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010-020 returned this year to Ventura Lambrate to present work by up-and-coming designers like Studio WM, Lex Pott, Earnest Studio, and Mae Engelgeer.
010-020 returned this year to Ventura Lambrate to present work by up-and-coming designers like Studio WM, Lex Pott, Earnest Studio, and Mae Engelgeer.
Designed by Sydney-based practice Akin Atelier, this Bondi Beach abode is comprised of two volumes connected by a central courtyard that draws in natural light. The orientation of the 2,010-square-foot home allows for a playful rhythm of light, shadow, and air that gives it its atmospheric name, Cloud House.
Designed by Sydney-based practice Akin Atelier, this Bondi Beach abode is comprised of two volumes connected by a central courtyard that draws in natural light. The orientation of the 2,010-square-foot home allows for a playful rhythm of light, shadow, and air that gives it its atmospheric name, Cloud House.
0507225_0714_ 010
0507225_0714_ 010
dwell Residency: 010
dwell Residency: 010
010 Master Bedroom 01
010 Master Bedroom 01
An abstract sword of a structure slicing across the Barents Sea coastline above the Arctic circle, this curious collaboration between Pulitzer Prize winner Zumthor and artist Louise Bourgeois commemorated the death of 91 people accused of witchcraft. Zumthor’s long, sleek cocoon of silk and oak commemorated the lives of each victim, and points to Bourgeois’ installation, “The Damned, The Possessed and The Beloved,” an endless flame consuming itself upon a steel chair.
An abstract sword of a structure slicing across the Barents Sea coastline above the Arctic circle, this curious collaboration between Pulitzer Prize winner Zumthor and artist Louise Bourgeois commemorated the death of 91 people accused of witchcraft. Zumthor’s long, sleek cocoon of silk and oak commemorated the lives of each victim, and points to Bourgeois’ installation, “The Damned, The Possessed and The Beloved,” an endless flame consuming itself upon a steel chair.
In Los Angeles, we are often accused of forgetting. But what we probably forget more than anything is how recognizable our city is to lovers of architecture all over the world. It's not at all difficult to get someone who has never been to Los Angeles to describe the Theme Building, the Hollywood Bowl, Watts Towers, Walt Disney Concert Hall. And when they describe them to you, they are often describing the images of them captured by one man: architectural photographer Julius Shulman.
In Los Angeles, we are often accused of forgetting. But what we probably forget more than anything is how recognizable our city is to lovers of architecture all over the world. It's not at all difficult to get someone who has never been to Los Angeles to describe the Theme Building, the Hollywood Bowl, Watts Towers, Walt Disney Concert Hall. And when they describe them to you, they are often describing the images of them captured by one man: architectural photographer Julius Shulman.
Eva Zeisel (1906-2011) crafted playful ceramic pieces and described herself as “a maker of useful things.” Originally a painter, Zeisel turned to ceramics as a more practical alternative career. She went on to become the first journeyman in the Hungarian guild for potters, and then worked in Germany for two years creating dinnerware, tea sets, and other assorted items. She moved to Russia “out of curiosity” and became the artistic director of the glass and ceramics industries for the Communist government. When she was 30, she was accused of plotting to assassinate Stalin and imprisoned for 16 months, 12 of which were in solitary confinement. This time altered her perception greatly, “You feel the difference first in the way you see colors,” she wrote later. She married Hans Zeisel, and they eventually moved to New York where she taught at Pratt Institute in Brooklyn, presenting ceramics as an industrial design, rather than a traditional craft. Her work began to garner international attention, ultimately earning her the Lifetime Achievement Award from the Cooper-Hewett National Design Museum, and she continued to actively work almost up until her death, at age 105.
Eva Zeisel (1906-2011) crafted playful ceramic pieces and described herself as “a maker of useful things.” Originally a painter, Zeisel turned to ceramics as a more practical alternative career. She went on to become the first journeyman in the Hungarian guild for potters, and then worked in Germany for two years creating dinnerware, tea sets, and other assorted items. She moved to Russia “out of curiosity” and became the artistic director of the glass and ceramics industries for the Communist government. When she was 30, she was accused of plotting to assassinate Stalin and imprisoned for 16 months, 12 of which were in solitary confinement. This time altered her perception greatly, “You feel the difference first in the way you see colors,” she wrote later. She married Hans Zeisel, and they eventually moved to New York where she taught at Pratt Institute in Brooklyn, presenting ceramics as an industrial design, rather than a traditional craft. Her work began to garner international attention, ultimately earning her the Lifetime Achievement Award from the Cooper-Hewett National Design Museum, and she continued to actively work almost up until her death, at age 105.