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Branding, editorial and web design for Spanish cosmetics atelier Attariat.
Branding, editorial and web design for Spanish cosmetics atelier Attariat.
The homepage of Pictory, designed and curated by Miner and created with "community editorial."
The homepage of Pictory, designed and curated by Miner and created with "community editorial."
The residence at 1111 Williams Boulevard in Springfield, Illinois, was designed by late architect and Illinois School of Architecture professor Jack Sherman Baker in 1968.
The residence at 1111 Williams Boulevard in Springfield, Illinois, was designed by late architect and Illinois School of Architecture professor Jack Sherman Baker in 1968.
Oppenheim teamed up with Dwell to create a virtual forest in Herzog & de Meuron's 1111 Lincoln Road parking structure in Miami Beach.
Oppenheim teamed up with Dwell to create a virtual forest in Herzog & de Meuron's 1111 Lincoln Road parking structure in Miami Beach.
Upscale finishes and appointments in the Ivy’s residences include 9’ to 11’11” ceilings, luxury plank flooring, and designer kitchens with Quartz countertops, polished tile backsplashes, stainless-steel appliances, wine refrigerators, and gas ranges.
Upscale finishes and appointments in the Ivy’s residences include 9’ to 11’11” ceilings, luxury plank flooring, and designer kitchens with Quartz countertops, polished tile backsplashes, stainless-steel appliances, wine refrigerators, and gas ranges.
Installation view of Book Show, 2010. Photo by Stuart Whipps. "Werkplaats (Wanted: All missing, lost, found, overdue, borrowed, stolen, hijacked publications from the Werkplaats Typografie library. Items should be sent to the CCA Wattis Institute for Contemporary Arts, 1111 Eighth Street, San Francisco, CA 94107, between 20 January and February 5, 2011. Read or Alive.)," 2010-2011.
Installation view of Book Show, 2010. Photo by Stuart Whipps. "Werkplaats (Wanted: All missing, lost, found, overdue, borrowed, stolen, hijacked publications from the Werkplaats Typografie library. Items should be sent to the CCA Wattis Institute for Contemporary Arts, 1111 Eighth Street, San Francisco, CA 94107, between 20 January and February 5, 2011. Read or Alive.)," 2010-2011.
Dinner with New York Editorial team at Lara's amazing home in Mill Valley.
Dinner with New York Editorial team at Lara's amazing home in Mill Valley.
The exterior of Pitchfork Media's offices. The respected music publication moved its editorial office to Brooklyn, but still has businesses offices in Chicago.
The exterior of Pitchfork Media's offices. The respected music publication moved its editorial office to Brooklyn, but still has businesses offices in Chicago.
In Chicago’s Lower West Side, editorial director Chelsea Jackson and and her chef husband Arthur renovated their fourth-floor condominium to include a custom Bulthaup kitchen. "We wanted to find a kitchen island that would be light enough to make the room seem large while still standing up to heavy-duty cooking," Chelsea notes. Calls to kitchen retailers were fruitless until Arthur reached the Bulthaup showroom, where the staff suggested he come check out a floor model of the discontinued System 20 kitchen. The stainless steel island, with its precise profile and gas cooktop, was exactly what the couple was after, and they bought it on the spot. A full Bulthaup kitchen—completed with components from the B3 range—would soon become the centerpiece of their new home.
In Chicago’s Lower West Side, editorial director Chelsea Jackson and and her chef husband Arthur renovated their fourth-floor condominium to include a custom Bulthaup kitchen. "We wanted to find a kitchen island that would be light enough to make the room seem large while still standing up to heavy-duty cooking," Chelsea notes. Calls to kitchen retailers were fruitless until Arthur reached the Bulthaup showroom, where the staff suggested he come check out a floor model of the discontinued System 20 kitchen. The stainless steel island, with its precise profile and gas cooktop, was exactly what the couple was after, and they bought it on the spot. A full Bulthaup kitchen—completed with components from the B3 range—would soon become the centerpiece of their new home.
Tatabi's latest venture into fashion—visualizing the branding, editorial, and web design for Mamukko, a creative workshop based in Kinsale, Ireland specializing in handcrafted upcycled sailcloth marine canvas and PVC tarpaulin bags.
Tatabi's latest venture into fashion—visualizing the branding, editorial, and web design for Mamukko, a creative workshop based in Kinsale, Ireland specializing in handcrafted upcycled sailcloth marine canvas and PVC tarpaulin bags.
Uttarakhand News: Get hindi news from Uttarakhand (उत्तराखंड समाचार) on the sunday post. Covering latest Uttarakhand news from all the cities on politics clashes, sports, editorial, breaking news on thesundaypost.
Uttarakhand News: Get hindi news from Uttarakhand (उत्तराखंड समाचार) on the sunday post. Covering latest Uttarakhand news from all the cities on politics clashes, sports, editorial, breaking news on thesundaypost.
“manystuff.org—not many other blogs have such a keen editorial eye. I also often drop by cabinporn.com—all those intimate little paradises spark the imagination.” —Pieterjan Grandry of crapisgood.com
“manystuff.org—not many other blogs have such a keen editorial eye. I also often drop by cabinporn.com—all those intimate little paradises spark the imagination.” —Pieterjan Grandry of crapisgood.com
“The open kitchen/dining room was designed as much for everyday use as it was for editorial spreads, with an astounding amount of storage and workspace, a matte brass range hood perched above dual ovens, and a custom semi-oval island whose facade alludes to the exterior of the home,
“The open kitchen/dining room was designed as much for everyday use as it was for editorial spreads, with an astounding amount of storage and workspace, a matte brass range hood perched above dual ovens, and a custom semi-oval island whose facade alludes to the exterior of the home,
Brinda Ayer is the Editorial Lead at Food52, where she oversees the brand’s digital features and recipes, cookbooks, and more. She loves stinky cheese, chewy Neapolitan pizza, and tahini-swirled anything. Find her on Instagram and Twitter @brindayesterday.
Brinda Ayer is the Editorial Lead at Food52, where she oversees the brand’s digital features and recipes, cookbooks, and more. She loves stinky cheese, chewy Neapolitan pizza, and tahini-swirled anything. Find her on Instagram and Twitter @brindayesterday.
"The open kitchen/dining room was designed as much for everyday use as it was for editorial spreads, with an astounding amount of storage and work space, a matte brass range hood perched above dual ovens, and a custom semi-oval island whose facade alludes to the exterior of the home,
"The open kitchen/dining room was designed as much for everyday use as it was for editorial spreads, with an astounding amount of storage and work space, a matte brass range hood perched above dual ovens, and a custom semi-oval island whose facade alludes to the exterior of the home,
Product pages live in a dedicated section of Dwell.com where users can go to discover new, interesting, and iconic products that we stand proudly behind. It’s a great way to introduce your designs to the Dwell audience with a visual and editorial presentation that fits naturally into the Dwell landscape.
Product pages live in a dedicated section of Dwell.com where users can go to discover new, interesting, and iconic products that we stand proudly behind. It’s a great way to introduce your designs to the Dwell audience with a visual and editorial presentation that fits naturally into the Dwell landscape.
Situated underneath the iconic Hollywood sign--this Midcentury modern masterpiece by Kazumi Adachi was built in 1958 and has appeared in over 250 editorial and celebrity photo shoots for Vogue, Bazaar, Marie Clare, GQ, to name a few. Located in famous Beachwood Canyon (where stars such as Bogart, Gable and Chaplin had
Situated underneath the iconic Hollywood sign--this Midcentury modern masterpiece by Kazumi Adachi was built in 1958 and has appeared in over 250 editorial and celebrity photo shoots for Vogue, Bazaar, Marie Clare, GQ, to name a few. Located in famous Beachwood Canyon (where stars such as Bogart, Gable and Chaplin had
Visit Insidenorway at Dwell on Design booth #1301 to see goods from Røros Tweed, Stokke, VAD, Mandal Veveri and Variér in addition to 21 new prototypes by young and emerging designers in the exhibition “The Essence of Things: New Designs from Norway” curated by Paul Makovsky, editorial director of Metropolis Magazine.
Visit Insidenorway at Dwell on Design booth #1301 to see goods from Røros Tweed, Stokke, VAD, Mandal Veveri and Variér in addition to 21 new prototypes by young and emerging designers in the exhibition “The Essence of Things: New Designs from Norway” curated by Paul Makovsky, editorial director of Metropolis Magazine.
Situated underneath the iconic Hollywood sign, this midcentury-modern masterpiece by Kazumi Adachi was built in 1958 and has appeared in over 250 editorial and celebrity photo shoots for Vogue, Bazaar, Marie Clare, GQ, and more. It's located in the famous Beachwood Canyon, where stars such as Humphrey Bogart, Clark Gable, and Charlie Chaplin had
Situated underneath the iconic Hollywood sign, this midcentury-modern masterpiece by Kazumi Adachi was built in 1958 and has appeared in over 250 editorial and celebrity photo shoots for Vogue, Bazaar, Marie Clare, GQ, and more. It's located in the famous Beachwood Canyon, where stars such as Humphrey Bogart, Clark Gable, and Charlie Chaplin had
Maria sits at her desk, surrounded by ephemera from her editorial and academic career. She has filled the apartment with Riva’s lighting and paintings, in addition to papers and artwork related to her publishing career, which allowed the photographers to capture accumulated layers of her life. “Our two practices are quite similar,” says Paleari. “We like to leave hints inside a picture, some things that perhaps the reader can see only in a second look, and so every time suggests a new understanding of the space.”
Maria sits at her desk, surrounded by ephemera from her editorial and academic career. She has filled the apartment with Riva’s lighting and paintings, in addition to papers and artwork related to her publishing career, which allowed the photographers to capture accumulated layers of her life. “Our two practices are quite similar,” says Paleari. “We like to leave hints inside a picture, some things that perhaps the reader can see only in a second look, and so every time suggests a new understanding of the space.”
The Girl Effect Campaign, poster. Agency: Wieden + Kennedy; animation design and direction: Matt Smithson; additional designers: Julia Blackburn, Paul Bjork, Jelly Helm, Steve Luker, Ginger Robinson, Jessica Vacek and Tyler Whisnand. Production: Curious Pictures and Joint Editorial. Client: Nike Foundation. United States, 2008. Lithograph. Photo: Nike, Inc., and its affiliates
The Girl Effect Campaign, poster. Agency: Wieden + Kennedy; animation design and direction: Matt Smithson; additional designers: Julia Blackburn, Paul Bjork, Jelly Helm, Steve Luker, Ginger Robinson, Jessica Vacek and Tyler Whisnand. Production: Curious Pictures and Joint Editorial. Client: Nike Foundation. United States, 2008. Lithograph. Photo: Nike, Inc., and its affiliates
Brent Humphreys is an editorial and commercial photographer, based in Austin, Texas, whose work has appeared in Fortune, GQ, and National Geographic. After an initial Dwell shoot in 2004, Humphreys revisited the Bulverde, Texas, home of Billy and Janette Johnson designed by Lake|Flato Architects. The first shoot captured their triplets at age four. “Obviously, back then the boys were younger, and it was fun but controlled chaos,” Humphreys says. “Going back it was clear the boys are now young men and were very engaged with the process.”
Brent Humphreys is an editorial and commercial photographer, based in Austin, Texas, whose work has appeared in Fortune, GQ, and National Geographic. After an initial Dwell shoot in 2004, Humphreys revisited the Bulverde, Texas, home of Billy and Janette Johnson designed by Lake|Flato Architects. The first shoot captured their triplets at age four. “Obviously, back then the boys were younger, and it was fun but controlled chaos,” Humphreys says. “Going back it was clear the boys are now young men and were very engaged with the process.”
Heath Ceramics Shoot 01-08-09 Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder.
Heath Ceramics Shoot 01-08-09 Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder.
The SPUR exhibition Urban Cartography, which is open until February 6, 2015, documents mapmaking in the past twenty years. Eric Fischer's map, one of the myriad pieces on view, documents where locals and tourists in San Francisco take photographs using geotagged images from Flickr and Picasa. Blue signifies locals, red is tourists, and yellow could be either. "His maps are gorgeous," says Allison Arieff, SPUR's editorial director and the show's curator. "It's not immediately apparent what they are showing but a little explanation goes a long way."
The SPUR exhibition Urban Cartography, which is open until February 6, 2015, documents mapmaking in the past twenty years. Eric Fischer's map, one of the myriad pieces on view, documents where locals and tourists in San Francisco take photographs using geotagged images from Flickr and Picasa. Blue signifies locals, red is tourists, and yellow could be either. "His maps are gorgeous," says Allison Arieff, SPUR's editorial director and the show's curator. "It's not immediately apparent what they are showing but a little explanation goes a long way."
Heath_Dwell_Tile_Ad USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath_Dwell_Tile_Ad USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. This Job was delivered via Ftp. This Job is not subject to sales Tax.
"When I began my career as an editorial assistant, I was trained to always use a pencil on proofs—never a pen! I also eschew a digital calendar for a good old-fashioned paper one, and my schedule often changes rapidly and I travel a good deal, making pencils a necessity when I’m away from my desk. I always look for a sharpener I can stick in my bag—which should be easy to find, but it’s not. I like the Duroplast because it contains the shavings within it, which makes a lot of sense if you are often sharpening a pencil on the subway or otherwise on the go.”
"When I began my career as an editorial assistant, I was trained to always use a pencil on proofs—never a pen! I also eschew a digital calendar for a good old-fashioned paper one, and my schedule often changes rapidly and I travel a good deal, making pencils a necessity when I’m away from my desk. I always look for a sharpener I can stick in my bag—which should be easy to find, but it’s not. I like the Duroplast because it contains the shavings within it, which makes a lot of sense if you are often sharpening a pencil on the subway or otherwise on the go.”
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Alexander the Great / February 2008 Leah King, Senior Production Coordinator:When I first started at Dwell, I was fortunate enough to begin with February 2008 redesign issue. The first story that drew me in was "Alexander the Great" about Alexander Girard for the Archive section. I had always been a fan of this bold images and textiles. In my role here at Dwell, I get to see all of the images as they come across my desk and, over the course of time, develop into the final shipment of editorial pages. Holding the images of such an iconic designer was the moment that I realized the beauty and privilege I had to be assisting with the production of Dwell. Image at left: Circles Fabric, c.1952, by Alexander Girard
Alexander the Great / February 2008 Leah King, Senior Production Coordinator:When I first started at Dwell, I was fortunate enough to begin with February 2008 redesign issue. The first story that drew me in was "Alexander the Great" about Alexander Girard for the Archive section. I had always been a fan of this bold images and textiles. In my role here at Dwell, I get to see all of the images as they come across my desk and, over the course of time, develop into the final shipment of editorial pages. Holding the images of such an iconic designer was the moment that I realized the beauty and privilege I had to be assisting with the production of Dwell. Image at left: Circles Fabric, c.1952, by Alexander Girard
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Heath Ceramics Seasonal 06/22/10 USAGE: Unlimited usage by Heath Ceramics to use the photographs produced on this assignment, in multiple versions, for :online advertisments,Trade Ads, Consumer Ad, Advertising Posters, advertising brochures, Point of Purchase Displays, and in-house newsletters. Editorial usage resulting from a PR requests is granted. World Rights Granted. Languages: English, French, Spanish. Any additional usage, including said revisions must be negotiated with the copyright owner. This License may not be transferred to a third party without the written consent of the copyright holder. Jeffery Cross Photography Client/ Weather Delay Fees = (100% Expenses + 50% Fees) This Job was delivered via Ftp. This Job is not subject to sales Tax.
Lucy Feagins, The Design Files, Melbourne, Australia: "I work from a home office which my partner built in our little back garden, in the inner city suburb of Brunswick in Melbourne. The room is about four square meters—not huge, but just big enough for myself and our fantastic editorial assistant, Lisa Marie Corso, who sits opposite me. Together we crank out a lot of work in this little space! The best thing about our office is the huge content calendar we have on one whole wall of the studio—this is where we plan all content in advance, and I don't know how we would get anything done without it! It's great to see all the content you're working on in this visual way—so much better than iCal! Aside from this, we've filled the space with things we love: artwork by some of my fave local artists such as Lucas Grogan and Nicholas Jones, and one of my most treasured possessions, a Trashkova gold-plated rubbish bin by local Melbourne design studio Boqil. Very extravagant for a trash can, but it makes me so happy!"
Lucy Feagins, The Design Files, Melbourne, Australia: "I work from a home office which my partner built in our little back garden, in the inner city suburb of Brunswick in Melbourne. The room is about four square meters—not huge, but just big enough for myself and our fantastic editorial assistant, Lisa Marie Corso, who sits opposite me. Together we crank out a lot of work in this little space! The best thing about our office is the huge content calendar we have on one whole wall of the studio—this is where we plan all content in advance, and I don't know how we would get anything done without it! It's great to see all the content you're working on in this visual way—so much better than iCal! Aside from this, we've filled the space with things we love: artwork by some of my fave local artists such as Lucas Grogan and Nicholas Jones, and one of my most treasured possessions, a Trashkova gold-plated rubbish bin by local Melbourne design studio Boqil. Very extravagant for a trash can, but it makes me so happy!"