Joshua Gruss

Iniö has a high-ceilinged terrace, and is fitted with generous floor-to-ceiling windows in the living room and dining area that bring in plenty of natural light.

By reversing the positioning of the gabled roof form, and presenting and empty gabled space within the monolithic cube, he could create a parody of a “house” within the negative space.

This house in Three River, California, has no Internet or television, which makes it ideal for a digital detox.

This home in Melbourne by design duo Kathryn Robson and Susie Cohen has deep nook shelves at one end of the wardrobe, which gives the bathroom a warm, natural and organic feel.

Massive volumes of dry stacked, locally supplied granite supports the roof.

Perf House | AMA

The existing cottage was so run down and neglected it was not livable. The new exterior follows the existing form of the structure with all new building materials for a fresh and timeless look.

In Sonoma, California, a historic farmhouse receives a contemporary makeover. Large sliding doors allow for seamless indoor-outdoor connection.

Back facade

The new entry and mudroom are open and spacious. Floor to ceiling matte grey cabinets were added for storage. A full length bench with pull out drawers below takes advantage of new large front window.

An Eero Saarinen Womb chair and ottoman, an Isamu Noguchi Akari lamp, and forest views make for a cozy reading nook.

Saarinen’s parents, Eliel Saarinen and textile designer Loja Saarinen, immigrated to the United States in 1923 and settled in Michigan, where Eliel helped found the Cranbrook Academy for the Arts. Eero, who worked there as a student apprentice, struck up a friendship with Charles Eames, whom he would collaborate with to develop molded plywood furniture. While Eero’s legacy mostly springs from his playful building designs, his furniture work, like the Womb chair (still in production by Knoll), were emblems of modern design, so much so, that the Coca-Cola company used the image of a tired Santa slumped on one of these curvaceous chairs.

The narrow hallway separates an office and television room at one end of the house from Wexler and Zimmerman’s master suite, which sports an Emma Gardner rug and matching Saarinen Womb chair, made for Knoll, perfect for lounging.

Outdoor Living - The Firepit is wired for a projector to show outdoor movies on the wall

The master bedroom is a real continuation of the main living space; Varpu rides her tricycle through, and the whole family gathers on the bed to watch movies and cartoons on the television across the room.

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Upstairs is a sleeping loft, accessible by a spiral staircase. A digital projector makes it possible for the couple to watch movies against the opposite wall.

The Stahl House has been featured in numerous movies and photoshoots and was immortalized by photographer Julius Shulman.

This gives you an idea of the space that keeps the team hard at work. I loved all the mismatched chairs, tools scattered about, and surfeit of models and mockups. Rather the opposite of the comme il faut architecture offices you see in movies.

There are 18 floors and 169 rooms, all overlooking the sea. The hotel is very techno-savvy: guests check in with iPads and can watch movies on demand on cutting-edge Bang & Olufsen TVs. Photo by Gerry O'Leary.

At the bottom of the stairs is a second living space that includes a fireplace. The couple couldn't find a television that didn't clutter the cool minmalism so they prefer to use a projector to watch movies. The sofa was designed by Barber-Osgerby for Cappellini, and the Djinn chair is by Olivier Morgue.

Here's another view of the downstairs playroom. It also doubles as a theater where the Dows would show movies or films Alden made of his travels and work.

The Sky Room on the roof of the Williams Tsien entry is one of the many that makes use of a newly expanded roof space. With a sculpture garden and a spot to screen movies under the big Utah sky, its appeal is obvious.

A wooden partition separates the dining room from the living room. The jacaranda table is a vintage find designed by Jorge Zalszupin for L’Atelier. The dining chairs are by the Brazilian designer Sergio Rodrigues and architect Isay Weinfeld designed the sideboard. The fluorescent lamp sculpture on the wall is Luz Natural by Eduardo Coimbra.