The custom cedar tub, fabricated by Dovetail, elegantly fits into the master bathroom.
Since surrounding neighbors can overlook the one-story property, Thomson created a roof detail that is environmentally friendly and attractive: “the bio-diverse [green] roof is planted with indigenous species of flowers and grasses,” he says.
During construction, Mariscal’s team adjusted the design to accommodate the boughs of an old pine tree in the backyard. The unique detail imbues the home with a spirit of wabi-sabi—or beauty through imperfection.
“The house turns its back to the street while opening up to the views to the northeast through a large glazed corner window system,” Hutchison says. One-by-four and one-by-six inch cedar siding, which were pre-stained in Cabot Semi-Transparent Black, were placed vertically and horizontally on the exterior as a subtle detail.
Brian and Joni Buzarde’s self-designed home sits on a customized chassis by PJ Trailers that’s just eight and a half feet wide. The 236-square-foot trailer is clad in cedar.
The cedar-and-glass structure rises over an expansive rear patio. Although it is larger than some of its neighbors, the home nearly matches the height line of the surrounding houses due to its flat, modern roof.
Architect Andrew Simpson and the owners wanted to keep the design simple and grounded with “a sense of modest honesty.” In terms of the exterior, “as much of the existing cedar cladding as possible was retained and reused.”
Wilkin and Pini hired Longma Joinery to build custom cedar windows and doors for their 270-square-foot addition.
Jason and Suzanne Koxvold commissioned Studio Padron to design a 200-square-foot guesthouse on their Ellenville, New York, property. The geometric structure’s dark cedar cladding contrasts with the inviting interior, which is heated by a cast-iron Jøtul stove. A layer of built-in bookshelves made from felled oak lumber also helps insulate the building in winter.
“When we first set out on this crazy adventure, we always pictured parking Woody in a place like this,” Brian says. “We honestly couldn’t have imagined it would be this spectacular.”
“The liberal use of wood roots the structure in the landscape and provides the owners with an experience strongly connected with location,” Herrin says. The exterior’s Western red cedar shingle siding has a semi-transparent stain, half Fieldstone and half Burnt Hickory from Cabot.
While most of the ground level is given over to the large open living and dining area, it also includes a small pantry, office, and Japanese bathroom. An integrated Sub-Zero refrigerator is almost unnoticeable behind its charred cedar cladding.
The mix of stone, masonry, and wood in the south-facing terrace replicates the style of the original house. In order to ensure the space felt warm and inviting, the architect replaced the existing steel structure with solid cedar, adding cedar posts and shutters to unite the wood ceiling with both the interior and with nature outside.
The charred cedar exterior gently basks in the Alaskan sun.
Down on the cedar dock, the view of nearby Bowen Island generates a dramatic foreground view, while the British Columbia mainland in the distance appears to be a world away.
The front door of this house in Scotland is built from charred cedar boards—a traditional way of fireproofing wood developed in Japan. In this case, the effect on the front door is likely more aesthetic than preventative, though you can never be too careful.
A series of charred modern boxes, the home Petra Sattler-Smith and Klaus Mayer designed for Martin Buser and Kathy Chapoton, is organized around views of the Alaskan landscape.
Claire and Ken Stevens approached architect Ko Wibowo to create a modern addition to their 1970s home in Tacoma, Washington. The couple’s needs had changed since Ken was diagnosed with Alzheimer’s a few years ago.
Torrified cedar lines the inside of the rooftop sauna.