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Kitchen Ceiling Lighting Marble Backsplashes Pendant Lighting Wood Cabinets Design Photos and Ideas

Alessia’s favorite detail? “I am not a huge fan of handles, so there are only three cuts [in the cabinetry] which lets you open six doors.”
A wall was removed so the two main living spaces now flow together. In the spirit of reuse, the curtains are fabric recycled from stage backdrops.
Virtue Joinery built the custom cabinetry, composed of plywood stained a soft grey.
The counter and backsplash are made up of a marble slab leftover from a bigger job.
On the main level, Alessia relocated the kitchen into what was a large bedroom, so as to give the kitchen more functionality and connect it to the living room. The cooktops can pivot up against the backsplash to create more prep space on the counter.
The kitchen has a large central island, with the range and workspaces on the right and a huge built-in on the left in front of the stair. A bright, white laminate wall holds the oven and refrigerator. Architect Nicholas Fiore says this element “pumps the brakes a bit” on the white oak shiplap walls and white oak ceiling.
The quartzite island in the kitchen is a grounding presence beneath the void and a focal point between the dining room and living room. The living room features a Gentry sofa by Patricia Urquiola for Moroso.
The cabinetry in the kitchen is rift-sawn, dark-stained white oak that complements the ceilings and contrasts with the white walls. The dark-pigmented concrete floors were intentionally left untreated in order to convey a sense of time. “As the home ages, the floor ‘records’ the construction process, foot traffic, wine spilled at birthday parties, drips of olive oil from anniversary dinners, watermarks from relaxing showers, and so on,” says architect Hunter Gundersen. “Every action will be subtly set in stone before it’s quickly cleaned up or swept away. Over the years, a patina of life will build up, adding depth and beauty to the interior.”
A local blacksmith fabricated metal elements for the doors, shelves, and light fittings throughout the house.
The dining table and chairs in the kitchen were handcrafted by the homeowner from timber harvested on-site.
The front and back doors are only 12 feet apart from one another, separated by the living space at the heart of the home. The open floor plan allows the living space, den, dining room, and kitchen to flow into each other, while the way the volumes are positioned makes each space feel distinct—this works well for entertaining both large and small groups.
A full-length skylight above the floating steel shelf in the kitchen allows light to stream across the Venetian plaster wall and bounce off the high-gloss white shelf. “It creates an ever-changing and ethereal experience,” says designer Jamie Chioco. The ceramic dishes and plates displayed on the shelf are from Kinn Home.
The island bar in the kitchen features white Arcilla Field tiles by Ann Sacks that match the turquoise tiles used in the guest bathroom. The lights above the bench are classic VL45 Radiohus pendants, which were originally designed in the 1940s by Danish architect Vilhelm Lauritzen for Louis Poulsen for the construction of the Radiohuset building in Copenhagen.
In the kitchen, a bank of copper-fronted cabinetry joins the pink marble backsplash. The island is set atop a curving pink base that gives it some lightness.
There are now two options for seating—at the end of the island or in the nook beyond.
The sink wall faces south, and the architects sought to bring in natural light while filtering the view to the driveway. Their solution was to create a "living screen" with solid walnut shelves, suspended with blackened-steel frames, that showcase glassware and plants while allowing space for a solar roll shade. Custom, laser-cut steel glass racks are mounted under the lowest shelf.
The counters and backsplash are Imperial white marble, and the hood vent received a custom metal surround.
The expansive new kitchen has a generous sliding glass door to the yard and cabinetry is outfitted in plain-sawn walnut. "The wood is close in tone to the existing mahogany woodwork, but it has a more expressive grain," says Chadbourne. "We used it at all new cabinetry in flat, flush panels. The walnut’s grain character is the design element rather than the cabinetry construction details."
The kitchen's central island is particularly luminous when sunlight pours down through the skylight.
Curves, found throughout, echo the home's original joinery.
An L-shaped skylight is the highlight of the kitchen, from which views of the garden and pool are visible.
The super functional (and hidden) butler's pantry allows the kitchen to remain streamlined and clutter-free.
The updated kitchen comes with a breakfast bar, granite countertops, and stainless steel appliances.
Simply Paris The Paris kitchen of architect Joseph Dirand.