An abstract sword of a structure slicing across the Barents Sea coastline above the Arctic circle, this curious collaboration between Pulitzer Prize winner Zumthor and artist Louise Bourgeois commemorated the death of 91 people accused of witchcraft. Zumthor’s long, sleek cocoon of silk and oak commemorated the lives of each victim, and points to Bourgeois’ installation, “The Damned, The Possessed and The Beloved,” an endless flame consuming itself upon a steel chair.