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Next to the living lounge is a large dinning area that leads out to a balcony.
Next to the living lounge is a large dinning area that leads out to a balcony.
With fresh white walls, larch parquet flooring, and a sleek black fireplace, the apartment now radiates an open, airy environment. A beautiful pink staircase appears to float in the middle of the common area, demarcating the boundary between the living and dining spaces.
With fresh white walls, larch parquet flooring, and a sleek black fireplace, the apartment now radiates an open, airy environment. A beautiful pink staircase appears to float in the middle of the common area, demarcating the boundary between the living and dining spaces.
In the master bath, Hale chose slate tile for the floors and green-and-brown glass tile by Lunada Bay for the walls, both from United Tile. The Japanese Ofuro soaking tub, crafted from Hinoki wood, is by Zen Bathworks.
In the master bath, Hale chose slate tile for the floors and green-and-brown glass tile by Lunada Bay for the walls, both from United Tile. The Japanese Ofuro soaking tub, crafted from Hinoki wood, is by Zen Bathworks.
Intended for a much bigger room in the family’s previous home, the bed was designed by Hill and is covered in Maharam fabric in a doily print called Intricate 001 Charcoal. The side tables are from West Elm, and the AJ table lamp is by Arne Jacobsen for Louis Poulsen.
Intended for a much bigger room in the family’s previous home, the bed was designed by Hill and is covered in Maharam fabric in a doily print called Intricate 001 Charcoal. The side tables are from West Elm, and the AJ table lamp is by Arne Jacobsen for Louis Poulsen.
The family’s 1920s Mediterranean-style manse is an eclectic example of the architecture found in Atlanta’s elegant Buckhead neighborhood.
The family’s 1920s Mediterranean-style manse is an eclectic example of the architecture found in Atlanta’s elegant Buckhead neighborhood.
Pendant lights are lights that hang from a cable, cord, or pipe from an attachment at a ceiling. They primarily provide light in a downward direction, known as a downlight.
Pendant lights are lights that hang from a cable, cord, or pipe from an attachment at a ceiling. They primarily provide light in a downward direction, known as a downlight.
To highlight the existing architecture of the home, Hill retained the dark polish of the casement windows, which she finds enhances period details instead of undermining them. In the rear sunroom, the vintage Case Study furniture pieces with Plexiglas bases are from Metro Retro in Houston. A Bourgie lamp by Kartell is atop an old marble end table by Knoll, and the Gan kilim rug pictures a branch motif echoed in the kitchen and breakfast room.
To highlight the existing architecture of the home, Hill retained the dark polish of the casement windows, which she finds enhances period details instead of undermining them. In the rear sunroom, the vintage Case Study furniture pieces with Plexiglas bases are from Metro Retro in Houston. A Bourgie lamp by Kartell is atop an old marble end table by Knoll, and the Gan kilim rug pictures a branch motif echoed in the kitchen and breakfast room.
Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.
Two pieces from E15’s Shiraz sofa flank the company’s wooden Leila side tables. Hill chose to use flat paint in Benjamin Moore’s Decorators White throughout the home because it emphasizes the chalkiness of the plaster walls, making them “look almost like slate.” The sconce shown in the foreground—David Chipperfield’s Corrubedo design for FontanaArte—gives off a soft glow and replaces the dozens of paper-lampshade wall fixtures the owners found in the house when they bought it. Stewart Cohen’s zany photograph of a gun-toting Marfa resident encapsulates Barbara Hill’s offbeat brand of decorating: bright and minimal, yet darkly humorous.