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The kitchen opens out into the dining room and living area, and features an island countertop from Caesarstone. The lighting throughout is from Liteline.
Interior Designer Stephanie Dyer in the completed project.
Dyer Studio custom-designed the island with a black-stained white oak wood base and a walnut and soapstone counter that curves at both ends.
Dyer was inspired by all of the original curved details throughout the home, and wove subtle references into the kitchen’s design, including the scalloped detail in the stone counter and backsplash, the curving walls of the stove alcove, and at the coved ceilings.
Removing the dropped ceilings had a dramatic effect on the perceived size of the room. “I think the ceiling height alone changed how that space felt,” says Dyer.
The team added a bank of windows above the sink to flood the room with light. The ceiling pendants are from Allied Maker and the stool is the Cherner Counter Stool from Design Within Reach.
Per the clients’ request, the kitchen skews to a predominantly white color palette, with the bespoke island providing contrast.
In the kitchen, crisp white cabinets complement a walnut table from Space Furniture. Custom lighting from JD Lighting Tech emphasizes the verticality of the home. The dining chairs are from Industry West.
In this Tasmanian midcentury, the architects gently reworked the interior layout, replacing a small sitting room and bath/laundry with a new kitchen. The kitchen's wood cabinetry "references the original timber joinery elsewhere," write the architects.
The interior spaces are simple and clean, allowing the panoramic views to remain the center of attention.
Figured walnut grain of the basecabinets
Kitchen
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Kitchen
A large dark wood stained island provides extra storage and work space for both the parents and the children.