738 Exterior Concrete Siding Material Flat Roofline Design Photos And Ideas

A Genesis GV80 sits in front of the deep-set, two-story garage of the Foust Residence.

Preproduction model with optional features shown.
Mexico City–based architecture firm PPAA designed a 624-square-foot, modular concrete dwelling with a dusty pink finish as one of 32 housing proposals—each representing one of Mexico’s 32 states—designed for Laboratorio de Vivienda, a showcase of easily replicable, affordable, and environmentally friendly homes in Apan, Hidalgo. At a cost of just $18,000 to build, it employs locally sourced, cost-effective materials to keep within its tight budget.
“Courtyards are a fantastic way of controlling the sun here,” says architect Cavin Costello. “We live outdoors primarily in the late fall/winter, when the sun angle is very low, and tall walls are often more effective than roofs in providing shade for the outdoor spaces.”
The corrugated steel siding and roof reflect the radiant heat from the desert sun.
The three volumes of the home are defined by different materials, so they are both visually and functionally separate. The glazed “connectors” between the volumes are grounded by a large steel beam that runs across the top.
The entrance to home is defined by two Foo dogs, which are feng shui symbols of protection—and these dogs also give the home its name. The board-formed concrete of the main living wing has been left as is, creating a play of constantly changing shadows. Over time, weather will naturally soften these joints, and the look of the home will subtly evolve.
On a rustic strip of coastline near Puerto Escondido, Mexico, S-AR designed a beach getaway with an open concrete grid that frames its natural surroundings.
At night, it is easy to see how the volume at the north end of the site is stacked with the library and a private deck above, and the en suite guest bedroom below. This is separated from the rest of the living space by the open garage, offering increased privacy.
The modularity of the home’s construction is referenced in the grid-like windows. These large areas of glazing allow the home to be filled with natural light.
A concrete block tower in the garden beside the home contains a water tank and solar heating boiler with a shower below.
The metal roof and external walls are constructed from double-layered metallic roofing tiles, which were chosen for their durability against the elements.
The home requires very little maintenance and features a lightweight construction. The modularity of the design also helped to avoid excessive material waste during construction.
The clients are a husband and wife with grown children who no longer live at home. The husband is a psychoanalyst, and the wife is a history teacher at a middle school in São Paulo. During construction of the home, very little earthwork was needed, as the residence nestles into the sloped site to preserve the flat part of the site for a garden of native trees and shrubs.
The exterior of the home features warm blackbutt timber cladding and crisp black metalwork. Each level of the home opens out to a deck or balcony, and the curved white balustrade outside the main bedroom is a contemporary take on the original architecture.
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The trilevel home spills onto a grassy knoll that overlooks the Hollywood Hills and Downtown Los Angeles.
The exposed concrete framework cantilevers dramatically from the stone walls.
"In a sense, we treated earth as one of our materials," says Vaitsos. "We figured out how much earth we needed to excavate in order to position this house here. And then we used it to transform the landscape a little bit." This was done to create as little waste as possible.
Each cell denotes a different area inside the house below it and is planted with a different species of aromatic plant from which essential oils can be extracted. The landscaped roof also helps to insulate the home and blend it into the environment.
The circular insertions are custom operable skylights that allow for daylighting and passive cooling.
The Orchard Corral is just below the house, and is home to a large grove of olive trees for olive oil and white wine production. Many of the island restaurants serve the olive oil.
A house in Sydney combats climate change with its own ecosystem.
Niki Bergen and two of her children run up the hill by the guesthouse she and her partner, Andrew Zuckerman, built on their upstate New York property. The structure was designed by Levenbetts, the architecture firm also responsible for the older main house nearby.
“We love geometry—we believe it can help us to establish an order between ourselves and nature,” explain Vietnam-based Gerira Architects.
The front fence is made from sandblasted stainless-steel rods coated in a protective penetrating sealer. The fence is cantilevered out from a concrete beam below the garden, and the gate retracts into an underground pit. “It’s the first of its type in Australia,” says architect Tony Vella. “It was a work of precision to have these thin rods slide down into the ground through 30mm holes.”
The home incorporates a number of sustainable features. Glass walls are protected by concrete eave overhangs and automated external sun blinds. In addition, the heavily insulated walls, floors, and ceiling (with roof garden layers) add to the efficient energy performance of the home.
The home is located across from one of Melbourne’s bay beaches, and it needed to easily accommodate the family’s regular beach visits. “From morning swims to summer days on the beach, the home is intrinsically connected to the sun, water, and sand,” says architect Tony Vella.
A window breaks up the street-facing facade composed of perforated cement blocks.
Tasked with creating a new home in the middle of Hanoi, Vietnam, ODDO Architects sought to incorporate essentials—like plenty of natural light and ventilation.
Natale and Caleb Ebel’s home in the Silverlake neighborhood of Los Angeles was built in 1922. It has 2 bedrooms/2 baths upstairs, and there’s 1 bedroom/1 bath on the lower level, which can work as a separate private suite for family from out-of-town, or a studio for the couple.
Levenbetts designed the guesthouse as a porous block. Every side opens to the outdoors, allowing the landscape to continue through the building. “The idea was to create this total openness and informality and almost undomesticated domestic space,” says architect David Leven. The concrete is textured by its forms on the outside but smooth where it cuts into the building—“almost as though you sliced into it with a knife,” Leven adds.
A vegetable garden is on top of the structure. Placing the garden up a flight of stairs—the form of which shapes one of the house’s openings— protects its plantings from hungry fauna.
The home’s window coverings are housed in recessed window pelmets, while deep blade walls and reveals disguise window frames and transition points.
Rammed earth forms a series of deep blade walls around full-height openable windows to the north. These walls also partially conceal the view of the neighboring fence.
The home aims to reduce long-term operating costs through the use of solar power and energy-efficient appliances, resulting in lower energy bills. Carefully considered niches and deep reveals throughout allow the sun to reach the concrete ground floor slab in winter—and help moderate heat in the summer.
“We designed deep reveals, wide niches, and restrained forms to reduce the built scale of the new home,” says architect Kirsten Johnstone. “The large panes of glass reflect the surrounding trees like a bush billabong.”
“I love the idea of hidden gems and an element of surprise,” says architect Kirsten Johnstone. “In this project, the application of a consistent material across the front facade provides ambiguity; the front door is clad in the same timber as the walls and doesn’t have a door handle. It is a quirky element that lends the opening of the door a sense of drama.”
Because the house next door was built almost to the edge of the property, the only place a patio could get natural light was in the very center of the lot.
The Lost Whiskey Cabin stands on a rocky bluff overlooking Virginia's countryside.
Clark & Chapin Architects, Buffaloe House, Living Room Fireplace Exterior
At the upper level, the main bedroom leads to a covered porch. Below, there’s a shower room for rinsing off after a dip in the pool.
Strategic openings and operable panels facilitate air flow.
On the street-facing exterior facade, fiber cement panels framed in blackbutt timber form a distinct pattern.
Pale bricks were laid diagonally on the floor to "create a clear contrast with the facade, breaking the linearity and strict composition of the latter," say the architects.
"We were interested in this idea of treading lightly on the site. Using a green roof is a logical extension of that.  When you introduce a building that supplants a little piece of the forest floor, it's nice to replicate that on the roof as a return gesture to continue to create habitat for birds, animals,  and plants, and to help manage the flow of storm water," explains McFarlane.
McFarlane wanted to create opportunities for the client to experience the "intimate moments
“My parents tell me they love the home every time they wake up,” says architect Ryan Bollom.
“We always comb through work we really like for general inspiration when starting a project, but usually there isn’t one project we draw from,” says architect Ryan Bollom. “I’d consider The Barak House, designed by R&Sie in 2003, a more direct precedent for this home. Formally and conceptually it’s very different, but its core idea is a flexible wrapper over a more rigid home construction.”
The ground floor projects out from the slope and sits over the top of the concrete foundations, in which a wine cellar—accessed through a hatch in the hallway floor—is located.
The home is made of 42 unique cross-laminated timber panels. The smallest panel is 450 millimeters x 1500 millimeters, and the largest panel is the entire southern wall—14.4 meters x 2.3 meters. The cantilevered ground floor at the rear of the home was made possible by the strength of these panels.
There is a play between really earthy, natural materials—which are seen in some of the cladding, tiles, and concrete work—and a very sleek, black metal aesthetic. “I have a lot of experience in commercial architecture, so I’m not scared of using more commercial, industrial materials on a residential building,” says Craig.

Zoom out for a look at the modern exterior. From your dream house, to cozy cabins, to loft-like apartments, to repurposed shipping containers, these stellar projects promise something for everyone. Explore a variety of building types with metal roofs, wood siding, gables, and everything in between.