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Kitchen Wood Cabinets Ceiling Lighting Track Lighting Engineered Quartz Counters Refrigerator Design Photos and Ideas

Tiffany swapped out the dated vinyl for matte white tile from Home Depot on the floor. The backsplash is matte white subway tile from Tilezz, and the plywood cabinets are topped with white quartz counters. The Ready Stacking Barstool from Blu Dot are tucked under the island counter.
The hemlock slat ceiling runs throughout the first floor, save for the living room. The slats hide acoustical batting and tracks for lighting. It also adds warmth, texture, and interest, and provides a sense of continuity.
A tiled niche sports cutting boards from the local Steelwood Design.
An integrated bench with a slat wall makes for a natural seat at the top of the stairs.
Now, the kitchen is seamlessly integrated into the floor plan and with the exterior via the large sliding doors. "It's really at the center of the pinwheel of circulation," says Cuddington. Construction-grade fir plywood cabinetry with cut-out handles is topped with a Caesarstone counter. The stools are from Hay.
Gardiner Architecture ensured that flexibility, practicality, comfort, and spaciousness were all present in Elm Street House, as well as natural connections to the oft-used backyard and the surrounding neighborhood. The kitchen units are composed of blackbutt veneer and have a matte finish; the counters are Caesarstone. A pass-through window at the sink connects to the yard and makes for easy entertaining.
The kitchen units in Elm Street House by Gardiner Architects are composed of blackbutt veneer and have a matte finish. The counters are Caesarstone.
The living room, kitchen, and dining room flow into one another. The floors are hickory. "I've never used hickory in my life as an architect," says McCuen, whose wife chose the wood for the flooring. He’s since become a convert. "It is fabulous. It works with everything, and it finishes great," he says.
The kitchen cabinets are from Multiform's Form-1 line, which was designed by Carsten Michelsen in 1982. Per the company's website, Form-1 was Michelsen's effort to "elevate the Scandinavian kitchen to the level of the Danish furniture classics of the 1950s."
The ceilings in the great room are almost 23 feet high, and "the lot provides magnificent views over the entire city of Oslo in different directions," said Taugbøl, which the firm made sure to capture with the window placement.