Noe Valley Renovation
Husband-wife team Barnaby Grist and Ellen Goldberg purchased the house in San Francisco's Noe Valley neighborhood in 2004. Two years later, they approached Samaha and Hart with an ambitious idea: to keep the facade and two rooms inside that flanked the front door true to their early-1900s design but completely renovate the rest. The goal: to create a modern space that would take advantage of the views and enhance opportunities to gather guests at their home. "They wanted what was new to be really different," Samaha says.
In 2006, when couple Barnaby Grist and Ellen Goldberg hired Bassel Samaha and Heather Hart, of Samaha + Hart Architecture, they came to the husband-wife design team with big plans. The couple wanted to keep the existing facade as well as the two rooms that flanked the front door true to their early-1900s design, but completely renovate the rest in a modern style. "They were pretty adventurous," Samaha recalls. "They wanted what was new to be really different."
Photo courtesy of Samaha + Hart Architecture
Check out this slideshow of the home and the story of the design changes.
Like their request, the design the couple chose, the more dramatic of those proposed by Samaha and Hart, called for a complete renovation of the home, save the two front rooms and front facade. "The house has a split personality," Samaha says. "We kept the front the same, but tried to make it look even better than before, then opened up the rest of the house and brought in a lot of light."
Photo by
Sharon Risedorph
One of the goals of the renovation was to open up the space to the surroundings. "The old master suite was totally bizarre with its back to the view," Samaha recalls. The bathroom, then located where the master bedroom's wall of windows is now, had but a tiny opening to the outside. Samaha and Hart flipped the placement of the bathroom and bedroom and installed a corner glass window in the latter.
Photo by
Sharon Risedorph
In the master bathroom, Samaha and Hart installed a carrera marble countertop, Vero sink and Stark 3 toilet by Duravit, and On the Rocks wall sconces by Flos. Grist and Goldberg longed for Bisazza tiles but cringed at their cost; in the end, they were able to find discontinued colors online for a steal of a price.
Photo by
Sharon Risedorph
Back in the master bedroom, the designers installed Tolomeo wall sconces by Artemide next to the bed and placed a bench next to the door made by Hart's uncle, Peter Czuk of Czuk Studio. The bedroom door, which is rarely closed, is the starting point for the continuous flow of movement and light from the top of the house to the main level and down to the bottom floor.
Photo by
Sharon Risedorph
The view of the stairs from the dining room on the main floor highlights the stairwell's function as a lightwell. Samaha and Hart chose one-inch-thick Ecorsein by 3Form for the treads and risers, as it was the most transparent, scuff-resistent finish they could find. For the handrails, they used painted steel; for the center panel, a mix of acrylic and steel.
Photo by
Sharon Risedorph
Before the renovation, the dining room led into the kitchen, which was the only way to get to the stairs up to the top floor. "It was crazy," Samaha says. He and Hart opened the main floor into a great room that combines the living room, where the kitchen used to be (pictured here in this "before" short), and a new kitchen with an island parallel to the living room.
Photo courtesy of Samaha + Hart Architecture
Grist and Goldberg wanted an open kitchen so their guests could gather around a beautiful space without feeling cramped in a tiny room. Goldberg instantly fell in love with an Ann Sacks glass tile backsplash that Samaha and Hart showed the couple during the design process, but she wasn't willing to spend $100 per square foot on the product. Instead, Goldberg had their contractor make three panels of cement board that would fit in the backsplash space and she and a friend spent their evenings gluing on glass tiles that she purchased online. When they finished, the contractor came back, installed the panels, and Goldberg filled in the gaps. Outside, chairs from Ikea and an Inox table from DWR provide a space to sit on the deck.
Photo by
Sharon Risedorph
Before the renovation, the bottom floor consisted of dark, unfinished rooms. To brighten the space and create an extension of the public areas above, Samaha and Hart extended the stairwell to the bottom floor and created a cantilevered deck to eliminate barriers that would obstruct light from infiltrating the space.
Photo by
Sharon Risedorph
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