First camera assistant, Michael, at Peter Belanger’s studio painting the backdrop wall for the next’s day’s shoot.
First camera assistant, Michael, at Peter Belanger’s studio painting the backdrop wall for the next’s day’s shoot.
Ben prepped a bunch of different flora options for us to “plant” on set.
Ben prepped a bunch of different flora options for us to “plant” on set.
Pictured here are some of the cutouts created on set.
Pictured here are some of the cutouts created on set.
Un-potted paper trees waiting to be placed.
Un-potted paper trees waiting to be placed.
Paper artist Benjamin Laramie prepped the pots with internal supports for the flat trees.
Paper artist Benjamin Laramie prepped the pots with internal supports for the flat trees.
Here Ben takes a bit of time to straighten out some trees.
Here Ben takes a bit of time to straighten out some trees.
Kyle, Ben, and I sit down to go over plant-and-planter options.
Kyle, Ben, and I sit down to go over plant-and-planter options.
A handful of the almost-finished planters from our prep day.
A handful of the almost-finished planters from our prep day.
The set getting filled in on shoot day.
The set getting filled in on shoot day.
A corner of the set and the view from Peter Belanger's San Francisco studio.
A corner of the set and the view from Peter Belanger's San Francisco studio.
No shoes on set keeps the green seamless, nice and clean.
No shoes on set keeps the green seamless, nice and clean.
Kyle and I getting some work done. Click here to read the finished article that appeared in the April 2010 issue.
Kyle and I getting some work done. Click here to read the finished article that appeared in the April 2010 issue.