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All Photos/kitchen/cabinets : wood/counters : marble/lighting : ceiling/backsplashes : marble

Kitchen Wood Cabinets Marble Counters Ceiling Lighting Marble Backsplashes Design Photos and Ideas

Alessia’s favorite detail? “I am not a huge fan of handles, so there are only three cuts [in the cabinetry] which lets you open six doors.”
A large g<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">lass door at the rear of the home ties the open-plan kitchen, dining, and living areas on the first level to a sun-drenched courtyard filled with plantings.</span>
A wall was removed so the two main living spaces now flow together. In the spirit of reuse, the curtains are fabric recycled from stage backdrops.
Virtue Joinery built the custom cabinetry, composed of plywood stained a soft grey.
The counter and backsplash are made up of a marble slab leftover from a bigger job.
On the main level, Alessia relocated the kitchen into what was a large bedroom, so as to give the kitchen more functionality and connect it to the living room. The cooktops can pivot up against the backsplash to create more prep space on the counter.
The quartzite island in the kitchen is a grounding presence beneath the void and a focal point between the dining room and living room. The living room features a Gentry sofa by Patricia Urquiola for Moroso.
The cabinetry in the kitchen is rift-sawn, dark-stained white oak that complements the ceilings and contrasts with the white walls. The dark-pigmented concrete floors were intentionally left untreated in order to convey a sense of time. “As the home ages, the floor ‘records’ the construction process, foot traffic, wine spilled at birthday parties, drips of olive oil from anniversary dinners, watermarks from relaxing showers, and so on,” says architect Hunter Gundersen. “Every action will be subtly set in stone before it’s quickly cleaned up or swept away. Over the years, a patina of life will build up, adding depth and beauty to the interior.”
The light in the kitchen is Supernova by Delta. “We explored the historical idea of how traditional native dwellings had a fire at the centre of the house around which everything gathers,” says architect Trevor Wallace. “The idea of an ‘oculus’ came from this and we thought it would be fun to play off that and provide this oculus-like light that is effectively the centre point of gathering within the home.”
The large kitchen is a space for the family to gather, with a stone-look porcelain benchtop and splashback from Stone Tile. “The clients wanted the stone in the kitchen to feel natural rather than dramatic,” says architect Trevor Wallace. “It's large format porcelain, though, as I don’t think they would have been able to handle the level of patina that would have developed on a natural stone when cooking with children!”
Marble covers the backsplash, and new upper cabinets inset with fluted glass were added.
The stainless-steel elements, including the counter and cabinets, were also kept in place for their industrial character. The island was reworked and topped with marble.
The architects reused much of the existing walnut cabinetry, giving it an ebonized finish for contrast.
A local blacksmith fabricated metal elements for the doors, shelves, and light fittings throughout the house.
The dining table and chairs in the kitchen were handcrafted by the homeowner from timber harvested on-site.
The front and back doors are only 12 feet apart from one another, separated by the living space at the heart of the home. The open floor plan allows the living space, den, dining room, and kitchen to flow into each other, while the way the volumes are positioned makes each space feel distinct—this works well for entertaining both large and small groups.
A full-length skylight above the floating steel shelf in the kitchen allows light to stream across the Venetian plaster wall and bounce off the high-gloss white shelf. “It creates an ever-changing and ethereal experience,” says designer Jamie Chioco. The ceramic dishes and plates displayed on the shelf are from Kinn Home.
The kitchen countertops and backsplash are Carrara marble slabs, while the cabinetry is crafted from vertical-grain white oak, which adds warmth while contributing to the brightness of the interior palette.
The island bar in the kitchen features white Arcilla Field tiles by Ann Sacks that match the turquoise tiles used in the guest bathroom. The lights above the bench are classic VL45 Radiohus pendants, which were originally designed in the 1940s by Danish architect Vilhelm Lauritzen for Louis Poulsen for the construction of the Radiohuset building in Copenhagen.
In the kitchen, a bank of copper-fronted cabinetry joins the pink marble backsplash. The island is set atop a curving pink base that gives it some lightness.
There are now two options for seating—at the end of the island or in the nook beyond.
The sink wall faces south, and the architects sought to bring in natural light while filtering the view to the driveway. Their solution was to create a "living screen" with solid walnut shelves, suspended with blackened-steel frames, that showcase glassware and plants while allowing space for a solar roll shade. Custom, laser-cut steel glass racks are mounted under the lowest shelf.
The counters and backsplash are Imperial white marble, and the hood vent received a custom metal surround.
The expansive new kitchen has a generous sliding glass door to the yard and cabinetry is outfitted in plain-sawn walnut. "The wood is close in tone to the existing mahogany woodwork, but it has a more expressive grain," says Chadbourne. "We used it at all new cabinetry in flat, flush panels. The walnut’s grain character is the design element rather than the cabinetry construction details."
"We always prioritize functionality during our pre-design phase. We spend a lot of time learning the cooking style and flow of our clients and take stock of all existing kitchenware," says Christin Stucker.
The use of natural materials, such as the combination of stone and wood, evokes casual luxury that is also very livable.
The large space also features Gaggenau appliances, including a built-in refrigerator, double ovens, and five-burner cooktop.
"The sculpted kitchen island bench is a true hero of the space," says Lynch. "It anchors the generously scaled entertainment space while its weighty legs, honed marble finish, and soft, beveled detailing make it an artistic piece in its own right."
The flooring in the open-plan living area is Douglas fir that’s been lye-treated and brushed with white oil, which eliminates the wood’s natural red tones.
Located at the back of the home, an updated kitchen offers modern cabinetry finished in dark, fumed oak with patinated brass inlay. Contrasting with the wood tones is Calacutta Paonazzo marble along the countertops and backsplash.
Architect Ravi Raj inverted the home’s former layout, placing the main living areas in a double- height great room on the upper floor, where the master bedroom had been. In the kitchen, the Grigio Trambiserra marble is from ABC Stone, the cabinets are Surface by Norm Architects for Reform, and the cooktop and oven are by Fisher &amp; Paykel.
Encased in glazing, the residence welcomes an abundance of warm, natural light throughout.
Named after a local pioneering family, Moat's Corner is a contemporary residence located on 53 acres on Melbourne's Mornington Peninsula.
The kitchen's central island is particularly luminous when sunlight pours down through the skylight.
Curves, found throughout, echo the home's original joinery.
An L-shaped skylight is the highlight of the kitchen, from which views of the garden and pool are visible.
To add texture in the custom kitchen, Woods covered some of the cabinets and the wall with American oak battens.
Chen used high-contrast materials to lighten the space, which has only one window. He lined the kitchen in glossy 3-D tile from Ann Sacks, and wall covering from Flat Vernacular. He removed the rear wall of the kitchen and replaced it with a sliding acid-etched glass partition, which picks up ambient light from windows in the service entrance. Chen installed drawers below the white marble countertops and swapped out overhead cabinets for full-height cabinets in the pantry. Under the glass partition, a thick counter of striped Kenya Black marble adds doubles as a bar top and work surface.
Swathed in a neutral wood-and-marble palette, this exemplary home in Denver, designed in partnership with home staging company Guest House, pairs clean lines with warm finishes.
The super functional (and hidden) butler's pantry allows the kitchen to remain streamlined and clutter-free.
Simply Paris The Paris kitchen of architect Joseph Dirand.