• The project involves an extension of the entry area, the addition of a new guest bathroom, a two-story library designed to accommodate 500 books, featuring a swing for the youngest child, a yoga and meditation room, a child's bedroom, and a rooftop terrace. The total added area for the extension is 55m², bringing the overall area, including the existing structure, to 155m². The total volume of the extension is 122m³.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Pastel blue tile and Driklolor paint in the soft, pink Pillow hue add a touch of playfulness to the kid’s bathroom. A Flower Pot pendant light from Verner Panton hangs above the round mirror and wall-mount faucet.
The couple initiated the renovation, despite not knowing much about Rummers, or remodeling. “We were novices,” says Fay, who researched the architectural features of Rummers to be able to restore its key features, like the roofline.
A centuries-old blue oak stands near the intersection of the two wings of the house, which is clad in Alaskan yellow cedar. “We decided to split the house into two volumes to let in light and allow us to be more nimble with where we placed the structures.” Jess Field, the architect.
"The tiny home is parked in a forest, where there's an old stone quarry," Anna says. "The land belongs to our friend Andy, who suggested we build outdoor tables with some of the boulders."
A wood walkway connects the two volumes.
Mauricio Ceballos X Architects
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
The half-wall that divides the living room and dining room is walnut, and was a clever way to separate the living and dining zones, and wrap the structural posts, which were painted a dark grey. There’s a television lift inside the cabinet that allows the TV to be stowed when not in use. The couch is from Design Within Reach, and the flooring throughout is white oak.
A midcentury-style walnut screen separates the entry from the living room, yet allows connection with its permeability.
The atrium is a lovely place to sit outside while still being somewhat protected.
Mazpazz Arquitectur
"There are so many things Michael considered that make the space quite incredible to be in," Clint says. Case in point: the bathrooms. "They’re small spaces, so if you want to do something wacky, that’s the place," adds Lumby. The downstairs bathroom features a sink with a Crestial faucet in the windowsill. Water runs down an angled pane and into the garden.
Inspired by a homesteading commune he documented in Western North Carolina, photographer Mike Belleme built the Nook, a minimalist retreat in the woods that draws from both Japanese and Scandinavian design. He foraged much of the wood for the 400-square-foot cabin. "Every kind of wood has a certain mood and personality," he says. The exterior features an entranceway of oak blackened in the traditional Japanese method known as shou sugi ban.
The deck, fashioned from ipe, was built around one of the property’s many granite outcroppings. An earthen roof was planted with the same varieties of sedum that were added to the front of the cottage.
A guest bedroom, with furniture from Room & Board, overlooks the bridge above the dining courtyard. The home’s landscape architecture is by Ventura, California–based Jack Kiesel. Photo by Coral von Zumwalt.
Visiting a Manhattan apartment designed by Tim Seggerman is like sitting inside one of Nakashima’s cabinets, a metaphor realized most fully in an ingenious "library"—really a glorified cubby with a banded maple ceiling, conjured from a free space adjacent to the loft bed.
The picture wall is adorned with images collected from family, colleagues, and estate sales. ”I kill plants, so cacti are our friends,” Peter says of the succulents along the low table behind the Design Within Reach sofa, just over which an Established & Sons Font clock keeps time.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
Garden terrace
Oak lines the interior for a tactile surprise, and the marble counter echoes the marble on the island and perimeter counters.
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