Dining Room Ceiling Lighting Concrete Floors Bench Pendant Lighting Design Photos and Ideas

Local craftsmen made-to- measure bench and banquette in oak, with matching shelves and built-in drawers to maximize storage.
With the door separating the existing home and the addition open, there is a clear flow between the new family room and the kitchen and dining area. With the door closed, however, the space is divided into two more private spaces.
The goal for the first floor was to embrace the shade provided by the mature trees, create a rich material moment, and incorporate all of the storage that the family would need.
The experience of volume is much greater in a small space than in a large one, and that’s what contributes to the house’s feel,” says architect Michael Lumby.
Above the dining room there is an atrium with 28-foot vaulted ceiling and skylights. While the steel “moment frame” structure was initially designed to be entirely framed in wood, the span required a switch to steel, which was left exposed as a design feature to create a “wow” moment upon entry.
The timber pendant above the dining table is by New Zealand–based lighting designer David Trubridge.
The interior of the extension features finishes in muted colors and has been designed to bounce as much light around the space as possible.
Two staircases lead from the entry to the main living space, connected by deep ledges that can function as seating or shelving.
A hidden door in the oiled oak wall panels also leads to the children’s quarters.
The indoor/outdoor dining area lies just off the kitchen.
While the design in the bar remains clean, the tones are moodier with an added touch of glam.
Last Night is permeated with wood slats, creating a warm space to sip and mingle.
The dining space includes a built-in bench for additional seating. Colorful artwork from gallery Vroom & Varossieau decorates the walls.
The kitchen overlooks the dining and living room.
Sunset pendants by Treviso-based Torremato illuminate a custom table and bench as well as a trio of Eames chairs. Di Stefano and Bongiorno used lighting to structure the open plan: “We put accents on focus points; we didn’t want the light completely spread out,” Di Stefano says.