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Collection by Allie Weiss

Renovations of Centuries-Old Structures

With careful dedication, very old houses can become modern masterpieces.

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To integrate the former postman’s cottage with the new design, architect David Sheppard added a concrete column adjacent to an existing stone chimney and a new slate chimney “at the heart of the composition.” From this, the roof structure fans out; the small structure now serves as an anteroom.
To integrate the former postman’s cottage with the new design, architect David Sheppard added a concrete column adjacent to an existing stone chimney and a new slate chimney “at the heart of the composition.” From this, the roof structure fans out; the small structure now serves as an anteroom.
The stairwell leads to the main dining room and kitchen, where gray plaster and oiled larch wood joinery create a softer environment. The custom dining table, built by GRG Carpenteria, is surrounded by a set of Philippe Stark Toy armchairs.
The stairwell leads to the main dining room and kitchen, where gray plaster and oiled larch wood joinery create a softer environment. The custom dining table, built by GRG Carpenteria, is surrounded by a set of Philippe Stark Toy armchairs.
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
“We really wanted to capture the ruinous quality of this old building rather than do something overtly new,” says Greg Blee, founding partner at Blee Halligan Architects. Before construction could begin, however, he and Halligan had to patch the remaining walls using stones found in the nearby river. Wherever a wall had collapsed, the designers inserted framing to create windows and doors. For the roof, they turned to the original tiles. “My father’s terrible at throwing things away,” Blee says. “We took the tiles off 30 years ago, as it was too dangerous to have them up there. They’ve been sitting in the fields ever since, and this was our last chance to use them.”
Biophilic design prefers natural over synthetic materials, as human beings innately feel more at ease with the former. In this house in Israel, the limestone walls are recycled from dismantled houses in the region. The stone staircase is original.
Biophilic design prefers natural over synthetic materials, as human beings innately feel more at ease with the former. In this house in Israel, the limestone walls are recycled from dismantled houses in the region. The stone staircase is original.
Ludovica Serafini and Roberto Palomba, who work as Ludovica+Roberto Palomba, commissioned a dining table of their own design from Exteta and paired it with Abanica chairs by Oscar Tusquets for Driade.
Ludovica Serafini and Roberto Palomba, who work as Ludovica+Roberto Palomba, commissioned a dining table of their own design from Exteta and paired it with Abanica chairs by Oscar Tusquets for Driade.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.