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The common area in this penthouse by Studio RHE boasts a digital cube ceiling, stunning views, and an immense book collection by the bar.
Leaving behind the Lounge, one re-enters the Living lined with white walls. Beyond the Black Wall is the Dining.
The vaulted ceiling adds an expansive airy feel that the original home lacked. Now, the wall of windows perfectly frames the gorgeous overlook.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
Inside the unit, Robb (Robb Studio) and Bishop (Studio Gild) inherited several attractive features: 14-foot ceilings, exposed concrete, and a fireplace set within the original chimney stack of the building. The primary goals included making the kitchen more prominent within the home— it was moved forward to engage more acutely with the dining and living room spaces—and to properly showcase the client’s art collection (much of which, including an eight-panel painting by Matt Mullican that stretches across nearly an entire wall).Add a caption
Built-in storage solutions and floating shelves provide ample storage in the main living space.  Homerwood Hickory flooring and exposed structure reach outwards to the views beyond.
In the living room, a vintage Paul McCobb sofa, a Gio Ponti side table, and an Eames lounge echo the home’s midcentury architecture—as does the thrifted red Florence Knoll Parallel Bar sofa that lends the room a shot of color.