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The dining room table is a custom creation made by the client from a single slab of myrtle wood. Just inside the back entrance is a built-in cabinet crafted from the same source slab, creating a feeling of connection and flow throughout the interior.
The kitchen/dining area features bespoke American oak joinery, and Juuyo suspension lamps created by Lorenza Bozzoli for Moooi.
An exterior terrace lies just off the main living spaces on the third floor. It can be seen through the window at the stairs.
An Italian import, the large Bend table seats 10 and melds curved ash legs with a cast aluminum top.
“We gave the architect a hard time by being ourselves, by being very stubborn,” adds Roi.
“Instead of confining the house’s different uses into separated rooms, they have been connected with each other, aiming at producing the general feeling of spatial expansion,” said the firm.
While the design in the bar remains clean, the tones are moodier with an added touch of glam.
Last Night is permeated with wood slats, creating a warm space to sip and mingle.
A communal dining area in the kitchen.
A former factory for Alexander Thomson & Sons Pattern Makers—a company that made wooden forms which were then cast in metal for propellers—this old building now has a new second floor and an excavated cellar, which has increased its floor space from 3,500 square feet to a whooping 8,500 square feet.
A fire pit and small courtyard lie directly adjacent to the dining space.
Foreign Cinema, San Francisco
The kitchen island is made from oxidized steel with a honed black marble benchtop. Cabinetry in blackbutt, an Australian hardwood known for its fire resistance, contrasts with the dark interiors.
The location for the new restaurant, which opened in February 2010, was a barn on the ranch that had been used as a plant nursery. "It wasn't an incredibly old barn," Johanson says. "It was built around the 1970s, but it was built with a very agricultural look." To stay true to its form, Johanson and her colleagues Mark Wilson, Catharine Tarver, and Bridie McSweeney decided to leave as much of the structure intact as possible, playing up the post-and-beam system and revealing the shape of the roof on the interior.
Custom cabinetry lines the dining area, which is defined by a large wood dining table and colorful glass pendant lighting.