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The fixed-gear bicycle hanging above the couch serves as an art piece; Chen no longer rides the bike. Le Corbusier Projecteur 165 pendant lights hang in the corner.
As an architect who specializes in universal access design and ADA compliance and as a wheelchair user herself, Karen Braitmayer was no stranger to the challenges of accessible design. Although she had been able to take advantage of her 1954 home's single-level, open layout, as her daughter (also a wheelchair user) grew up, the family's accessibility needs also shifted. The main living area includes a more formal sitting area near the entrance, the dining area, Braitmayer’s workspace, and the kitchen—you can see the couple’s daughter working at the island. In the foreground is a pair of midcentury chairs; at left is a Heywood-Wakefield that Braitmayer found at an antiques shop. Seattle-based designer Lucy Johnson completed the interiors. The windows are from Lindal, and the exterior doors are from Marvin.
The view from the kitchen.
Walnut storage, both open and closed, frames a black-painted wall with a fireplace at its center. The wall treatment can also hide a future television. "A dark wall is a great way to keep a large screen from feeling like a big black hole on the wall," notes the firm.