A modern renovation of a 19th centry brick building in the Kew Green Conservation Area in southwest London, Kew House by Piercy&Company combines glass and steel for a stunning effect.
A modern renovation of a 19th centry brick building in the Kew Green Conservation Area in southwest London, Kew House by Piercy&Company combines glass and steel for a stunning effect.
As the facade of a Bates Masi-designed home in Water Mill, New York, rises from eight to 14 feet high, the mahogany planks subtly widen. “It was quite a demand to make of the contractor,” architect Paul Masi says. “But the design was so much about traveling through the site and weaving [the house] together with the deck.”
As the facade of a Bates Masi-designed home in Water Mill, New York, rises from eight to 14 feet high, the mahogany planks subtly widen. “It was quite a demand to make of the contractor,” architect Paul Masi says. “But the design was so much about traveling through the site and weaving [the house] together with the deck.”
A different pattern by Fabrica de Mosaicos covers the floor in the dining area. Adding texture, the concrete ceiling slab bears the imprint of the wood formwork used to create it. Next to the dining table is an enameled black-and-gold cast-iron Venax stove.
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Pato Branco, Brazil
Dwell Magazine : November / December 2017
A different pattern by Fabrica de Mosaicos covers the floor in the dining area. Adding texture, the concrete ceiling slab bears the imprint of the wood formwork used to create it. Next to the dining table is an enameled black-and-gold cast-iron Venax stove. - Pato Branco, Brazil Dwell Magazine : November / December 2017
One of the biggest challenges of the project was keeping the open courtyard cool enough for the residents to enjoy it. The architects used a low impact water feature to create ambient cooling and two native flamboyant trees to provide shade.
One of the biggest challenges of the project was keeping the open courtyard cool enough for the residents to enjoy it. The architects used a low impact water feature to create ambient cooling and two native flamboyant trees to provide shade.
The 7th Room is a remarkable accommodation at Sweden’s Tree Hotel that blends into its natural surroundings with a stark black facade. Snøhetta designed the structure, which features an expansive, black-and-white mural of the tree canopy stretched across its base. You can sleep in the beautiful cabin—or if you are brave, under the stars in a giant lofted hammock slung between the two bedrooms.
The 7th Room is a remarkable accommodation at Sweden’s Tree Hotel that blends into its natural surroundings with a stark black facade. Snøhetta designed the structure, which features an expansive, black-and-white mural of the tree canopy stretched across its base. You can sleep in the beautiful cabin—or if you are brave, under the stars in a giant lofted hammock slung between the two bedrooms.
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).
Estate Bungalow in Matugama, Sri Lanka, by Narein Perera as published in Cabins (Taschen, 2014).
This boutique hotel on Norway's Manshausen Island is made up of four sea cabins—one of which juts out from a natural ledge. Each of them fit two to four travelers or a family of five.
This boutique hotel on Norway's Manshausen Island is made up of four sea cabins—one of which juts out from a natural ledge. Each of them fit two to four travelers or a family of five.
Tucked away on the edge of a small lake surrounded by mountains and topped off with a grass-covered roof, this hunting cabin designed by Snøhetta is made with locally sourced stones. The 376-square-foot prefab mountain hut sleeps up to 21 guests around a central fireplace.
Tucked away on the edge of a small lake surrounded by mountains and topped off with a grass-covered roof, this hunting cabin designed by Snøhetta is made with locally sourced stones. The 376-square-foot prefab mountain hut sleeps up to 21 guests around a central fireplace.
A converted attic in a turn-of-the-century building in Berlin’s Charlottenburg neighborhood asks over $4 million. If you’re looking for a modern retreat in an old-world setting, cast your sights on this charming loft in the west Berlin neighborhood of Charlottenburg, known for its distinguished selection of shopping, dining, theaters, and museums.
A converted attic in a turn-of-the-century building in Berlin’s Charlottenburg neighborhood asks over $4 million. If you’re looking for a modern retreat in an old-world setting, cast your sights on this charming loft in the west Berlin neighborhood of Charlottenburg, known for its distinguished selection of shopping, dining, theaters, and museums.
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Cupertino, California
Dwell Magazine : September / October 2017
- Cupertino, California Dwell Magazine : September / October 2017
The master suite features a monolithic wall of quartz to separate the shower from the rest of the room.
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Cupertino, California
Dwell Magazine : September / October 2017
The master suite features a monolithic wall of quartz to separate the shower from the rest of the room. - Cupertino, California Dwell Magazine : September / October 2017
A bridge of steel grating leads to the garage and the entrance, both on the upper level. Sunlight funnels through an opening in the rooftop down to the living area. The orange hot tub is by ALFI.
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Cupertino, California
Dwell Magazine : September / October 2017
A bridge of steel grating leads to the garage and the entrance, both on the upper level. Sunlight funnels through an opening in the rooftop down to the living area. The orange hot tub is by ALFI. - Cupertino, California Dwell Magazine : September / October 2017
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North Hatley, Quebec
Dwell Magazine : July / August 2017
- North Hatley, Quebec Dwell Magazine : July / August 2017
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
The designers explain, “These steel windows played an integral part in making the interior feel larger and more open by blurring the boundaries between the interior and exterior.” A grey Halcyon Lake area rug, an oak chair from MAP, and Hans Wenger Wishbone chairs make for a simple, neutral palette. The painting over the fireplace is by Kate Hendry.
This shade has a levity about it that works well with both muted neutrals and darker colors. Benjamin Moore’s Blue Seafoam (2056-60) is a good example of a relaxing blue paint color that works well for interior and exterior walls.
This shade has a levity about it that works well with both muted neutrals and darker colors. Benjamin Moore’s Blue Seafoam (2056-60) is a good example of a relaxing blue paint color that works well for interior and exterior walls.
In the living and dining area of Jean Risom's Block Island family retreat, mostly vintage Risom furnishings share space with a few new additions, the view facing north is framed by the wall of glass.

Photo by: Floto + Warner
In the living and dining area of Jean Risom's Block Island family retreat, mostly vintage Risom furnishings share space with a few new additions, the view facing north is framed by the wall of glass. Photo by: Floto + Warner
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Inside Utopia, published by Gestalten. Cover photo of the Stahl House by Pierre Koenig, Los Angeles, CA, 1957.
Inside Utopia, published by Gestalten. Cover photo of the Stahl House by Pierre Koenig, Los Angeles, CA, 1957.
The Richard Barnes photo pops against a gray Venetian plaster wall.
The Richard Barnes photo pops against a gray Venetian plaster wall.
The interiors of many of Mickey Muennig’s houses emphasize natural building materials such as wood, concrete, and stone.
The interiors of many of Mickey Muennig’s houses emphasize natural building materials such as wood, concrete, and stone.
Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.
Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.
Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven 

canvas canopies shelter the space during Singapore’s frequent rains.
Because the house is narrow and long (16 by 68 feet), the design team decided to create a huge open-air space to light the interior naturally. Two retractable motor-driven canvas canopies shelter the space during Singapore’s frequent rains.
“Shophouses brought back memories of our childhoods, of open back doors and neighbors and relatives wandering in and out of the kitchen and cooking and eating and coming and going whether you liked it or not.”—Yang Yeo
“Shophouses brought back memories of our childhoods, of open back doors and neighbors and relatives wandering in and out of the kitchen and cooking and eating and coming and going whether you liked it or not.”—Yang Yeo

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