Blair Kamin, on Criticism
Blair Kamin is a Pulitzer Prize–winning architecture critic from a town blessed with some of the best buildings in the world. He writes for The Chicago Tribune, passing unflinching near-daily judgments on the great designs of our time. He’s got a new book out called Terror and Wonder: Architecture in a Tumultuous Age, composed of 51 columns he’s written since 9/11. We talked to him recently about what it means to be a critic today.
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What makes a good critic?
Someone who loves the art, and can come with passion and wit to it. Ada Louise Huxtable is fearless, and not just funny but witty. She’s able to crystallize, with distillations like the "Lollipop Building." They’re distillations that delight, that create pleasure. It’s the difference between the lightning and the lightning bug.
There’s fearlessness too – an ability to shape and influence the debate, and not waiting until it’s too late. It’s a matter of sticking your neck out and doing it early before decisions are reached that are very important.Who are you writing to with your column?I don’t write down, but try to raise standards up. To communicate intelligently is essential – to bring intelligence to the lay person, and to command the respect of the profession. It’s often achieved with the simile or the metaphor. You’ve got to get people to taste the difference between the bad and the good. I think the genius of Frank Gehry is his ability to communicate with a down-home, streetwise panache of Columbo, like a rumpled Peter Falk – you know, "the Pritzker Pavilion at Millennium Park is like a bouquet of flowers…"
There’s fearlessness too – an ability to shape and influence the debate, and not waiting until it’s too late. It’s a matter of sticking your neck out and doing it early before decisions are reached that are very important.Who are you writing to with your column?I don’t write down, but try to raise standards up. To communicate intelligently is essential – to bring intelligence to the lay person, and to command the respect of the profession. It’s often achieved with the simile or the metaphor. You’ve got to get people to taste the difference between the bad and the good. I think the genius of Frank Gehry is his ability to communicate with a down-home, streetwise panache of Columbo, like a rumpled Peter Falk – you know, "the Pritzker Pavilion at Millennium Park is like a bouquet of flowers…"
J. Michael Welton
J. Michael Welton is architecture critic for the News & Observer in Raleigh, N.C. His work has appeared in national and international publications like The New York Times, The Washington Post, Metropolis, Interior Design,...
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