut to leave Germany first for Switzerland, then for Japan, and finally for Turkey. There he taught in the architectural department in the Academy of Fine Arts and designed many buildings. He was one of the early modernists to strive to incorporate local character into his modernist thinking and when so many of his contemporaries were so enamored of white, he was a liberal user of color. He died in Istanbul in 1938.

Jeffery Poss Architect, PLLC, has designed and completed award-winning proposals for residences, interiors, memorials, pavilions, and most recently, flat-pac and ecological architecture. Commissioned and competition work has been published in numerous journals and magazines in print and online. As a result of this recognition, Poss was elected to the College of Fellows of the American Institute of Architects in 2010. Poss received his Master of Architecture from the university in 1980. In the years following he practiced with Skidmore Owings and Merrill, Kevin Roche John Dinkeloo & Associates, and Tai Soo Kim Partners. In 1989 he returned to Urbana-Champaign to begin teaching and practicing architecture. Studio teaching focused on the development of concept, materials, and detail into architectural design, including design-build structures, furniture design, and the exploration of whole-to-part relationships in architecture, for which he received the AIA Education Honors Award. In 2014 he founded the detail+FABRICATION Program Area in the Illinois School of Architecture. From 2017 until 2019 Poss served as the Interim Director of the Illinois School of Architecture. In 2019 Poss was awarded the position of Professor Emeritus at the University of Illinois.

Toyo Ito was born in 1941. He graduated in architecture from Tokyo University in 1965. In 1965-69 he worked for the firm run by Kiyonori Kikutake, a member of the Metabolism group. In 1971 he opened his own practice in Tokyo, called, until 1979, Urban Robot (urbot) and subsequently Toyo Ito & Associates, Architects. An Honorary Professor of the University of North London, he has taught at Columbia University in New York (1991-92 and 1994-95), at the Berlage Institute in Amsterdam (1992) and at Harvard University (1994-95 and 1995-96). His work has been shown at numerous personal and collective exhibitions and he has participated in various major international competitions, including those for the Maison de la Culture du Japon in Paris (1990), for the Library of the University of Paris (1992), the extension to the Museum of Modern Art in New York (1997) and the Centro per le Arti Contemporanee in Rome (1999). Awards won include: the prize of the Institute of Japanese Architecture for the Silver Hut (1986); the City of Kumamoto Award for the Yatsushiro Museum (1991) and the Yatsushiro Fire Station (1996); the Interarch Award (1997) and the Gold Medal of the Union of Architects of Bulgaria (1997); the Arnold W. Brunner Award presented by the American Academy of Fine Arts (2000); the World Architecture Award East Asia for the Sendai Mediathèque (2002). Major recent works include: the Health Future installation at the Expo 2000 in Hanover; the Sendai Mediathèque (1997-2001); an aluminium pavilion in Bruges, Belgium (2000-02). Projects now under way include: the Cognacq-Jay Hospital in Paris; the M-Hall at Matsumoto, Nagano; the Mahler 4 office tower in Amsterdam.

Mina Chow Lecturer B.A. in Architecture, University of California, Berkeley M.Arch, Harvard University Professor Chow is a licensed architect and filmmaker who currently teaches 1st year building science studio and professional practice at USC. She has taught 1st and 2nd year design studio, architectural history and theory, as well as serving as Faculty Coordinator for Executive Education. She is principal of LA design/multi-media and production firm mc² SPACES, which has completed several international design and multi-media projects. Her design constructions focus on idea-driven structural and skin research based on the fundamental properties of materials and formulated in context site analysis. Professor Chow is interested in expanding the awareness of architecture and design by bringing compelling and passionate stories about the built environment to film, television and multi-media. Her awards include production grants from the Graham Foundation in Chicago, the California Architectural Foundation, the USC Architectural Guild, the USC US-China Institute and the USC Ambassador's Fund. She has directed/produced films for the National Chapter and local chapters of the American Institute of Architects and the University of Southern California. Currently, she is directing/producing FACE OF A NATION: "What Happened at the World's Fair?” a feature documentary about World's Fairs which will be completed in 2015. She also directed the USC School of Architecture "100 Years of Architecture" documentary short in 2014. In 2011, she created BRAVE NEW WORLD: Architectural Icons of Los Angeles, a broadcast pilot about innovative architecture that was created for the Mayor’s office in the city of Los Angeles. She is a member of AIA and NCARB. Professor Chow has worked for several innovative architecture firms including Eisenman Architects, and TsAO + McKOWN Architects in NYC. At UC Berkeley, she won the Peerless Award for Architectural Design, and was on the winning team for the Amerika Gedenkbibliothek International Library Design Competition. At Harvard University, she co-taught a graduate seminar with Diane Lewis and researched architectural theory with K. Michael Hays. She has collaborated on several design-media projects with the late Doug Michels of Ant Farm. Recently, she was on the award-winning U.S. Pavilion team "Spontaneous Interventions: Design Actions for the Common Good" at the 2012 Venice Architecture Biennale.

GEBDESIGN. is an award winning firm that focuses on the manner of relationship, proportion and details of architecture and seeks a design and illustration for city, nature and people. The firm believes design should be clear, simple and refined to the last detail. Chang Kyu Lee is a New York based Architect and Principal at GEBDESIGN. Chang Kyu Lee received his Master degree in 2015 from Columbia University Graduate School of Architecture Planning and Preservation. He is now a 'Job Captain' at Gensler, New York. He has worked at a number of award winning firms including Kengo Kume in Tokyo, Coop Himmelb(l)au in Vienna, and Hyundai A&E Assocaites. Co. Ltd in Seoul. He founded "GEBDESIGN" in 2013 for his own architectural projects. His works has been published on the magazine, website and article in United States, Spain, Germany, China and Korea, etc. Also, his works were invited, exhibited and presented at The American Institute of Architects(AIA) Headquarter at Washington D.C, Javits Center at New York City, Seoul City Hall, Seoul National Library, Tokyo University and Princeton University. He won numerous competitions and awards. His recent project 'A House' received Silver Medal from A' International Design Award in Italy. Also, he won from The American Institute of Architects(AIA) Emerging Professional Exhibition 2017 (Theme : Citizen Design). Project 'One House' recently won at the 24th World Architecture Award 2017. In addition, his project, 'Instant City: Living Air-Right' got an honorable mention at New York Affordable Housing International Competition. Also, 'plaYform' was recently selected as the Winner for 2016 Central Park Summer Pavilion International Competition and was selected his proposal as the Winner for 2015 Jamsil Sports Complex International Competition. Chang Kyu Lee is an Associate Member of The American Institute of Architects (AIA), Academic Mentor at Columbia University, and artist member at Museum of Modern Art and Whitney Museum of American Art.

After finishing school as one of six women in a class of 106 men, including Charles Pollock and Louis DeRespinis, whom she’d later marry, DeRespinis began working on small appliances at Emerson Radio for fellow Pratt alum Monte Levin. Later, she spent eight years designing “everything from rugs and tableware to trade shows, graphics, and interiors” at George Nelson Associates, including an Abbott Laboratories exhibition on nerve growth factor at the 1962 Seattle World’s Fair and the Glass Pavilion apartment in the landmark American National Exhibition in Moscow. As was customary in this era, credit for individual furniture pieces produced by the Nelson office was given solely to George Nelson—a practice that’s been reconsidered by license holders in recent years. Vitra now credits DeRespinis for the Eye and Spindle clocks, two recognizable designs originally produced by the Howard Miller Clock Company under Nelson’s and Irving Harper’s names. Later, DeRespinis expanded her port-folio by freelancing with the advertising agency Sandgren & Murtha, where, in 1975, she created the now iconic orange-and-pink Dunkin’ Donuts branding. She also served as a designer for companies producing ceramics and tableware, including flatware for the airline industry. DeRespinis’s ahead-of-its-time, verging-on-postmodern lighting for Nessen Lighting (1960), raised-relief tile for Pomona Tile Manufacturing Company (1961), and MLLE Award for Mademoiselle magazine (1973) further testify to her range. “I developed a way of analyzing and mapping the problem,” she says about ping-ponging between disciplines. “I take a familiar figure, then use abstraction to develop a way of looking at the figure other than how you’re used to.”

Incline Village is emerging on the historic grounds of the former Duluth Central High School in Duluth, Minnesota, as a vibrant mixed-use development designed to revitalize the area with new housing, retail, and office spaces. The demolition of the old school site in 2022 paved the way for this innovative project, which aims to meet the city's demand for premium and affordable housing while enhancing the economic landscape. Incline Village of Duluth incorporates extensive infrastructure improvements, including new roads and utilities, designed to address Duluth's acute housing shortage. Nestled on a hillside, the development offers stunning views of Lake Superior and downtown, promising a unique living and visitor experience. It features a public pavilion with impressive city vistas, retail and entertainment options, co-working spaces, and access to numerous outdoor activities through nearby trails. The project started with a ground-breaking ceremony in December 2024, marking it as one of Duluth's most significant private development initiatives. Notable city figures such as Mayor Roger Reinert and Senator Grant Hauschild attended the event, emphasizing the community's commitment to rejuvenating the local housing market. Incline Village is set to provide various housing options, catering to diverse demographics and supporting economic growth. This development is strategically positioned to alleviate the challenges posed by an aging housing stock and limited availability of high-quality, affordable living spaces. Incline Village aims to transform the Central Hillside neighborhood by introducing modern residences that meet contemporary living standards. The project's completion is expected to stimulate the local economy by creating numerous construction and permanent jobs, boosting property values, and increasing consumer traffic. With 80,000 square feet dedicated to retail space, Incline Village will enhance the commercial landscape and contribute significantly to the city's tax revenue, supporting public amenities and services. Incline Village of Duluth, Minnesota, is envisioned as a dynamic hub for community engagement, offering a blend of shopping, dining, and entertainment within a sustainable, high-quality living environment. It stands as a testament to Duluth's forward-thinking approach to urban development, aiming to enhance the quality of life and meet the future needs of its residents.

Since 2021, Sam Yoon has served as the Chief of the Division of Surgical Oncology and Vice-Chair of Surgical Oncology Research and Education at Columbia University Irving Medical Center. His expertise in treating sarcomas, stomach, gastroesophageal junction cancers, and gastrointestinal stromal tumors (GISTs) positions him at the forefront of significant clinical trials and international medical symposiums on gastric cancer. This disease is a major global health issue, with over a million new cases and 750,000 deaths each year. He is highly respected for his patient-first approach to care, which has garnered widespread acclaim across the tri-state area. His excellence in the medical field has been acknowledged by his repeated recognition as one of the Best Doctors in America from 2010 to 2011 and 2017 to 2020. He consults at the CUIMC/Herbert Irving Pavilion in New York City, with additional offices in Bronxville, Cortland Manor in New York, and Englewood, New Jersey. His educational background includes an undergraduate degree from Harvard University and a medical degree from the University of California, San Diego. He completed his general surgery residency at Massachusetts General Hospital and a surgical oncology fellowship at Memorial Sloan Kettering Cancer Center, known for its comprehensive cancer research and treatment capabilities. Before his current position, he was an attending surgeon at Memorial Sloan Kettering Cancer Center's Division of Gastric and Mixed Tumors and was a professor at Weill Cornell Medical College. Before this, he held an associate professorship at Massachusetts General Hospital and Harvard Medical School, moving on to his current roles in 2012. Dr. Sam Yoon is a pioneer in minimally invasive robotic surgery, having performed over 300 such procedures, particularly robotic gastrectomies. This surgical technique employs advanced robotics to make smaller incisions, improving precision and reducing recovery times. His scholarly output includes over 150 original research articles, book chapters, and reviews. Additionally, he is deeply involved in groundbreaking research funded by prominent organizations like Stand Up To Cancer and the DeGregorio Family Foundation for Gastric and Esophageal Cancer Research, aimed at developing early diagnostic tests and innovative treatments. Through his unwavering commitment to enhancing surgical techniques and patient care, Yoon continues to be a driving force in surgical oncology.

Even after officially retiring from his full-time role, Gerald Fogel contributed to the firefighting community by joining the Foresthill Fire Protection District. His extensive experience was instrumental in mentoring and advising this fledgling agency, showcasing his commitment to the firefighting profession and community safety. Beyond his firefighting duties, Gerald also amassed diverse public service experiences. He worked as an EMT with Pomeroy Ambulance Services and then as a paramedic with American Medical Response. He spent over a decade providing emergency care at the Concord Pavilion during significant events. Additionally, for ten years, he was a communications specialist for the Urban Search and Rescue (USAR) California Task Force 4, a role that took him to significant disaster sites throughout the country. Gerald’s dedication extended into disaster management, where he served as a Division/Group Supervisor on a Type 3 Incident Management Team. This role saw him coordinating responses to East Coast hurricanes and managing West Coast wildfire operations. The challenges of the Oakland Firestorm in 1989 and the Loma Prieta Earthquake in 1991 were particularly formative, reinforcing his resilience and dedication to public service. An advocate for continuous learning and teaching, Gerald also imparted his knowledge as an instructor for Advanced Cardiac Life Support (ACLS) courses at various hospitals in the Bay Area, utilizing his extensive experience as a licensed paramedic. In retirement, Gerald has not slowed down but has instead shifted his focus towards personal health, fitness, and adventure. His love for the outdoors propels him to regularly engage in hiking, mountain biking, dirt bike racing, snow skiing, cross-country skiing, and camping. His commitment to fitness is also evident in his advocacy for the keto lifestyle, which he credits with helping maintain his strength, energy, and overall health. Gerald’s philosophy towards fitness and life is simple yet profound: take each day as it comes and set attainable goals. He believes life is a marathon, not a sprint, a mindset that helps him overcome obstacles and continue moving forward. Racing remains one of Gerald’s enduring passions. His love for adrenaline and competition finds expression in off-road motorcycle racing. He participates actively in District 36 cross-country and Enduro events, including the prestigious Virginia City Grand Prix and the Tecate Extreme Enduro, among others across California and Nevada. The discipline, mental toughness, and resilience he has developed through racing continue to influence all aspects of his life.

Craig Newick Craig Newick brings a wide variety of experiences to any design project. He has worked in the offices of some of the country’s most well-known architects and he has worked on practically every building type at every scale. He is as adept at addressing the intricacies of the design of a door handle where every decision and every millimeter counts as he is in planning large institutional buildings with complex programs which require multi-disciplinary design teams to execute. Craig Newick is a registered architect in the States of Connecticut, Massachusetts and New York, a member of the American Institute of Architects. The Connecticut Society of Architects and NCARB. He is a LEED Green Associate. Newick has a Master of Architecture degree from Yale University where he studied with Mario Botta, Bill Pedersen and George Ranalli. He holds a Bachelor of Arts degree in Architecture from Lehigh University. A project, Accessibility won an AIA Design award in 2014. The Water House and Alexander Writing Studio won AIA Design awards in 2011. The Firestone Pavilion won a 2010 AIA Connecticut Design Award. The Offices of Towers Golde won the Business Architecture Award 2010. The Elton Studio won the Alice Washburn Prize from Connecticut Magazine in 2009. In 2000, Newick won an Honor Award from AIA Connecticut. In 1996, Newick and his frequent collaborator, Linda Lindroth, were selected by the Architecture League of New York for their prestigious Emerging Voices lecture series. In 1998, Craig Newick won a fellowship in sculpture from the Connecticut Commission on the Arts. In the past 20 years the team of Lindroth + Newick have won over 30 awards, grants and prizes including Craig Newick's Third Place prize in the Astronaut's Memorial Design Competition for Cape Canaveral in 1988. Also in 1988 Lindroth + Newick won an Honorable Mention for the project entitled Camera Obscura: The Camera as Physical Space in the Pittsburgh Corning Architectural Design Competition. In 1989 they won another Honorable Mention in the National Peace Garden Design Competition in Washington, DC and in 1992, when the winning entry failed to receive approval from the National Fine Arts Commission, they were invited to participate in a new phase of the design for the Garden. Their set design for the Hartford Ballet, Articulating Wing, won the Ballet's American Visionary Set Design Competition, and then went on to win a 1990 Annual Design Review Award in ID/International Design Magazine's environments category. The project entitled Simultaneous Space (which won a 1991 Annual Design Review Award from ID Magazine) earned them a grant from the National Endowment for the Arts/New Forms Regional Initiative (1989-90). In 1991 Craig D. Newick was selected by the Architecture League of New York for their Young Architects Forum. Archaeology/Body/City was awarded a grant from the New England Foundation for the Arts in 1992-3. Other support for projects has come from the Foundation for Contemporary Performance Arts in 1989 and 1990, the Polaroid Corporation Artist's Program and private sources. In 1993 Craig Newick won a National Endowment for the Arts Visual Artists Regional Fellowship in Sculpture. In 1994 Lindroth + Newick won a Second Prize in the African Burial Ground Memorial Competition sponsored in part by the Municipal Art Society, New York City. Their work has been exhibited and published extensively including at the Dutch Cultural Ministry in Amersfoort, Holland.