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Everything is soft, everything flows. An armchair that we purposely designed without edges, as an opulent leather cushion on a fine wooden frame. MUDI is endlessly comfortable with its ecologically produced padding, leather, and belting. Design: Gil Coste Photo and Styling: Peter Fehrentz
Everything is soft, everything flows. An armchair that we purposely designed without edges, as an opulent leather cushion on a fine wooden frame. MUDI is endlessly comfortable with its ecologically produced padding, leather, and belting. Design: Gil Coste Photo and Styling: Peter Fehrentz
The bench from our MOUNT collection wins you over with its pleasing curves, generous seat depth, and the finest, ecologically tanned, natural leather. Design: Gil Coste Photo and Styling: Peter Fehrentz
The bench from our MOUNT collection wins you over with its pleasing curves, generous seat depth, and the finest, ecologically tanned, natural leather. Design: Gil Coste Photo and Styling: Peter Fehrentz
When pure materials, elaborate design, and endless leg-room sit down at one table, it's got to be a MOUNT. Its feet are furnished with wood inlays, only touching the ground on tiptoe. The rounded edges of the solid board are just as pleasing to the eyes and hands as perhaps only a piece of driftwood could be. Design: Gil Coste Photo and Styling: Peter Fehrentz
When pure materials, elaborate design, and endless leg-room sit down at one table, it's got to be a MOUNT. Its feet are furnished with wood inlays, only touching the ground on tiptoe. The rounded edges of the solid board are just as pleasing to the eyes and hands as perhaps only a piece of driftwood could be. Design: Gil Coste Photo and Styling: Peter Fehrentz
A warm walnut surface and classic black marble from the Aegean, united by contrast. The board has been inserted into the body with miter joints. The MOUNT sideboard is powerful, resolute and, thanks to its T-feet, seems to hover over the ground. MOUNT sideboard Design: Gil Coste Photo and Styling: Peter Fehrentz
A warm walnut surface and classic black marble from the Aegean, united by contrast. The board has been inserted into the body with miter joints. The MOUNT sideboard is powerful, resolute and, thanks to its T-feet, seems to hover over the ground. MOUNT sideboard Design: Gil Coste Photo and Styling: Peter Fehrentz
LAX sideboard Can make things disappear, or simply present beautiful things with confidence. Compact, elegant, pragmatic. Including a drawer and a side-door. Design: Gil Coste Photo and Styling: Peter Fehrentz
LAX sideboard Can make things disappear, or simply present beautiful things with confidence. Compact, elegant, pragmatic. Including a drawer and a side-door. Design: Gil Coste Photo and Styling: Peter Fehrentz
Actually, our writing desk is a question, dressed in the garment of a radical, beautifully reduced piece of furniture: When was the last time that you sat down to write a letter? LAX writing desk, Design: Gil Coste PEC chair, Design: Bernhard Müller Photo and Styling: Peter Fehrentz
Actually, our writing desk is a question, dressed in the garment of a radical, beautifully reduced piece of furniture: When was the last time that you sat down to write a letter? LAX writing desk, Design: Gil Coste PEC chair, Design: Bernhard Müller Photo and Styling: Peter Fehrentz
All that glitters ain't gold. We love the feeling that brass evokes and have included the material in our collection. The LAX console does more than simply recall a glamorous era - it is a metal-themed demonstration that brass is incredibly beautiful. LAX console brass Design: Gil Coste Photo and Styling: Peter Fehrentz
All that glitters ain't gold. We love the feeling that brass evokes and have included the material in our collection. The LAX console does more than simply recall a glamorous era - it is a metal-themed demonstration that brass is incredibly beautiful. LAX console brass Design: Gil Coste Photo and Styling: Peter Fehrentz
LAX console table, steel frame anthracite lacquered, tabletop made of walnut Design: Gil Coste Photo and Styling: Peter Fehrentz
LAX console table, steel frame anthracite lacquered, tabletop made of walnut Design: Gil Coste Photo and Styling: Peter Fehrentz
The LAX console wants for nothing, apart from some material that we have milled out of the solid walnut board. Thus arose a flattering form in its core, as a contrast to its rectilinear outline. LAX console table Design: Gil Coste Photo and Styling: Peter Fehrentz
The LAX console wants for nothing, apart from some material that we have milled out of the solid walnut board. Thus arose a flattering form in its core, as a contrast to its rectilinear outline. LAX console table Design: Gil Coste Photo and Styling: Peter Fehrentz
LAX collection from more Design: Gil Coste Foto and Styling: Peter Fehrentz
LAX collection from more Design: Gil Coste Foto and Styling: Peter Fehrentz
LAX collection from more, LAX table, Design: Gil Coste PEC chair, Design: Bernhard Müller Photo and Styling: Peter Fehrentz Referencing familiar forms, combining new surfaces and a mix of materials, linking to Danish and Italian styles. That is our LAX collection. The X-legs have taken on a substantial role, shouldering the tobacco lacquered steel frame on a solid board made of smoked oak. It is three centimeters strong, tapering to one centimeter at the edges.
LAX collection from more, LAX table, Design: Gil Coste PEC chair, Design: Bernhard Müller Photo and Styling: Peter Fehrentz Referencing familiar forms, combining new surfaces and a mix of materials, linking to Danish and Italian styles. That is our LAX collection. The X-legs have taken on a substantial role, shouldering the tobacco lacquered steel frame on a solid board made of smoked oak. It is three centimeters strong, tapering to one centimeter at the edges.