Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."
Located 31 miles north of Lima, the C3 House is set in a windswept Ancón landscape that the architects describe as "martian-like."
The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.
The living room and dining area occupy the heart of the "living" volume and are enclosed on both sides by full-height glazing.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
In the living room, an 18th century jajim, purchased in Istanbul, hangs behind a Molteni & C sofa covered in woven linen with mohair pillows. The wool rug is from California Carpets.
Custom-designed back-painted glass in the kitchen backsplash brings the blue-gray tones of the water inside, while Caesarstone Black Raven countertops provide a stark contrast. Bulthaup appliances update the kitchen's functionality.
Custom-designed back-painted glass in the kitchen backsplash brings the blue-gray tones of the water inside, while Caesarstone Black Raven countertops provide a stark contrast. Bulthaup appliances update the kitchen's functionality.
In the kitchen, the same materials and shapes are echoed, including the custom barstools that surround the kitchen island—which bare resemblance to the seating options he designed for the living room.
In the kitchen, the same materials and shapes are echoed, including the custom barstools that surround the kitchen island—which bare resemblance to the seating options he designed for the living room.
The original kitchen was designed by the Booths, and Robert renovated it in 2000, making it ergonomic for his wife Sirkka's shorter frame.
The original kitchen was designed by the Booths, and Robert renovated it in 2000, making it ergonomic for his wife Sirkka's shorter frame.
An open floor plan with uninterrupted views from the front to the back of the home provides a stark transformation from the original “boxy” floor plan. Designed to cater to university events as well as day-to-day routines of the home’s residents, Meade notes that the first floor was designed so that “only one room can close itself off in order to create visual and physical openess. If you are hosting events, you can have everyone in a single space, but still have them in different “spaces.”
An open floor plan with uninterrupted views from the front to the back of the home provides a stark transformation from the original “boxy” floor plan. Designed to cater to university events as well as day-to-day routines of the home’s residents, Meade notes that the first floor was designed so that “only one room can close itself off in order to create visual and physical openess. If you are hosting events, you can have everyone in a single space, but still have them in different “spaces.”
Kitchen
Kitchen
Picture window looks onto a porch with a nice view of the yard.  Sun sets directly into the window view.
Picture window looks onto a porch with a nice view of the yard. Sun sets directly into the window view.
Casual meals are eaten at the kitchen’s glacier white Corian countertop, which features Aalto K65 stools. The island’s Blanco sinks offer a direct, uninterrupted sightline to the garden.
Casual meals are eaten at the kitchen’s glacier white Corian countertop, which features Aalto K65 stools. The island’s Blanco sinks offer a direct, uninterrupted sightline to the garden.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
While the original home was dark, like other homes of its period, the addition allowed Andrews and his team to let in an abundance of natural light.
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
The façade of the interwar dwelling was painted bright white and left largely unchanged, with a sole burst of color coming from a yellow DesignByThem “tomtom” letterbox. Though the extension is invisible from the street, architect Christopher Polly says it provides “significant additional freedom for the owners and their three young children to grow into.”
Photos By Rob Turner Photography
Photos By Rob Turner Photography
NYT2009010914414855C
NYT2009010914414855C
NYT2008103115323739C
NYT2008103115323739C

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