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All Photos/living/lighting : pendant/furniture : end tables/floors : light hardwood/furniture : sofa/floors : rug

Living Room Pendant Lighting End Tables Light Hardwood Floors Sofa Rug Floors Design Photos and Ideas

Contemporary furnishings now contrast with the traditional detailing of the preserved architecture.
Clerestory windows pierce the pitched roof on its west side, making the living area, with its custom curved sectional sofa and built-in end tables, full of natural light year-round.
"Also check the basement for radon in the winter,” she says. “Radon levels tend to be higher when it’s cold, and if you have to trench the floor, it is better to do it before you fill your basement with stuff.”
The open living area is light and bright, with flexibility integrated into the plan. A simple oak credenza provides minimal separation between the living area and the cooking/dining space. Large windows introduce plentiful natural light, while sliding glass doors draw in the garden. Oak paneling conceals additional kitchen storage space.
The outside is brought in with double-height NLT (nail-laminated timber) ceilings and automated clerestory windows.
A Pluto Chandelier from One Kings Lane hovers over the relaxed seating area, complete with leather swivel chairs from Bed Bath & Beyond.
What was once walled off as an enclosed entryway is now open to the living space, creating a grand, welcoming, and light-filled front room.
Jason lounges in one of two armchairs by midcentury designer Milo Baughman in the parlor-floor living room. The wood block coffee table is by Eric Slayton, a friend of the couple, and the modular Carmo sofa is from BoConcept. A 1952 piece by French industrial designer Serge Mouille, the Three-Arm Floor Lamp—widely referred to as the "Praying Mantis," for its looming trio of arms—is a nod to the couple’s love of Parisian interiors; a branch-like chandelier by Los Angeles–based artist Gary Chapman hangs overhead.
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The dark blue walls and earthy fiber carpet were chosen for their ability to encourage unwinding.
Each of the three serviced apartments features restorative scents and colors that relax muscles, invoke calm, and mimic the moonlight. The spaces also include air-cleansing soporific plants that eliminate toxins, cutting-edge electronics designed to keep guests' body clocks operating naturally, and healing background harmonies to calm the autonomic nervous system.
The bright and airy interiors are a mix of lightly colored oak floors juxtaposed again dark fixtures and exposed steel beams.
At a five-bedroom pied-a-terre in the Hamptons, Ishka Designs employs a lighter, more monochromatic palette for a repeat client; the design emphasizes the plentiful daylight the living and dining areas receive from double-height windows.
She accomplished this by adding a 13-foot-long highlight window that keeps the main living areas bright throughout the day.
Subtle lighting gives the living room a cozy glow at night.
Key pieces of joinery were used to visually distinguish the thresholds defining the foyer, living and dining areas, kitchen, butler’s pantry, and study.
Approaching the remodel with a less-is-more philosophy, Downie North did minimal alterations to make the building's existing 6,782-square-feet footprint more efficient and intuitive.
The large pendant lamp was designed by Arik Levy for Vibia, and the TamTam floor lamp was designed by Fabien Dumas for Marset.
The living room features two sofas by Patricia Urquiola designed for Kettal and a Polder sofa by Hella Jongerius for Vitra. The Slow Chairs were designed by the Bouroullec brothers for Vitra.
The two-bedroom, two-bath property features an open living space with nine-foot ceilings.
Wraparound windows and sliding glass doors lead to the mahogany deck, giving the home a strong sense of indoor/outdoor living.
Family Room
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
Designer Melanie Coddington of Coddington Design tranformed the family room into her "Unapologetically Pink Rosé Lounge." Inspired by edginess and fueled by French rosé wine, the lounge is modern, opulent, and without a doubt, unapologetically pink. The lounge revolves around a geometric marble and walnut cocktail table with brass inlaid rings to mimic wine stains. Nearby sits a midcentury-style gondola sofa with custom fabric and a classic American 1950s swivel chair.
Built-in storage solutions and floating shelves provide ample storage in the main living space. Homerwood Hickory flooring and exposed structure reach outwards to the views beyond.
Continuous clerestory windows provide views out into the surroundings at all edges. The butterfly roof appears to hover atop the structure.
Living room to front court
Reached by stairs as well as an elevator, the first floor holds the main living spaces, bathrooms, and bedrooms. The Havana wing chair is by Busk + Hertzog for Softline and the Comback rocking chairs by Patricia Urquiola for Kartell are from YLiving. - Rockport, Massachusetts Dwell Magazine : November / December 2017
The house is like an anthology of modern design, spread out across 4,300 square feet. In the formal living room alone, there’s a Japan chair by Finn Juhl, a Hang-It-All rack by Charles and Ray Eames, a Scissor chair by Pierre Jeanneret, a Wiggle stool by Frank Gehry, and an Akari lamp by Isamu Noguchi. George began his collection in the 1990s with a pair of Paul McCobb stools, which sit near the fireplace.
Interior designer Merrill Lyons plays with her son in the Brooklyn home she renovated with her husband, Charles Brill, a lighting designer and cofounder of New York–based company Rich Brilliant Willing (RBW). The couple’s design sensibility is marked by a warm mix of historic periods and styles, punctuated with pieces by RBW, including the circular brass Cinema chandelier that hangs in the living room. The leather sofa and teak credenza are vintage; the 1960s rosewood Genius armchair by Danish designer Illum Wikkelso was reupholstered with fabric sourced from an outlet.