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The view from the kitchen is layered, first glimpsing a partial view of the dining room and the stained glass at the front exterior in the distance.
The dark blue walls and earthy fiber carpet were chosen for their ability to encourage unwinding.
The apartments are all fitted with opulent blackout blinds, sound absorbing curtains, and soft lighting to create a calming ambience that relaxes the brain and body.
Among the family’s favorite pieces is a 1957 leather Paulistano chair by Paulo Mendes da Rocha that Russell and Oona purchased to celebrate their marriage. “It’s important to us that the house is filled with beautiful things, but it has to be a place where it’s okay to put your feet on the sofa,” Oona explains.
Subtle lighting gives the living room a cozy glow at night.
The opening to the dining area has been increased, and the square footage added to the original footprint has allowed for a grand staircase that now connects the lower level.
Silver opened up and vaulted the ceiling, which instantly created a bright and airy, modern interior. He also centered the picture window and added sliding doors that lead out to two separate outside patios.
Continuous clerestory windows provide views out into the surroundings at all edges. The butterfly roof appears to hover atop the structure.
The house is like an anthology of modern design, spread out across 4,300 square feet. In the formal living room alone, there’s a Japan chair by Finn Juhl, a Hang-It-All rack by Charles and Ray Eames, a Scissor chair by Pierre Jeanneret, a Wiggle stool by Frank Gehry, and an Akari lamp by Isamu Noguchi. George began his collection in the 1990s with a pair of Paul McCobb stools, which sit near the fireplace.
Interior designer Merrill Lyons plays with her son in the Brooklyn home she renovated with her husband, Charles Brill, a lighting designer and cofounder of New York–based company Rich Brilliant Willing (RBW). The couple’s design sensibility is marked by a warm mix of historic periods and styles, punctuated with pieces by RBW, including the circular brass Cinema chandelier that hangs in the living room. The leather sofa and teak  credenza are vintage; the 1960s rosewood Genius armchair by Danish designer Illum Wikkelso was reupholstered with fabric sourced from an outlet.