Exploring the process of George Nakashima Woodworker
By Patrick Sisson / Published by Dwell

The meditative, almost spiritual quality of George Nakashima’s work forms the backbone of “1941-2014: The Process,” a new show at New York’s 1950 Gallery running through May 28. Displaying more than 30 pieces by George and his daughter Mira, including examples from the 1989 International Papers Commission, the ASA-NO-HA Lamp made for George’s son, Kevin, and the rare Shoki collection—furniture George’s daughter Mira built from sketches her father made in the ‘40s—the exhibition in Chelsea tells the story of two generations of exemplary craftsmanship.

The exhibit includes the Shoki Collection (back left), the ASA-NO-HA Lamp (back wall), and an array of Nakashima originals.

“It’s the first real look that does cover the entire process, from the 1940s through Mira’s work now,” says gallery director Alberto Aquilino. Imagery from the Michener Art Museum also lines the walls, including photos, ephemera, and posters. There’s even a early desk from 1947 that George made with a bitterbrush pull, a relic from a time when the master woodworker didn’t have his pick of the finest pieces of wood.

Mira Nakashima crafted the rare Shoki collection from her father’s sketches from the 1940s.

“1941-2014: The Process” is at the 1950 Gallery, at 631 W. 27th Street in New York, through May 28.

These intricately patterned lamps were created to illuminate Nakashima's work at a show overseas. Some of these reside in the Rockefeller’s mansion.

More than 70 years of furniture making by two generations of Nakashima’s gets the spotlight at the gallery show.

Patrick Sisson


During the course of his career writing about music and design, Patrick Sisson has made Stefan Sagmeister late for a date and was scolded by Gil Scott-Heron for asking too many questions. His work has appeared in Pitchfork, Nothing Major, Wax Poetics, Stop Smiling and Chicago Magazine.

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