“I like to work with the front door open, so I get as much natural light as possible,” Jung says. “Being in LA, the weather is gorgeous pretty much everyday. I work in silence so the only thing you hear is a light breeze that comes through the entire studio."

Jung worked in various graphic design studios before realizing that she had very little interest in graphic design and even less interest in working for someone else. When she was 26, she quit her job and started the creative studio Brook&Lyn.

Besides color, Jung finds inspiration in everyday things—“from a block of tofu that I translate into a woven piece, to a found piece of tree bark that dictates the entire design/flow of the weavings.”

“Weaving is just another medium for me,” says Jung. “Our next immediate project involves turning the weavings into 3-D sculptural forms.”

One of Jung biggest inspirations is color. “With the weavings,” she says, “I'm free to go wild. And the wilder I go the better they become. I start each project with a single color that I'm drawn to, then I build around it.”

Depending on the size, a weaving can take anywhere from 30 hours to three weeks to complete. “I add then subtract over and over until it's right.”

“Something about the sun filled days, lush green surroundings of our new LA home, and my new life seemed to align with weaving so perfectly, and it stuck,” Jung says. “My friends and I joke that (East) LA is the land of ceramics and fiber arts—everyone is doing it, buying it and pinning it!”

Mimi Jung graduatied from Cooper Union with a degree in Fine Art, studied graphic design in Basel, Switzerland, and worked as a print designer in Germany for a bit before moving back to the States to pursue book design full-time—“because that was the only ‘employable’ skill I had acquired.”

Smith Pavilion by Studio Weave The London-based architecture practice will infuse their pop-up pavilion with the history of the central London borough’s makers and builders. Constructed from fibre-cement panels, a material made by re-appropriating an old paper mill and spinning-machine, the interior will feature CNC-cut panels that will tell the story of tools and gear used by neighborhood artisans. The structure will sit across from St John’s Gate. Rendering courtesy of Studio Weave

Inspired by the traditional basket-weaving techniques of the Philippines, the Coiled Stool is comprised of hand-woven threads over a rattan core. Shaped in a classic tractor seat, the stool rests on four gmelina wood legs, and can be used in formal and casual environments alike. Pictured with Pleated Earthenware Vase and Dish, and Nest Storage Caddy.

From the array of colors to the supersoft lambs-wool to the intricate way the yarns are woven, this covering from Wallace + Sewell offers much to rave about.

A pair of rod and weave chairs from Portland-based Eric Trine round out our Noho Next picks.

Rami Tareef displays traditional weaving techniques in a striking, modern fashion with the Yellow Warbler, a chair formed by wrapping polypropylene cord around a steel frame.

Eric Trine Eric Trine's passion for minimalism is apparent in his Rod and Weave Chair, a piece he created while in grad school and has been evolving ever since.

Detail view of the yarn Mimi Jung uses in textile wall hangings for Brook&Lyn.

Maryanne Moodie's Woolen Wall Art This photo captures two weeks of output for the prodigious weaver. Photo courtesy Maryanne Moodie

Donna Wilson’s colorful Field Day Throws celebrate traditional Welsh weaving.

Maryanne Moodie’s Woolen Wall Art Moodie’s collages of new and vintage yarn, including threads pulled from spools found in shut-down textile factories. Photo courtesy Maryanne Moodie

Rosie Joe weaves a traditional Navajo rug.

For fans of groundbreaking American fiber artist Sheila Hicks, take a gander at weavings by Minna ($250 as shown). Pro tip: You can also view Hicks's work at the 2014 Whitney Biennial, the last biennial art exhibition that will be held inside Marcel Breuer's building on Madison Avenue.

Brook&Lyn Each of Brook&Lyn's textile pieces are handwoven and no two are alike. Find the fiber art in booth M14. For a complete list of Cash and Carry exhibitors click here.

Go behind-the-scenes with graphic weaving duo New Friends. The pair's practice is rooted in tradition (after all, weaving on a loom has been done for thousands of years), but their work has a distinctly modern edge. Follow them at @new_friends.

West Elm's Bliss sofa has a tailored silhouette which bely its cushy, down-filled upholstery. The linen weave fabric option in Cayenne best approximates Pantone's 2015 theme. $1,399 at West Elm

"Heat Wave in Rajasthan" flatweave wool and cotton rug designed by Aelfie and made by artisans in India. ($195-$455)

Brook&Lyn is the Los Angeles-based design studio founded by Mimi Jung, who is making her first appearance at Dwell on Design.

Every mom deserves a bit of luxury in her life. We love this super soft cashmere throw in a waffle weave. It's the perfect companion for a chilly morning or evening and looks beautiful draped on the couch or foot of the bed.

“We found Studio Weave’s work and instantly connected with their designs, feeling their playful, instinctive approach would neatly balance modern design in a natural setting,” say the clients, Tom Baker and Natalie Silk. “They worked closely with our builder, David Joyce, to bring the space to life.”

A private trail system weaves throughout the 27-acre property and leads to a flowing creek.

Another flat-weave kilim rug series, with graphic motifs by All The Way To Paris, in &Tradition's Copenhagen showroom.

The Scale of Things—an exhibition encapsulating Swedish design by Jens Fager, Folkform, Färg & Blanche, Jonas Wagell, Lukas Dahlén & Matti Klenell—dealt with the concept of size: "to scale down, scale up, scale in relation between objects and between images and reality." Shown here is Lukas Dahlén's Weave cupboard.

Pine and gravel sleepers follow the site’s natural slope, weaving through the existing pine trees until reaching the home’s entrance.

Julie Lansom weaves different hues of cotton thread around a wood frame to fashion her intricate Sputnik lights.

A large corner window floods the living room with natural light and river views. The room is furnished with a vintage Parker sofa, Paper table by Gamfratesi, Hiroshima lounge chairs by Naoto Fukasawa, and River Weave Rug from Armadillo & Co.

Striped Candy Tree, hand-woven wool tapestry weave, Evelyn Ackerman, 1968.

One of the massive weaving machines at Ruckstuhl, where up to 3600 spools of thread are needed for each rug.

Artisans weave in a workshop.