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All Photos/kitchen/floors : medium hardwood/sinks : drop in/cabinets : wood

Kitchen Medium Hardwood Floors Drop In Sinks Wood Cabinets Design Photos and Ideas

"The solid oak floor is like its own piece of horizontal furniture, blending perfectly with the natural feel, as the soft oak planks flow together throughout the entire apartment,” says Vibeke Jenssen.
The kitchen features a curved wall from which the island organically extends, both with a microcement finish. The Hinterland Stools are by Australian designer Daniel Boddam.
Sam and Stephanie designed and fabricated the custom sink cabinet together, joining it with a Kohler Riverby Sink for $1,233.00 and a California Faucets Descanso Series with knurled handle in burnished brass ($1,786.00). "[The faucet] is solid metal, so there's nothing that feels plasticky or flimsy about it at all,
"I really appreciate as a designer, things that make me stop and go, 'Oh, I never thought of that,'
The countertop is a custom Concrete Collaborative terrazzo, and the colored flecks nod to the wall tiles.
Adding storage under the new stair maximizes the kitchen's footprint. Hemlock wood on the stair was stained to complement the casework. The faucet is from Brizo and the green backsplash tile is Heath.
The kitchen underwent the most dramatic change, being relocated to the back of the house adjacent to the living room. White Oak floors and casework and new Kolbe windows warm up the space. The pendant light is from Design Within Reach, and the bar stools are custom from Sean Woolsey.
The kitchen island and cabinets at this Melbourne renovation are made of recycled timber, taking cue from the wooden bookcase that designer Kim Kneipp installed during the home’s first restyling.
Launech teaches cooking classes in the house, and the mobile countertops make it easy for her to configure the kitchen to her tastes.
A double-height space encompasses the kitchen, dining and living area, and features 36-feet-wide glass doors that pocket into southern and northern walls.
As the most common type of kitchen sink, the top-mount sink is installed by inserting the sink into a pre-cut hole in the countertop. The wide rim around the sink supports it on top of the countertop, and is then caulked in place with silicone for a water-tight fit.
Rick outfitted the kitchen with plywood cabinetry, engineered oak flooring, and open shelving.
The minimalist design approach allows the materials to take center stage.
Reclaimed wood from the original shed was used on the floors and ceiling in the common area.
Alcoves and open shelving in the kitchen allow dishware and other accessories to be on display.
“Drinking water comes from a 20-liter bottle, and can be delivered to the tap with a foot-operated pump, so no electricity is required,” Bene says. The bottle can sustain two people for three days.
The boat’s cabin is split into two distinct areas—the kitchen and the dining area/bedroom.
In the kitchen, bar stools by Atelier Arking line a marble-topped island.
Banana leaves grow right outside the window over the prep sink. “It’s the most beautiful painting in our house,” says Andrew.
Andrew used to work at vintage furniture and lighting stores back in New York, and developed a taste for midcentury lighting, which he brought to their new space in Nashville.
The L-shaped kitchen is located by the entrance to the home, and has a window looking out to the north. Medicinal plants and flowers foraged from the surrounding forest are hung from the roof to dry.
Dumas kept a relatively simple palette when it came to the interior. Floor-to-ceiling cabinetry in the kitchen acts as an effective noise barrier.
The new kitchen/dining room is entirely open and provides views of the garden.
The double-duty kitchen island is a simple offshoot that contrasts with the industrial countertops.
The handmade-look white brick tiles on the kitchen backsplash echo the brickwork used on the outdoor fireplace. They help to provide visual continuity from the exterior to the interior.
The kitchen is at the heart of the home, and the layout is arranged so that the views can be appreciated when preparing a meal. Warm timber shelves and furniture contrast with the dark kitchen joinery to create a balanced interior palette.
The home’s philosophy was inspired by the works of Alvar Aalto and Louis Kahn. The use of locally available and low-cost pine and Carrara stone gives it an almost Scandinavian sensibility, which the couple describe as “Scandi meets carpentry modernism.”
The kitchen features oak woodwork, black fixtures and fittings, and black hexagonal tiles that mimic the lines of the local landscape and represent the “basalt columns and moodiness of Iceland”.
An elongated kitchen window ties the interior to the outdoor deck and bar area and the landscape beyond.
The entry of the home leads to a fully open-plan living/dining/kitchen space with full width sliding doors that open to the garden. This part of the home was completed by the owners prior to adding the extension.
A graphic black lighting feature hangs above the kitchen bench, which conceals storage space behind oak doors.
The kitchen countertops are black quartz, offering a strong visual contrast to the plywood. “Leïla and Xavier enjoy having friends over to sit at the kitchen island, which is the center of the space,” says architect Catherine Milanese.
The kitchen showcases seamless maple cabinetry and soapstone counters, elements that pair well to create a simple, cozy atmosphere.
My kitchen—where all the magic happens—is galley style, which makes maneuvering easy-peasy. Through the doorway at the end of the galley is my pantry (where the wall oven and microwave live) and my tiny, sweet (pun intended) office, complete with Farrow and Ball’s Calamine-colored trim (pink is my favorite color).
The kitchen retains its original plan, but it’s been updated with new counters, cabinets, appliances, and lighting. A new wood counter, sink, cantilevered shelf, and cabinets were added opposite the original kitchen counter to create a convenient space for food and drink prep.
The steps to the kitchen were designed by Netsch to the proportions of the Parthenon, necessitating half steps in between. Will and Mark regularly entertain large groups, and removable cushions provide miscellaneous seating for guests.
The original home had very few handrails along the open edges of each floor. As part of the renovation, SOM added simple handrails that would not compete with the architecture. On stairs without railings, cushions offer a gentle resistance to people standing near the edge.
Bailey integrated red and yellow accents throughout the cabin in a nod to its ’70s origins. Paprika-colored Heath tile bedecks the backsplash. The matte-black, enamel cast iron pan is by Crane Cookware.
This backsplash may only cover a small surface area, but its asymmetric tiles are the kitchen’s pièce de résistance.
In the kitchen, crisp white cabinets complement a walnut table from Space Furniture. Custom lighting from JD Lighting Tech emphasizes the verticality of the home. The dining chairs are from Industry West.
The trusses were made by the building team from solid Australian hardwood and are critical in supporting the roof structure where the mezzanine level previously sat.
The kitchen, built with imported Tasmanian oak and plywood, features one of the most beloved details from Pam’s Cross-Stitch House—a kitchen island with a mirrored base—but the floating bench here is shaped differently to represent Arthur. "[The mirror] lightens the space in many ways, so you don’t feel like the island is taking over," says Dunin. Graphic backsplash tiles fom Academy Tile run into laminate countertops with a plywood edge. The refrigerator is Fisher & Paykel, and the combo oven and cooktop is V-ZUG.
The client fell in love with this marble-and-quartz countertop, which is called Super White. The kitchen features a Gaggenau refrigerator, Julien sink, BlueStar range, and Ochre kitchen stools as well.
The fully equipped, rustic-inspired chef's kitchen is just steps away from the dining room, which is accented by a large stone hearth. A wall of windows ushers ample natural lighting throughout.
Since the renovation, the full-length window at the back of the kitchen is populated by dense greenery, offering even more privacy to the homeowners.
Another view of the kitchen, which offers plenty of cabinetry and countertop space. A central island offers an additional prep area, while large windows provide views of the yard.
A large peninsula separates the kitchen, which features period Allmilno finishes. The space has since been upgraded with modern appliances and fixtures.
At a mere 600 square feet, the one-bedroom guesthouse maximizes storage space.
The front entry leads through a central corridor to the kitchen and living room. American cherry was selected for the cabinetry, with each piece of lumber purchased by the Brillharts at an auction and then stored in New Hampshire before being shipped to Miami and milled on site.
Another view of the kitchen showing the large window with stained glass clerestory windows. The sunny space overlooks the backyard.
Located at the back of the home, an updated kitchen offers modern cabinetry finished in dark, fumed oak with patinated brass inlay. Contrasting with the wood tones is Calacutta Paonazzo marble along the countertops and backsplash.
The white subway tile backsplash was given a unique touch with a stacked layout, rather than a typical off-set design.
The Nickell family, including children Dash and Arli, makes cookies in their new kitchen. "Both Shondi and Jake, being a part of Threadless, have such creative backgrounds themselves," says Suzanne. "The best part was just how seamless and easy it was to work through the colors and the palette and the materials."
A hammered copper farmhouse sink from Sinkology and copper hardware from Decorator Hardware contrast warmth against the blue and green tones of the cabinetry. The existing wood flooring was kept, just sanded and stained to match other areas of the house.
"Where the house sits, it’s sandwiched between these two structures," says Garry. This made accessing good natural light and views a challenge. A breakthrough move in the design consisted of installing windows on the north wall with glass-backed cabinets over them, thereby admitting natural light into the house, but not giving less-than-ideal views of surrounding buildings too much visual weight.
Malik Ashiru and OSSO Architecture rehabbed an apartment that had been unaltered since the 1980s. The old, constricted kitchen gave way to an open space with new Bosch appliances and a sleek wood island. A new steel structure replaces a wall that was removed during the renovation.
Simpson retained the original roof trusses and left them exposed as a reminder of the building's industrial heritage. The etched panels recycled from Anderson's former art installation line the ceiling above the trusses.
Clad in modest rusted metal, the triple-gabled roof divides the 1,750-square-foot home into three zones: a workshop, a retreat, and a forum.
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