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There is no overhead lighting here, but that’s just fine by Szczerbicki, who prefers to avoid “blasting one massive level of light.” Working closely with The Lighting Guild, he went for a more layered approach. Above the cabinetry, LED lights point up to illuminate the rafter, and a custom, linear pendant hangs above the island. “Every piece of lighting was designed with a specific task in mind,” says Szczerbicki. “As it gets darker, you slowly turn on key lights in key locations so the light level gradually grows.”
Rather than covering the ceiling completely with a sheet or board, Szczerbicki tucked the insulation above the rafters and sealed it in so that the ceiling’s structure was still visible. Painted in white, it becomes a sculptural element that highlights the volume of the space.
The kitchen island features a top made from concrete and rimu, a native New Zealand timber. As rimu is no longer harvested, the piece was pulled from a swamp and is potentially around 1,000 years old. The split between the concrete and timber reflects the split between the flooring materials. “The faceted form of the island ties into our concept and links to the fractured forms on the exterior of the house,” says Craig.
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