The stairs are one of the best parts of the renovation and were assembled on-site, stretching from basement to the top floor.

The Premaydena House by Misho+Associates was designed as a "box within a box," in which two interior structures—an open-plan living space and two en suite bedrooms—sit within an exterior envelope. Inspired by the region’s fiery orange lichen and the indigenous waratah shrub’s bright flowers, the colorful exterior panels are made of heavy-duty galvanized steel to guard from Tasmanian winds, which can reach up to 60 miles per hour.

Ryan McLaughlin watches the sunset from the deck of the 160-square-foot tiny home he built, with no prior experience, at his parents’ horse ranch in Georgetown, Texas. Soon, the trailer-mounted cabin will be moved to a vineyard, where it will operate grid-free and be available to rent for short stays.

Haines House by Christopher Polly in Newtown, Australia

Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.

“A building can have far greater impact than the space it stands in.”—William Carpenter, architect and resident

The owners toured this home, which surrounds a mature tipu tipu tree, while visiting relatives for the day. The brick is original to the 1947 construction.

New zoning allowed for a zero-lot-line structure, but required a public storefront, which Carpenter uses as an art gallery.

Sliding doors by Quantum were made to look like the original panes that couldn't be saved, and they lead to a fire pit outside.

The Stack also dispels the myth that prefabrication limits the size and shape of the final product: The building’s 28 apartments, which come in a variety of configurations and span multiple modules, optimize the infill site’s small footprint.

Super size sculpture of "Blowfish", "28 Moons", "Cow" by Robert Israel

See Arch restored the exterior fireplace wall and painted it a deep blue hue to match the repainted blue timber cladding.

The communal entry has a large house number, 28 in the case of the Bouwmeester/Blokius family, to distinguish it from its neighbors.

While a two-story structure did not meet the zoning code, Richard Neutra bypassed that via his design of a "gloriette," an outdoor room flanked by aluminum louvers. Those panels shelter the home against the harsh desert elements and were recreated as part of the five-year restoration of Richard Neutra's original design. Photo: Tim Street-Porter

The bath’s Kohler Purist fixtures and Frederick Weinberg animal figures sit on a Corian countertop

The Airstream Haus’s interior is minimalist, but comfortable, boasting a fully functional kitchen and queen-size bed that doubles as a couch.

Kai and Téa brush their teeth in the upstairs bathroom shared by all. “We went with the 1950s thing—a family bathroom,” explains Blatt. The sinks are by Kohler.

The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.

The Airstream Haus, parked in Ojai, California. August says that when your dwelling is small, it’s important to make the most of outdoor space.

“I really believe buildings are part of a city as an organism.”—William Carpenter, architect and resident

Nothing but WOW ❤️❤️❤️

Arbel’s projects—both products and architectural commissions—follow a chronological numbering system. The house itself is his 23rd design, while the one-of-a-kind glass pendants that accent nearly every room like a starscape are called “28.”

Pleased with the pop-up they designed last summer, Frame approached i29 again this fall to construct a more long-term installation: a shop meant to evoke a 3-D walk through of an issue of their magazine.

CC Timer by Mathias Zieba and Alexandre Burdin.

Dump Truck by Green Toys, $20.

CC4441 (Tokyo, Japan) Tomokazu Hayakawa sliced and stacked two black containers to create an angular art gallery and office space in the Taito district. Photo by Kuniaki Sasage

Fashion-tech designer Anouk Wipprecht’s white Spider Dress 2.0 was developed with Philip Wilck along the lines of a previous dress she made inspired by arachnids. The 3D-printed robotic garment with eight jointed arms (activated by sensors and Intel Edison chips with artificial bio-signal intelligence) protects the wearer. Depending on the wearer's mood—agitated or pleased—the arms of the dress spring upward to ward off intrusions.

Part of the PIXEL series, the Ripple 2.0 Coffee Table, shown in walnut with powder coated steel pulls, takes the same inspiration of the movement created by a ripple of water and brings it to a different, slightly darker, place by using a different kind of wood and pixelating the motif further.

Bocci 28.16 Pendant