A Net-Zero Mountain Retreat Looks to the Past for Inspiration

In the foothills of the Cascade Mountains, this remote getaway honors the landscape through its timeless design.

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Andersen Windows & Doors
This home tour of the runner-up of the 2023 Andersen Bright Ideas Awards is presented by Andersen Windows & Doors.
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For architect Neal Andrew Barber and his wife Inga, the Northern Cascades hold a special significance. Over the years, the Seattle couple frequented the mountain range’s western slopes, where they chose to spend as many weekends as possible through all four seasons. Dreaming of their own mountain retreat, the couple began to look for a site where they could design and build a getaway to share with friends and family. "I grew up in Seattle, and the mountains east of Bellingham [Washington] have always been a favorite area of mine," says Barber, founder of Seattle-based Studio Nocturne. "We knew we wanted to find a place close to the edge of the national forest here."  

Surrounded by densely forested terrain, the secluded property at the foothills of the Cascade Mountains had a natural clearing carved in—this small meadow became the site for the Seattle couple’s family gateway. 

Surrounded by densely forested terrain, the secluded property at the foothills of the Cascade Mountains had a natural clearing carved in—this small meadow became the site for the Seattle couple’s family gateway. 

Having zeroed in on location, the couple started their property search in 2019, but initially turned up empty. "We started looking for land in the mountains east of Bellingham at the end of 2019, but nothing felt right," Barber says. After COVID-19 stalled their plans further, they eventually came across a captivating parcel. "We found this secluded property with a meadow populated with mature bigleaf maples," shares Barber. "This clearing, carved out of the surrounding evergreen forest, seemed like the perfect retreat from the hustle and bustle." Securing the property shortly thereafter, plans were soon underway to design a remote oasis that would bring pause from the pace and routine of their lives in the city.

Establishing a walking trail that circled around the property’s perimeter helped determine the home’s final siting. "The house presents different characteristics depending on your point of view," says Barber.

Establishing a walking trail that circled around the property’s perimeter helped determine the home’s final siting. "The house presents different characteristics depending on your point of view," says Barber.

For Barber, the English picturesque informed the home’s design and siting—he found himself particularly inspired by period drawings of ruined castles and abbeys in the landscape. "We wanted it to feel like something that could have been there for decades and only recently rediscovered," Barber says of the home’s concept. "The house was to be our ‘ruin in the landscape.’" 

Tasked with introducing a new structure into the seemingly untouched forest setting, Barber thought first and foremost about the home’s visual impact on the landscape. "The most important vantage point considerations were actually views of the house from the outside," he shares. Pulling from his graduate studies in picturesque travel, Barber found similarities with alpine huts of the 18th century. "I found that these buildings do more than provide the necessary shelter and amenities to facilitate travel into and [around] the mountains," says Barber. "They also function as focal points in the landscape, as if they were subjects in a picture."

The home’s public volume has a barn-like form and wood-clad exterior, while the corrugated private volumes provide a contemporary counterpoint. "The difference in detailing and material choice reinforces the different intent and function of these spaces," shares Barber

The home’s public volume has a barn-like form and wood-clad exterior, while the corrugated private volumes provide a contemporary counterpoint. "The difference in detailing and material choice reinforces the different intent and function of these spaces," shares Barber

Designing the mountain retreat, Barber organized the home into three volumes. Facing the meadow, a traditionally-detailed, barn-like structure contains the home’s communal living spaces. Facing the woods, two other volumes, clad in corrugated metal, contain the home’s private quarters—bunkrooms, bedrooms, and bathrooms. A white wall mediates the connection between public and private spaces. The contrast of traditional and contemporary, along with the varied exterior articulation, creates a dynamic experience when viewing the home from different points around its perimeter. "We wanted the impression of the house to change as one moves through the landscape," says Barber.

The 2,600-square-foot home contains a voluminous open-concept kitchen and dining area, which is well-utilized by the couple and visitors. "We wanted a space to be able to focus on our family, on playing board games in the middle of the day, on having drawn out breakfasts and lunches," says Barber. "Having time for each other in a way we don’t always have in the city."

The 2,600-square-foot home contains a voluminous open-concept kitchen and dining area, which is well-utilized by the couple and visitors. "We wanted a space to be able to focus on our family, on playing board games in the middle of the day, on having drawn out breakfasts and lunches," says Barber. "Having time for each other in a way we don’t always have in the city."

For the wood "lodge," Barber wanted the form and design treatment to honor the home’s traditional influences. "We wanted the building to feel older, so the interior spaces feature wood paneling that the windows are trimmed into," Barber shares. "We wanted to frame views out to nature, almost like living paintings." Turning to Andersen Windows & Doors, he pulled from the 400 Series for the operable clerestory windows, and E-Series for the rest of the home’s windows and doors—including the view-framing picture windows. 

With large-format picture windows from Andersen trimmed directly into the wood paneling, the openings act like "living paintings in a drawing room," says Barber.

With large-format picture windows from Andersen trimmed directly into the wood paneling, the openings act like "living paintings in a drawing room," says Barber.

Private sleeping quarters comprise the home’s corrugated volumes—the metal box rib on the exterior transitions to wood battens on the interior.

Private sleeping quarters comprise the home’s corrugated volumes—the metal box rib on the exterior transitions to wood battens on the interior.

A cozy bunk room incorporates an E-Series Casement Window from Andersen.

A cozy bunk room incorporates an E-Series Casement Window from Andersen.

"We wanted to frame views of the trees and meadowscape from the inside," says Barber. "The quality of light is really special and changes throughout the day."

"We wanted to frame views of the trees and meadowscape from the inside," says Barber. "The quality of light is really special and changes throughout the day."

In addition to framing views, daylighting was a crucial consideration given the seasonally cold and light-challenged northern Washington climate. Integrating tall volumes with clerestory windows, Barber strategically funneled light into the home’s interior—essential during dark winter months. "I have found that windows often perform best when they have a specific goal in mind," shares Barber. "You might not be able to see much out of a window 16 feet above you, but it will fill the room with much more light than one at eye level."

Barber designed soaring white ceiling volumes with operable Andersen 400 Series clerestory windows to maximize light. "These features act as a room-scaled lightbox that creates a bright airiness to the light-toned wood surfaces below," Barber says. 

Barber designed soaring white ceiling volumes with operable Andersen 400 Series clerestory windows to maximize light. "These features act as a room-scaled lightbox that creates a bright airiness to the light-toned wood surfaces below," Barber says. 

A modest solar array and the window design strategy helped Barber achieve the home’s net-zero rating. In addition to daylighting benefits, the 400 Series clerestory windows help cool the home without air conditioning during warm summer months. The elevated clerestories pull hot air out of the house in the evenings, while cool air enters through the lower-height windows, keeping the home comfortable without an active cooling system. "This relationship creates convective air flow that would not be possible if all the windows were at the same datum," says Barber, of the intentionally varied window heights.

The couple now visits their wooded retreat almost every week—whether working remotely or relaxing on the weekends. "The purpose of the home is to relax," says Barber. "For our family, it was about creating an escape from the rhythms and patterns of everyday life—somewhere where we focus on the activities we actually want to spend time on."

The couple now visits their wooded retreat almost every week—whether working remotely or relaxing on the weekends. "The purpose of the home is to relax," says Barber. "For our family, it was about creating an escape from the rhythms and patterns of everyday life—somewhere where we focus on the activities we actually want to spend time on."

For Barber and his family, trips to the mountain retreat are now regular. Prioritizing time outdoors, they enjoy hiking, skiing, whitewater kayaking, and simply walking around the property. "The [home] gives us an oasis where we can literally and figuratively get a breath of fresh air," says Barber. "It really feels like a world away when you are there."

Learn more about all the 2023 honorees and the judging process at andersenawards.dwell.com.

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Sarah Akkoush
Dwell Contributor
Sarah is a real estate developer by day and a writer by night. She can usually be found hustling, napping, or scooting up and down the hills of San Francisco on her Vespa.

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