Exterior Wood Siding Material Gable Roofline House Brick Siding Material Design Photos and Ideas

LA-based commerical director Jared Eberhardt purchase this desert property near Joshua Tree just before the COVID-19 pandemic hit. It contained a small, downtrodden house that needed a full renovation to become habitable. Over the course of the pandemic, Jared transformed it into a midcentury-inspired getaway that combines the original 1958 house with a fresh, new addition.
"The original Californian bungalow was advertised as ‘quiet at the end of a cul-de-sac.’ We wanted to change that," said Welsch. The new home is divided into four zones, with the existing bungalow now dedicated to children and guests with two bedrooms, a playroom, and bathrooms. "Every zone has its own outdoor space," said Welsch; the front room opens onto the front yard.
Gresford Architects restored and renovated this historic family homestead in South East England. The old barn had been transformed into a residence, but the structure lacked its original barn-like character, which the owners wanted to embrace.
The box-shaped extension plays off the familiar farmhouse typology, creating a series of intriguing contrasts.
The brickwork of the original gabled farmhouse was painted white, referencing the local vernacular, and a new corrugated metal roof was added.
Building the addition upward instead of outward allowed for more space and better views without excavating across the hilltop.
The external brick walls are part of the 1990 addition. The upper part had been rendered in acrylic and painted butter yellow. This was removed and the section was re-clad with a charred solid timber shiplap cladding. An enormous double-height window floods the living space with natural light.
The main volume of the extension is constructed from offset Douglas fir battens painted blue and gray. This reflects the vertical lines and gray color of the ribbed render used in the extension to the side of the house.
A layering of old and new, solid and transparent are evident in the play of materials and form. The original brick walls remain, wrapped by the wood- and metal-clad addition.
The front of A Mews House was allowed a 10-foot setback, similar to existing homes on the street. A utility pole proved too expensive to relocate—it would have cost $18,000 to do so. “That pole dictated the way a car would access the property, thereby dictating the car pad location and eventually heavily influencing the location of circulation in the house,” says architect Alex Wu.
A decorative cinder block wall edges the property and provides a sense of enclosure without hemming in the yard too tightly.
The solution to the problem of the telephone pole was to place the entry at the side. “Putting the home entry on the side allows one to create full rooms at each end of the house without running a hallway through them,” says Wu.
The solution to the problem of the telephone pole was to place the entry at the side. “Putting the home entry on the side allows one to create full rooms at each end of the house without running a hallway through them,” says Wu.
The exterior combines recycled brick, radial sawn timber, and galvanized roof sheeting. "Materials were selected to meet the clients’ brief that the house fit within the cognitive idea of an old shed," explain the architects.
The rear view of the home.
"The wood exterior was selected to make the house blend in with the landscape," Troyer says. "I wanted something that didn’t require painting and aged in a way that would provide a degree of richness. " He envisioned a garden that better surrounded the home, and a more modern exterior. He used ash wood slates of various dimensions from Thermory USA, which were heat-treated for a more sustainable finish.
The natural slope of the site was perfect for dividing the house into split levels. The exterior is clad in heat-treated pine that has aged to a soft gray, which contrasts nicely with the charcoal bricks.
The spacious backyard features mature trees, including avocado, that shade the home in the afternoon.
Passive design principles were utilized in the siting of the highly-insulated cabin. Deep eaves protect the interior from hot summer sun, while a verandah overhang optimizes solar gains in winter.
The exterior combines recycled brick, radial sawn timber, and galvanized roof sheeting. "Materials were selected to meet the clients’ brief that the house fit within the cognitive idea of an old shed," explain the architects.
The clients requested the design of the cabin and shed to appear as if the buildings had been weathering over time with the site.
Beautifully renovated, the home has excellent curb appeal with low maintenance landscaping.
"Upon arrival, you enter straight off Abbott Kinney into a calm room where members check in," Sutherland says. "The interior is simple, elegant, and inviting."
The historic site consists of an old farmhouse, stable, and shed, along with bunkers and artillery foundations from the both World War I and World War II. The stable has been converted into a modern 5,683-square-foot bed and breakfast establishment called The Bunkers.
Incisions made in the façade amplify the contrast between the red and yellow brickwork.
Streamlined sections of metal-framed windows with triple glazing stylishly connect the brick and wooden volumes.
For the farmhouse residence, the team has removed all the elements that did not have any significant heritage value. "Valuable historical constructions are thus brought into equilibrium with the scarcely added volumes," says Damiaan Vanhoutte, a co-founder of the firm.
Lovely lines and heaps of character make this midcentury property a true gem.
The new additions of the home are clad in bespoke cedar profiles that inject a modern flair to the 20th-century brick building.
This beautiful property located in West Flanders, Belgium has an impressively rich history. Built in 1839, the buildings were used as a fort, watch point and jail house, while some brick and concrete bunkers on the property date back to WWI.