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When architect Benedetta Tagliabue and her husband, the late architect Enric Miralles, began knocking down walls inside what was to become their home they discovered an original arch suspected to be a remnant of the city’s Roman past.
When architect Benedetta Tagliabue and her husband, the late architect Enric Miralles, began knocking down walls inside what was to become their home they discovered an original arch suspected to be a remnant of the city’s Roman past.
In the kitchen area and throughout the home, Mads Odgård, shown here, and Mette Lyng Hansen mixed Odgård’s pieces, such as the Odgård kettle for Raadvad and custom table, with Ikea basics and the Workshop pendant lamp by Louis Poulsen. Photos by: Åke E:son Lindman
In the kitchen area and throughout the home, Mads Odgård, shown here, and Mette Lyng Hansen mixed Odgård’s pieces, such as the Odgård kettle for Raadvad and custom table, with Ikea basics and the Workshop pendant lamp by Louis Poulsen. Photos by: Åke E:son Lindman
The living room, opposite the kitchen, provides a lounge area outfitted with a Womb chair and ottoman and Tulip coffee table by Eero Saarinen for Knoll and a Delano sectional sofa by Sphere Designs. Photo by Sharon Risedorph
The living room, opposite the kitchen, provides a lounge area outfitted with a Womb chair and ottoman and Tulip coffee table by Eero Saarinen for Knoll and a Delano sectional sofa by Sphere Designs. Photo by Sharon Risedorph
In 2006, when couple Barnaby Grist and Ellen Goldberg hired Bassel Samaha and Heather Hart, of Samaha + Hart Architecture, they came to the husband-wife design team with big plans. The couple wanted to keep the existing facade as well as the two rooms that flanked the front door true to their early-1900s design, but completely renovate the rest in a modern style. "They were pretty adventurous," Samaha recalls. "They wanted what was new to be really different." Photo courtesy of Samaha + Hart Architecture
In 2006, when couple Barnaby Grist and Ellen Goldberg hired Bassel Samaha and Heather Hart, of Samaha + Hart Architecture, they came to the husband-wife design team with big plans. The couple wanted to keep the existing facade as well as the two rooms that flanked the front door true to their early-1900s design, but completely renovate the rest in a modern style. "They were pretty adventurous," Samaha recalls. "They wanted what was new to be really different." Photo courtesy of Samaha + Hart Architecture
The office space above the kitchen looks out onto the great room.
The office space above the kitchen looks out onto the great room.
Brammy and Kyprianou hung Koura pendant lights by New Zealand designer David Trubridge above the dining area. Their organic forms and diamond-shaped shadows create intimacy in the vast space. Among Bilardo’s contributions were the black tulipwood cabinetry and ceiling and the cantilevered concrete countertop that appears to go through the glass wall.
Brammy and Kyprianou hung Koura pendant lights by New Zealand designer David Trubridge above the dining area. Their organic forms and diamond-shaped shadows create intimacy in the vast space. Among Bilardo’s contributions were the black tulipwood cabinetry and ceiling and the cantilevered concrete countertop that appears to go through the glass wall.
Brammy and Kyprianou hardly touched the front of their house, an 1880 sandstone and brick Victorian with galvanized iron ornamentation.
Brammy and Kyprianou hardly touched the front of their house, an 1880 sandstone and brick Victorian with galvanized iron ornamentation.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
On an 18th-century farmstead in rural Sweden, two Copenhagen designers handcraft a summerhouse that seamlessly melds the modern and the traditional.
Read in his office.
Read in his office.
Immediately halting the crew, Tagliabue and Miralles decided instead to celebrate the juxtaposition by leaving it all in situ. The painting at right was also found inside the meandering structure, which had been unoccupied for decades.
Immediately halting the crew, Tagliabue and Miralles decided instead to celebrate the juxtaposition by leaving it all in situ. The painting at right was also found inside the meandering structure, which had been unoccupied for decades.
Oakland, California, doesn’t want for stately old Victorian houses, but heritage and zoning regulations often make them tough to renovate, particularly if you have an aesthetic depar-ture in mind. By raising the house, Mike McDonald was able to preserve the façade and create a modern new office space below.
Oakland, California, doesn’t want for stately old Victorian houses, but heritage and zoning regulations often make them tough to renovate, particularly if you have an aesthetic depar-ture in mind. By raising the house, Mike McDonald was able to preserve the façade and create a modern new office space below.
A small deck off the back of the main house is protected from the wind and supported by a small grassy mound.
A small deck off the back of the main house is protected from the wind and supported by a small grassy mound.
Three thin slabs have been staggered vertically through the space to create three distinct floors and allow light to flood in from the front, back, and roof. The white Saari kitchen makes the most of a compact space.
Three thin slabs have been staggered vertically through the space to create three distinct floors and allow light to flood in from the front, back, and roof. The white Saari kitchen makes the most of a compact space.
"Across the room is the first 25 bench I ever made; it was salvaged from a now-closed restaurant I codesigned, called Ping’s Cafe, where Aileen and I met. Hanging over the bench is our first Bocci 14 light fixture. I feel like it would be bad luck not to have it in the house. Other pieces in the kitchen—like the wooden island Aileen found in an alleyway and the yellow ceramics by Knabstrup, a Danish company active in the 1960s—we’ve collected along the way.”
"Across the room is the first 25 bench I ever made; it was salvaged from a now-closed restaurant I codesigned, called Ping’s Cafe, where Aileen and I met. Hanging over the bench is our first Bocci 14 light fixture. I feel like it would be bad luck not to have it in the house. Other pieces in the kitchen—like the wooden island Aileen found in an alleyway and the yellow ceramics by Knabstrup, a Danish company active in the 1960s—we’ve collected along the way.”
Throughout the house, built-in storage and shelving is cleverly positioned in alcoves and recesses, as in the dining area, which allows clutter to be easily cleared away.
Throughout the house, built-in storage and shelving is cleverly positioned in alcoves and recesses, as in the dining area, which allows clutter to be easily cleared away.
Langston-Jones works tucked in his office beneath the stairs.
Langston-Jones works tucked in his office beneath the stairs.
The upstairs living room is an open plan social space, perfect for entertaining. Turntables live behind the vintage mirror (on wheels for easy moving) and make frequent appearances, and the leather sectional holds each piece separately on wheels, fitting together like a movable puzzle.
The upstairs living room is an open plan social space, perfect for entertaining. Turntables live behind the vintage mirror (on wheels for easy moving) and make frequent appearances, and the leather sectional holds each piece separately on wheels, fitting together like a movable puzzle.
Vintage kettles and a wide-ranging assortment of pots and pans sit above kitchen cabinets from IKEA.
Vintage kettles and a wide-ranging assortment of pots and pans sit above kitchen cabinets from IKEA.
When it comes to media storage in a small space, consider making the most of your nooks and crannies. The shelving at right here is smartly recessed into a cavity next to the window.
When it comes to media storage in a small space, consider making the most of your nooks and crannies. The shelving at right here is smartly recessed into a cavity next to the window.
Located just off the entry hall, this room opens onto a lush garden. The residents commissioned the overhead light from designers Sylvain Willenz and Hubert Verstraeten. “The use of red billiard ball references Charles and Ray Eames’s Hang-It-All coat rack,” says Smith. The wall-hung light is by the contemporary São Paulo–based designers Luciana Martins and Gerson de Oliveira. The rug is a Moroccan patchwork from the 1960s; the teak-and-leather Kilin chair is by Sergio Rodrigues; and the cane-backed sofa is a student daybed designed by Hans Wegner for Getama in the 1950s.
Located just off the entry hall, this room opens onto a lush garden. The residents commissioned the overhead light from designers Sylvain Willenz and Hubert Verstraeten. “The use of red billiard ball references Charles and Ray Eames’s Hang-It-All coat rack,” says Smith. The wall-hung light is by the contemporary São Paulo–based designers Luciana Martins and Gerson de Oliveira. The rug is a Moroccan patchwork from the 1960s; the teak-and-leather Kilin chair is by Sergio Rodrigues; and the cane-backed sofa is a student daybed designed by Hans Wegner for Getama in the 1950s.
Bryan Cranston and his wife, Robin Dearden, relax on a Lagune sofa by Roche Bobois. The couple’s home occupies a beachfront site that they’ve owned for several years. The original structure, affectionately dubbed the “love shack” was born as 1940s-era military housing that in subsequent decades became an uneven hodgepodge that defied local permits and was slowly sinking into the sand.
Bryan Cranston and his wife, Robin Dearden, relax on a Lagune sofa by Roche Bobois. The couple’s home occupies a beachfront site that they’ve owned for several years. The original structure, affectionately dubbed the “love shack” was born as 1940s-era military housing that in subsequent decades became an uneven hodgepodge that defied local permits and was slowly sinking into the sand.
In Marquina and Font’s living room, a pair of kilim-covered chairs by Philippe Xerri, a chest of drawers by Piet Hein Eek, and a handmade Tunisian rug provide bursts of color amidst the overall scheme of white, ecru, and cream.
In Marquina and Font’s living room, a pair of kilim-covered chairs by Philippe Xerri, a chest of drawers by Piet Hein Eek, and a handmade Tunisian rug provide bursts of color amidst the overall scheme of white, ecru, and cream.
In Scarpa and Brook' own house, they’ve mounted luminous solar panels in a rusted-steel-beam grid to form a modernist canopy that frames the façade. This imaginative “solar umbrella” hides the household power plant in plain sight, part of an artful composition that includes a hanging screen tied with bristles of industrial brooms.
In Scarpa and Brook' own house, they’ve mounted luminous solar panels in a rusted-steel-beam grid to form a modernist canopy that frames the façade. This imaginative “solar umbrella” hides the household power plant in plain sight, part of an artful composition that includes a hanging screen tied with bristles of industrial brooms.
The Shermans’ living room is outfitted with Ligne Roset Smala sofas by Pascal Mourgue and a Kenga rug by Angela Adams.
The Shermans’ living room is outfitted with Ligne Roset Smala sofas by Pascal Mourgue and a Kenga rug by Angela Adams.
The red sofa in the living room is a 1960s piece originally owned by Strolz’s parents.
The red sofa in the living room is a 1960s piece originally owned by Strolz’s parents.
The home’s original living and dining rooms were updated with custom cabinetry and new fir floors. The living room sofa, coffee table, and lounge chair are from Blu Dot.
The home’s original living and dining rooms were updated with custom cabinetry and new fir floors. The living room sofa, coffee table, and lounge chair are from Blu Dot.
One of the few designer pieces in the home, a set of four Michael Thonet coffee house chairs, from 1859, offer a simple seating solution. The dining table, designed by Odgård, was built from a 109-year-old oak tree, which was harvested and milled locally.
One of the few designer pieces in the home, a set of four Michael Thonet coffee house chairs, from 1859, offer a simple seating solution. The dining table, designed by Odgård, was built from a 109-year-old oak tree, which was harvested and milled locally.
The house is designed like an urban loft. Even elements such as the staircase and second-floor railings are almost transparent, so natural light floods the structure from dawn to dusk. Moseley's friend David W. Prasse (right) and designer Scott Ball take it all in.
The house is designed like an urban loft. Even elements such as the staircase and second-floor railings are almost transparent, so natural light floods the structure from dawn to dusk. Moseley's friend David W. Prasse (right) and designer Scott Ball take it all in.
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The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.
The Miller House and Garden features a custom-made sofa in the open-plan living area designed by Saarinen with textiles by Girard. The home was widely published and is in part credited for the popularity of conversation pits in the 1950s and 1960s.
The sofa and lights in the open-plan living, dining, and kitchen area are vintage.
The sofa and lights in the open-plan living, dining, and kitchen area are vintage.
Warm tones and soft surfaces characterize the living room of the R+F apartment in Bellem, Belgium. (Check back next week to see the full story of this converted factory building posted online!) With its inviting fireplace and piles of blankets, this cozy room is most alluring to design buffs that love a relaxing night in. You are driven and focused during the day, so the clean, hard, modern lines of this room appeal to your desire for organization; but when you come home, all you want is to curl up on the couch with a book or the TV remote to unwind from the stress of the day.
Warm tones and soft surfaces characterize the living room of the R+F apartment in Bellem, Belgium. (Check back next week to see the full story of this converted factory building posted online!) With its inviting fireplace and piles of blankets, this cozy room is most alluring to design buffs that love a relaxing night in. You are driven and focused during the day, so the clean, hard, modern lines of this room appeal to your desire for organization; but when you come home, all you want is to curl up on the couch with a book or the TV remote to unwind from the stress of the day.
A dark concrete countertop is paired with blue laminate cabinets in architect Janet Bloomberg’s kitchen.
A dark concrete countertop is paired with blue laminate cabinets in architect Janet Bloomberg’s kitchen.
Morten Bo Jensen, the chief designer at Vipp—whose headquarters are located in Islands Brygge—and his partner, graphic designer Kristina May Olsen, bought a loft space in the former Viking pencil factory in 2011. They bought the loft from its previous owner, one of five investors who purchased the circa-1910 factory building, roughly a decade ago, in a very raw state.
Morten Bo Jensen, the chief designer at Vipp—whose headquarters are located in Islands Brygge—and his partner, graphic designer Kristina May Olsen, bought a loft space in the former Viking pencil factory in 2011. They bought the loft from its previous owner, one of five investors who purchased the circa-1910 factory building, roughly a decade ago, in a very raw state.
Light My Fire “I didn’t want to compromise the Victorian nature of the house,” she says. Although the original fireplace was in good shape, the flooring needed to be replaced. Kiely didn’t want to use new wood, so she sourced the weathered ebony-colored boards from an architectural salvage yard. “I wanted the floors to really feel like they were part of the house,” she says. Kiely found the rug at Heal’s and the chandelier and art are vintage.
Light My Fire “I didn’t want to compromise the Victorian nature of the house,” she says. Although the original fireplace was in good shape, the flooring needed to be replaced. Kiely didn’t want to use new wood, so she sourced the weathered ebony-colored boards from an architectural salvage yard. “I wanted the floors to really feel like they were part of the house,” she says. Kiely found the rug at Heal’s and the chandelier and art are vintage.
Idée Concrète To get a concrete look for the floors throughout the house, the team first considered Pandomo flooring, a slick treat-ment that would be even more expensive than a standard finish. Instead, says Winterhalder, they experimented with raw materials. “I’d call the suppliers and say, ‘Do you have something grayer?’ They thought I was crazy.” In the end, instead of a concrete look, the couple went with actual concrete—at a fifth of the price. pandomo.de
Idée Concrète To get a concrete look for the floors throughout the house, the team first considered Pandomo flooring, a slick treat-ment that would be even more expensive than a standard finish. Instead, says Winterhalder, they experimented with raw materials. “I’d call the suppliers and say, ‘Do you have something grayer?’ They thought I was crazy.” In the end, instead of a concrete look, the couple went with actual concrete—at a fifth of the price. pandomo.de

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