Exterior Stone Siding Material Gable Roofline Design Photos and Ideas

"The choice of materials was made to fit the palette of the landscape and evoke the traditional farmhouses and cabins of the islands, but with a modern take that fits the freshness of the clients and that would serve them for generations to come," explain the architects, who clad the buildings with stained clear Western Red cedar siding as well as wood salvaged from snow fences and old barns. Natural stone quarried and fabricated in British Columbia grounds the main house.
Located on Orcas Island, the largest of the San Juan Islands in Washington, the year-round retreat includes a new main house and six renovated cabins loosely arranged around a semi-circular lawn facing the beach.
Built in 1957, this home was saved and dismantled at its original location in Illinois and relocated to its current location in Acme, Pennsylvania—only 30 minutes from the iconic Fallingwater. The Duncan House shares the 100-acre Polymath Park with three other homes for rent, designed by Wright’s apprentices.
Villa Slow is a modern interpretation of traditional barn houses commonly found in the Cantabrian mountains.
A rear view shows the home's condition after having sat unused for 12 years, before the current owners purchased it in 2016.
Copious windows bring the outdoors in.
The father of architect Greg Dutton wished to build a cabin on the family farm, located within Appalachian Ohio and home to 400 heads of cattle. Dutton, of Pittsburgh and Columbus, Ohio-based Midland Architecture, presented this design as his father’s birthday present in 2012. Finished in 2014, the 900-square-foot cabin operates entirely off-the-grid.
A long bluestone roof deck overlooks the pool and the expansive lawn.
The home lights up from within at night.
The stone curtains give the facade a special inner glow.
The large openings facing south and west are shielded from the sun by curtains of stones that create a special effect as the sun sets.
The new guest house stands on the footprint of the original building.
Light shines through the home's stone curtains at night.
Commissioned as part of the popular Chinese reality television show Beautiful House, Beijing–based studio Evolution Design Architects was given a budget of 600,000 RMB (approximately $87,965 USD) for construction and interior design, as well as just two months to complete the transformation.
The restored 17th-century farmhouse in the Baix Empordà region of Spain.
This stunning property features unique marble masonry—an element not found in any other Frank Lloyd Wright home.
The client can enjoy the outdoors day or night via the screened porch and deck.
According to the architects, the screened porch panels (on the left) were site-built by the contractor to have similar dimensions as the Marvin windows (to the right). Dramatic black sashes unite the facade. Thin mull covers between window units blend with the exterior siding, "which afforded a consistency that we were after," said Wiedemann. Native stone on the foundation is similar to old Virginia farmhouses.
The exterior form and materials of the house echo historic farmhouses in the area, while the garage, clad in red board and batten, evokes old barns. Wiedemann reinterprets the function of a traditional cupola here, which was typically used to aid interior ventilation, by inserting a whole-house fan in this one.
Le LAD intentionally designed the asymmetric windows on this gable wall to give the impression that they've been added over time.
Perched atop a mountain on over six acres of woods, this young couple's weekend getaway incorporates the old with the new.
Designers Russell Pinch and Oona Bannon kept many of the architectural details of the 300-year-old cow barn they turned into a second home, including its terra-cotta roof tiles. The primary structural change took place on the front facade, which they tore down and rebuilt, opening space for a traditional oeil-de-boeuf window. The door on the left opens to a workshop. In addition to designing furniture, the couple also create interiors for select clients.
A new 50-years cedar shake roof with copper flashing was installed just last year.
A look at the exterior of the cabin.
New openings have been cut into the gables and the rear elevation to frame picturesque views and bring more natural light indoors.
The one-story home is topped with an asymmetrical gable cedar shingle roof with cantilevered gable ends, deep overhangs, and pronounced redwood fascia boards.
Beautifully renovated, the home has excellent curb appeal with low maintenance landscaping.
Imagining a second home as a cottage retreat gave the team the creative opportunity to “think about how you want to live in comparison to how you’re living,” says Adair. To their clients, this meant centering their daily experience around family, nature, and socialization – emphasizing simplicity and cutting out excess.
According to the owners, this two-story stone building is the only inhabited house to enjoy uninterrupted views along the length of the sea loch to the North.
Built in 1937, this stone building came with the property and sits next to the Mothership. Gleason dubbed the structure "The Barracks."
The upper building was renovated to house the master suite and adjoining studio.
The smaller of the two existing buildings, this renovated structure houses two bedrooms. A glass overhang was installed above the passageway linking the historic structure with the concrete addition.
“The ‘new box’ on the site is made to be relatively inconspicuous,” say the architects of the boxy, concrete extension. “In the presence of the time-honored beauty of 70-year-old houses and the supreme natural landscape, any fresh elements seem unnecessary and charmless.”
Separated by an elevation difference of approximately 13 feet, the renovated structures are oriented towards views of the East China Sea.
With its courtyard and walled garden, the abandoned structure was once part of a larger Irish estate that included an early 19th-century home.
A simple composition in form, but intelligent in detail and execution, the peaked-roof dwelling is a stunning wood- and stone-clad living space.
From afar, the home closely resembles the traditional architectural character of the surrounding heritage.
The home is made up of four gabled forms: the main house—with an attached master bedroom suite in its own distinct volume (on the left)—an artist studio, and an attached three-car garage.
The expansive property contains an extensive forest and trail system.
The home is naturally integrated into its bucolic setting.
The northern façade of the main house is set at an angle to the barn
The design of the 3890-square-foot main residence and its adjacent barn have been executed with the highest degree of craftsmanship and attention to detail, drawing from traditional influences and the vernacular of the rural northeast.
Vestigial stone walls that remain throughout the property, almost echoing the home's poetic use of stone.
The only clue to the property's past life are the train tracks which traverse the garden.
The ground floor of the two-story structure includes a living room, dining room, and three bedrooms—all with en-suite bathrooms. It also features a huge loft area with an additional living space, bedroom, kitchen, and bathroom. Each level has an outdoor terrace, while the lower terrace has a barbecue.
The building's modern exterior cladding contrasts dramatically with the existing ruins.
This renovation was designed for a young family by Glasgow-based architect Andrew McAvoy of Assembly Architecture. McAvoy followed the original U-shape of the former residence by building two new energy-efficient houses, the first of which combines the original granite building with a new extension to provide an open-plan living area and three bedrooms.
The deep fissure through the end gable of the home was due to settlement of sand below the ground, but it also gave the home its distinctive character.
The newly constructed wing consists of a combination of stones from existing walls on the property, wood siding, glazed panels, and a new roof.