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Library; brass starburst ceiling light fixture brings a sense of ‘20s era glamour.  Vintage sofa by Gerard van den Berg.
The lower-level family room has a wet bar, a kitchenette, and doors leading to the backyard.
As an architect who specializes in universal access design and ADA compliance and as a wheelchair user herself, Karen Braitmayer was no stranger to the challenges of accessible design. Although she had been able to take advantage of her 1954 home's single-level, open layout, as her daughter (also a wheelchair user) grew up, the family's accessibility needs also shifted. The main living area includes a more formal sitting area near the entrance, the dining area, Braitmayer’s workspace, and the kitchen—you can see the couple’s daughter working at the island. In the foreground is a pair of midcentury chairs; at left is a Heywood-Wakefield that Braitmayer found at an antiques shop. Seattle-based designer Lucy Johnson completed the interiors. The windows are from Lindal, and the exterior doors are from Marvin.
Retractable walls allow the interior to fluidly merge with its natural surroundings. Per the architects: "While trying to always maintain the relationship between built and wild, the indoors opens completely to allow the breeze and the red sunset light to inundate the space."
The home has the feel of a time capsule.
Once the structural shell of a Deltec home is built, the interior is finished just as a traditionally constructed house would be.