Perriand’s relationship with Corbu had a bit of a rocky start: Corbusier’s studio initially rejected the aspiring designer, infamously saying, "We don’t embroider cushions here," before her apartment layout at the Salon d’Automne in 1927, including an aluminum-and-chrome bar, impressed the iconoclast so much he hired her on the spot. In a career filled with impressive collaborations and an extended and influential stay in Japan during WWII, Perriand went on to create a wealth of influential furniture pieces—including chaise lounges, armchairs, and tubular “equipment for living”—as well as scores of influential interiors, including a conference room for the United Nations in Geneva, the Unite d'Habitation housing project in Marseilles, and the Méribel ski resort.
“I’m for teamwork. I’m very interested in the life of houses. Everything is created from within, if you will—needs, gestures, a harmony, a euphoric arrangement, if possible, in relation to an environment.” — Charlotte Perriand
During the course of his career writing about music and design, Patrick Sisson has made Stefan Sagmeister late for a date and was scolded by Gil Scott-Heron for asking too many questions. His work has appeared in Pitchfork, Nothing Major, Wax Poetics, Stop Smiling and Chicago Magazine.
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