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The tower features a ladder for access to the utilities, and the roof is planted with native shrubs to soften the concrete construction and reflect the approach taken with the landscaping.
“My parents tell me they love the home every time they wake up,” says architect Ryan Bollom.
The home sits over a single level on the site and has a long, linear form that extends landscape views to the horizon. It is aligned to frame both the sunrise and the sunset.
“We always comb through work we really like for general inspiration when starting a project, but usually there isn’t one project we draw from,” says architect Ryan Bollom. “I’d consider The Barak House, designed by R&Sie in 2003, a more direct precedent for this home. Formally and conceptually it’s very different, but its core idea is a flexible wrapper over a more rigid home construction.”
The design concept is based around an interior space protected by an outer wrapper. The facade is a cement stucco, and the exterior roof structure is supported by durable cedar timbers with a basic Galvalume metal roof over a TPO flat roof. “We tried to use standard materials and finishes to minimize costs,” reveals architect Ryan Bollom.
The ground floor projects out from the slope and sits over the top of the concrete foundations, in which a wine cellar—accessed through a hatch in the hallway floor—is located.
The home is made of 42 unique cross-laminated timber panels. The smallest panel is 450 millimeters x 1500 millimeters, and the largest panel is the entire southern wall—14.4 meters x 2.3 meters. The cantilevered ground floor at the rear of the home was made possible by the strength of these panels.
There is a play between really earthy, natural materials—which are seen in some of the cladding, tiles, and concrete work—and a very sleek, black metal aesthetic. “I have a lot of experience in commercial architecture, so I’m not scared of using more commercial, industrial materials on a residential building,” says Craig.
The two wings are connected by the courtyard, and a dining and living space that opens to the street. Privacy is provided by a large, three-meter-wide sliding panel. "In the mornings, we open the panel up to allow our living space to engage directly with the street—think the Dutch Calvinist tradition of opening one’s home to the public gaze," says Joe. "We have met many neighbors as a result, and it is a powerful device connecting public and private realms and enabling community. In the evening before bed, we shut it down."
The house has two distinct wings—the 1885 original "front" and the contemporary "rear." The front part of the home has been restored to the original 1885 floor plan, while the rear of the home was demolished and replaced with a new build that contains the garage, bathroom, and storage on the ground floor, and the boys’ bedrooms on the upper floor.
Walls of glass, horizontal roof planes, and a natural material palette enable this expansive home to feel like an extension of a dramatic boulder-strewn landscape in Idaho.
The concrete walls are perforated by large and small windows that frame views of the trees and local forest, as the site doesn't offer expansive views of the surrounding landscape.
The concrete pool structure has been conceived as a separate element to the home and is sunk into the sloped ground.
An outdoor pool is situated among the trees, allowing swimmers to be completely immersed in nature. Like the home, its footprint was determined by the existing trees on the site, and its otherwise geometric form is playfully interrupted by a diversion around a tree trunk.
The home is divided into four different blocks, arranged to avoid impacting on the trees on site.
007 House by Dick Clark + Associates
Designed to comfortably accommodate three to five employees, the 1,000-square-foot home office by Matt Fajkus Architecture complements an existing midcentury abode. The addition includes two individual office spaces, a conference room, a studio, a bathroom, and storage space. An operable wall divides the main space as needed. The wood-and-stucco addition features a pitched metal roof that jives with the existing home's midcentury style.
Pinon Ranch appears to emerge from the dense oak grove.
The “knuckle” connects the public and private spaces with the meadow on one side and the oak grove on the other. The space between the volumes is as carefully considered as the architecture itself.
Cantilevered out over the hillside the residence, which also serves as the couple's primary residence, is threaded between the trees, anchored by its concrete foundation which stops just short of the tree’s roots.
The gabled structure peers out from the dense oak grove to the meadow below.
Exterior
Exterior drone axonometric
Exterior within Context
Exterior at Dusk
A view of the three-story DFAB House perched atop the NEST Building.
Consisting of three prefabricated units in West Seattle on a 5,000 square-foot lot, the Genesee Townhomes—by Method Homes and Chris Pardo Design—from 1,250-1,400 square feet, each with three bedrooms and two and a half bathrooms.
Steep street. Original garage door and wooden louvers.  New third floor glass louvers.
Lanefab Design/Build demolished the existing carport and replaced it with a new addition that included the new entry, dining room, family room, mud room, and garage.
Surrounded by rugged beauty, the home was designed with a faceted exterior optimized for wraparound views unique in each room.
Located in Western Idaho, the Cliff House faces views of Payette Lake toward the south and west, while vast granite and dense forest flank the property to the north and east.
The C6 is one of LivingHomes' most popular models. Coming in at 1,232 square feet, this LivingHome offers a comfortable living space for a relatively low cost.
The rich material palette of stone, timber, glass, and board-formed concrete blend the home into the surroundings.
A glazed staircase placed on the south side of the building next to the hillside leads to the bedrooms on the upper level.
The house was strategically placed between the lake and an adjacent granite rock-face to capture key landscape views.
The property in Gooderham is set at the end of the original lake access road, and enjoys 1,300 feet of uninterrupted lakeside shoreline.
The original roof was flat with a flush parapet. In the early 90s, the former owners had a low-pitched roof placed on top of the existing roof, as well as new corrugated siding to cover the parapets. During the renovation, the interim roof was removed, and a new minimum-slope roofing structure was erected on the existing beams—reinstating the roof section toward the original design. The parapet is now clad with copper paneling.
The project encompassed exterior renovations and retrofitting, as well as four small additions to the building, and the construction of a new roof and landscaping.
When the current homeowners acquired the property from its original owners, the house had been well-maintained and was in good condition. The dwelling was even equipped with an HVAC system, a rare innovation for the period and building type.
The house is positioned on top of a hill on a 150-acre site where a ridge connects the Illawarra escarpment to the sea. From its elevated position, it looks down towards Werri Beach and Geering Bay.