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All Photos/kitchen/backsplashes : marble/sinks : undermount/cabinets : wood/lighting : ceiling

Kitchen Marble Backsplashes Undermount Sinks Wood Cabinets Ceiling Lighting Design Photos and Ideas

Alessia’s favorite detail? “I am not a huge fan of handles, so there are only three cuts [in the cabinetry] which lets you open six doors.”
A large g<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">lass door at the rear of the home ties the open-plan kitchen, dining, and living areas on the first level to a sun-drenched courtyard filled with plantings.</span>
A wall was removed so the two main living spaces now flow together. In the spirit of reuse, the curtains are fabric recycled from stage backdrops.
Virtue Joinery built the custom cabinetry, composed of plywood stained a soft grey.
The counter and backsplash are made up of a marble slab leftover from a bigger job.
On the main level, Alessia relocated the kitchen into what was a large bedroom, so as to give the kitchen more functionality and connect it to the living room. The cooktops can pivot up against the backsplash to create more prep space on the counter.
The kitchen island features an elegant concrete top in a light tone that complements the white oak joinery and allows the Carrera marble backsplash to steal the show.
The kitchen has a large central island, with the range and workspaces on the right and a huge built-in on the left in front of the stair. A bright, white laminate wall holds the oven and refrigerator. Architect Nicholas Fiore says this element “pumps the brakes a bit” on the white oak shiplap walls and white oak ceiling.
The cabinetry in the kitchen is rift-sawn, dark-stained white oak that complements the ceilings and contrasts with the white walls. The dark-pigmented concrete floors were intentionally left untreated in order to convey a sense of time. “As the home ages, the floor ‘records’ the construction process, foot traffic, wine spilled at birthday parties, drips of olive oil from anniversary dinners, watermarks from relaxing showers, and so on,” says architect Hunter Gundersen. “Every action will be subtly set in stone before it’s quickly cleaned up or swept away. Over the years, a patina of life will build up, adding depth and beauty to the interior.”
The light in the kitchen is Supernova by Delta. “We explored the historical idea of how traditional native dwellings had a fire at the centre of the house around which everything gathers,” says architect Trevor Wallace. “The idea of an ‘oculus’ came from this and we thought it would be fun to play off that and provide this oculus-like light that is effectively the centre point of gathering within the home.”
The large kitchen is a space for the family to gather, with a stone-look porcelain benchtop and splashback from Stone Tile. “The clients wanted the stone in the kitchen to feel natural rather than dramatic,” says architect Trevor Wallace. “It's large format porcelain, though, as I don’t think they would have been able to handle the level of patina that would have developed on a natural stone when cooking with children!”
Marble covers the backsplash, and new upper cabinets inset with fluted glass were added.
The architects reused much of the existing walnut cabinetry, giving it an ebonized finish for contrast.
In the kitchen, a bank of copper-fronted cabinetry joins the pink marble backsplash. The island is set atop a curving pink base that gives it some lightness.
There are now two options for seating—at the end of the island or in the nook beyond.
The sink wall faces south, and the architects sought to bring in natural light while filtering the view to the driveway. Their solution was to create a "living screen" with solid walnut shelves, suspended with blackened-steel frames, that showcase glassware and plants while allowing space for a solar roll shade. Custom, laser-cut steel glass racks are mounted under the lowest shelf.
The counters and backsplash are Imperial white marble, and the hood vent received a custom metal surround.
The expansive new kitchen has a generous sliding glass door to the yard and cabinetry is outfitted in plain-sawn walnut. "The wood is close in tone to the existing mahogany woodwork, but it has a more expressive grain," says Chadbourne. "We used it at all new cabinetry in flat, flush panels. The walnut’s grain character is the design element rather than the cabinetry construction details."
Encased in glazing, the residence welcomes an abundance of warm, natural light throughout.
Named after a local pioneering family, Moat's Corner is a contemporary residence located on 53 acres on Melbourne's Mornington Peninsula.
To add texture in the custom kitchen, Woods covered some of the cabinets and the wall with American oak battens.
Chen used high-contrast materials to lighten the space, which has only one window. He lined the kitchen in glossy 3-D tile from Ann Sacks, and wall covering from Flat Vernacular. He removed the rear wall of the kitchen and replaced it with a sliding acid-etched glass partition, which picks up ambient light from windows in the service entrance. Chen installed drawers below the white marble countertops and swapped out overhead cabinets for full-height cabinets in the pantry. Under the glass partition, a thick counter of striped Kenya Black marble adds doubles as a bar top and work surface.
The updated kitchen comes with a breakfast bar, granite countertops, and stainless steel appliances.