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To the front, the gardens are laid around a central lawn with a circling driveway which provides parking. There is also a garage for family cars.
This warehouse conversion by Ian Moore Architects also features an equine genetics laboratory and an enormous garage filled with classic cars.
The dark brick facade peels away into the garage, creating an interior stairwell. The garage door, like the front door, is crafted from black steel.
The warehouse-inspired front door on the southern side of the home is crafted from black steel and features a solid steel screen that slides in front of it, creating a completely blank facade.
The neighboring property has a beautiful, established garden. The gridded windows of the Park Terrace house—which take inspiration from the industrial warehouse archetype—are positioned to capture snippets of this garden, in effect borrowing the landscape. A small terrace has been cut out of the gable form to create a division between the master bedroom and the living area.
The southern facade of the home—the entrance—is a completely blank facade, which gives the home a private aspect, says the architect. The brick facade curves into the interior of the home.
The previous home on the Park Terrace site was damaged in the earthquake and subsequently demolished. Architect Phil Redmond, director of PRau, used this project to explore an archetypal industrial form which was lost as a result of the earthquakes.
The long, low home sits unobtrusively atop the ridge. Large areas of glazing open the home to the landscape to the south.
The simple, affordable material palette allows the home to sit comfortably within the natural landscape.
The home is oriented to take in views of Mount Canobolas in the Great Dividing Range. With an elevation of 4,577 feet, the extinct volcano is the highest mountain in the region.
Floor-to-ceiling glazing ensures natural light is plentiful throughout the home. The silvertop ash cladding on the exterior will develop a silver-gray patina over time.
The home is respectful to the rural site and champions the view. Thanks to the prefab construction, there was very little earthwork and minimal site impact. This approach also helped to eliminate potential weather delays—which would have been likely as, owing to the high altitude, the area frequently experiences frost and snow in winter months.
The living space extends out into the small backyard through large bifold doors. Horizontal weatherboards and vertical Mini Orb steel cladding creates a graphic, minimal rear facade that contrasts with the surrounding inner-city environment.
From the rear laneway, the parapet and veranda awning echo the original pitched roof, carrying the essence of the old house through to the addition.
The original building had been painted red and the client initially wanted to expose the old brickwork. After removing the paint, however, it was discovered that the entire facade was coated in tar. As a result, the decision was made to repaint the facade in cream. The new volume is hinted at by the portion of black framing that is visible at the side of the home.
The mostly blank brick-clad exterior belies the complex geometries that inform the multilevel plan inside. The windows are arranged to frame specific views—including the steeple of the nearby St. Michael’s Church—while retaining privacy from the street.
The box-shaped extension plays off the familiar farmhouse typology, creating a series of intriguing contrasts.
The brickwork of the original gabled farmhouse was painted white, referencing the local vernacular, and a new corrugated metal roof was added.
Building the addition upward instead of outward allowed for more space and better views without excavating across the hilltop.
The new addition opens the interiors to the garden with floor-to-ceiling windows and easy access to the yard.
A decorative cinder block wall edges the property and provides a sense of enclosure without hemming in the yard too tightly.
The solution to the problem of the telephone pole was to place the entry at the side. “Putting the home entry on the side allows one to create full rooms at each end of the house without running a hallway through them,” says Wu.
The back of Makers House features large amounts of glazing.
La Vinya, PGA Golf Resort | Studio RHE
The home is surrounded by extensive gardens and mature trees.
The private estate is located off a country road just over one mile from the historic town center of Godalming, England.
The sprawling property has a strong connection to the outdoors.
Exposed steel, concrete soffits, and cement-washed bricks were been chosen as key components of the home due to the materials having low-maintenance, yet being extremely durable.
"The large, overhanging patio and timber shutters assist in eliminating unwanted afternoon sun. The remainder of spaces remain oriented north, with optimal overhangs to ensure climate comfort throughout seasons," explains Engelbrecht.
Warm tones of timber combined with polished concrete floors and industrial-style cabinetry give the interiors a modern, paired-back look.
There are two nearby dams on the farmland that provide drinking water for the off-grid home.
The flattop Eichler at dusk.
The house is composed of two volumes.
To enable the two families to live independently, and interdependently, Estudio A0 co-founder Ana María Durán Calisto came up with a 5,457-square-foot home that consists of two volumes, set in a Z formation.
A wooden screen provides privacy, and offers protection from the strong midday sun.