After Lynda is one of three unique handcrafted poured resin tables influenced by the groundbreaking artwork of Lynda Benglis. “We are strong advocates of the mash-up phenomenon,” says White. “We believe that the key to a successful collaboration is the willingness to experiment and take risks,” adds Behun, “We are really excited about the Afer Lynda pieces—they are different to anything we have seen before; we can’t control the way the spills land and the kinds of patterns this creates, there is an immediacy and unpredictability about it which is made stable by the durable dried resin—this invents a new language for furniture.”
After Gordon is a collage cocktail table in lacquer and metal with a printed mirror top, of an original digital collage by Gordon Magnin. Edition 1 of 10. “The idea that art is meant to be on the wall has been subverted by this piece. It is not precious, you can put your feet up on it, spill wine on it, sit on it if you like. Being able to interact with art in this intimate way provides a new platform for the experience of art, which is something we are excited about exploring in our work,” says Behun.
After Lola is a unique collage table in lacquer and metal with a glass top and an original paper collage by Lola Dupre.
After Victor is a cocktail table in hand-forged steel with a digitally printed and laminated glass top. Edition 1 of 10. Inspired by the work of Op artist Victor Vasarely, this versatile table, suitable for both indoor and outdoor use, re-imagines the way optical art can be experienced. It is both functional and atmospheric—it casts beautiful patterns over the floor.
Gaze is a series of crystalline wall mirrors featuring digitally printed imagery. After Charlotte, Behun’s favorite, is a photograph of Charlotte Rampling digitally printed on a mirror, and laminated on faceted substrates. “Charlotte, the beautifully inspiring and iconic image of woman, follows you as you walk around the mirror, and is also fractured by your own image. This creates an interesting dialog between the gazer and the icon, the self and the art,” says Behun.
After Burle is a unique dining table with a hand carved base covered in mosaic ceramic tile and featuring a free-form Macassar ebony top from the Pacific Northwest. The wood planks were sourced from a supplier in Oregon, though the root source of this type of wood is typically Indonesia.
The mosaic pattern on the base of the table was inspired by a mix of two different motifs: the work of Brazilian landscape architect Roberto Burle Marx, especially the plazas he did in Rio de Janeiro, as well as the organic contours of topographical maps. “The irregular oblong shape of this table makes for interesting seating. It seats 14 or 15, and the unusual angles invite dinners to engage differently with each other. I am going try it out over Thanksgiving and will be excited to see how conversations are made different because of the shape of this table,” says Behun.
Goethe, in his book Theory of Colours, said that, “at the edge where light and dark meet color arises because lightness and darkness are the two central properties in the creation of color”. Like the Bridget Riley Op art that inspired the wallpaper art piece After Bridget, the white wavy lines placed close to each other create a volatile figure-ground relationship in the viewer, which opens a new vista in the experience of space. “Experiments like these invent new latitudes of perception,” says Behun, reminding us again that art as interior has the power to move our spatial realities into brand new places.
“It is when seemingly disparate ideas collide that creative sparks fly and the best design is realized. With this first collection of unique interior pieces, all of which feel so expressive of the zeitgeist, I feel we have captured something essential about today. After the opening of After, I was so excited to see the Marc Jacobs SS13 show, his black and white prints were amazing! It does inspire me to think about doing a bi-annual Kelly Behun | Studio line of special interior pieces.” We hope they do.
After meeting in Milan in 2007, Jerry Helling, CEO of Berhardt Design, asked HANSANDFRANZ to give him some thoughts on a new piece for the company. After analyzing the Bernhardt portfolio, they decided to create a bench and a stool in a timeless shape: a light frame of two intersecting loops made of polished stainless steel with a thin cushion of alluring color. “Our thought was that they should be minimalist multifunctional seating elements for private and also public rooms, which do a little more than the usual,” says Landuris. “Cycle’s open character wants to encourage people to communicate, for example, and its generous face invites people to take a seat. Berhardt liked the idea and the collaboration began."
This E.T. phone home-like lamp received a Special Mention from the Milan jury the first and only year HANSANDFRANZ went to Milan (2007). Italian manufacturer Kundalini took it on. “We had to make only little changes to our prototype so as to fulfill some electrical and mechanical requirements. The original name was Troja because it reminded us of the tail of the Trojan Horse but in Italian this is a very bad word, so we had to also change the name,” recalls Wittmann of their first self-generated prototype to go into manufacturing. Based on the technology of LEDs, this lamp is constructed in two bows (one aluminum, one LED) that slide against one another, giving it the ability to extend and react to the user’s individual needs. At times a reading lamp and at others a sentient creature that evokes a whole room-aura with its shape and otherworldly LED luminosity – this is a nod to tomorrow’s world.
HANSANDFRANZ’s current inspiration with business is collaboration with unexpected clients. Lefty is a prototype lightweight chair proposed for a cycling company that didn’t go through but the concept was cool. The proposition is a basic stacking seat for indoor and outdoor use made of powder-coated aluminum profiles cut in varying lengths and angles, and welded together to form a minimalist but stable construction. With its visible welding seams, it refers to the industrial provenance of motorcycles and bikes. The polyurethane backrest and seating function as add-ons and are fixed in place to mimic a motorbike saddle.
“During the development of our self-initiated Lefty project, we tried to question conventions and avoid reverting to already existing archetypes in order to experiment and explore with new ways of sitting,” say the duo. This ignited their zeal for imaginative co-creative opportunities: “Eventually, we would love to be working on the Apple chair, or the Facebook lamp.”
This a concrete landscaping system with elements of inspiration from Hadid’s Wave (the idea of an ongoing sidewalk that becomes public space seating) born of another unusual collaboration with concrete manufacturing company Godelmann, normally in the business of manufacturing sidewalks. The system is designed to be multi-functional and user-specific. 3D concrete surfaces can combine in modules to become lounge areas, tree-beds, sandboxes or ponds, and for public spaces, have elements that provide for umbrellas, trashcans, signage and lightpoles.
“Our basic premise is: let’s look into the future, guess what is there and strive for this in our products,” says Landuris. “We are constantly trying to imagine the needs of the future by thinking about what materials and technologies will be available then, how to work with these, and how these will change the demands of and reasons for how and why things are made. How will we live in 100 years or 1000 years? Will we even need furniture? Will we need kitchens? Because we think these things and work them into our designs, our work is sustainable in the sense that while some of it may not appear so useful for now, it will reveal its uses in the future. We hope people understand this and fall in love with the thoughts behind our work”. The next unusual collaboration is with Pure Cast iron melting company – on a cast, re-imagined stainless steel chess set.
Is a high-powered LED light object manufactured by Macrolux that can expand between floor and ceiling, and using the wall as a reflector, and the transformable shade’s dexterity; create a ‘light-atmosphere’. The concept is a lamp that is integrated into its architectural surrounding, which makes a minimum use of space and a maximum emotional impact.
“We are a generation that is not pioneering in design but pioneering in ideas,” reflects Wittmann. “It’s easy to say we’d like to design for unknown galaxies or imagine how to build furniture for people living on Mars – it is much more challenging to design products for Earthlings that they connect with and find useful, while also being provocative. We do what we can with this by using interesting materials, and unusual shapes, and different thinking.”
This collapsible bar, launched in the winter of 2010/2011, is an annual happening spanning December to February. The bar is lifted into place on the rooftop of the Hotel Bayerischer Hof, in the heart of Munich, every November.
The construction is based on the idea of a mobile, modular polar station featuring the essential expedition boxes. These are arranged on the 120 sqm area and serve as compliments to the bar elements: barstools, tables, lights and heating poles, as well as serve as display cases for winter wear, cool drinks and giant bottles of Moët & Chandon. The expedition boxes further serve as carriers for the entirety of the bar and its equipment, so the party can be packed up as quickly as an astronaut blasting off from an Arctic getaway. In close collaboration with Italian fashion brand Stone Island, HANSANDFRANZ also designed the blankets and lounge cushions for the Polar Bar.