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The steps lead to a roof deck, where the owners can enjoy sweeping views of the ocean.
The steps lead to a roof deck, where the owners can enjoy sweeping views of the ocean.
Lewis draws back the curtains to reveal her “No Ordinary Kitchen.” True to her style, she chose a muted material palette to create a comforting and relaxed kitchen environment, from the white oak floors to the polished marble countertop on the island. Oil-rubbed bronze cabinet hardware provides a pop of contrast while stainless steel appliances by Signature Kitchen Suite make a sleek aesthetic statement.
Lewis draws back the curtains to reveal her “No Ordinary Kitchen.” True to her style, she chose a muted material palette to create a comforting and relaxed kitchen environment, from the white oak floors to the polished marble countertop on the island. Oil-rubbed bronze cabinet hardware provides a pop of contrast while stainless steel appliances by Signature Kitchen Suite make a sleek aesthetic statement.
Tiny homes have officially become a thing—and these woodsy getaways will make you want to downsize ASAP.
Tiny homes have officially become a thing—and these woodsy getaways will make you want to downsize ASAP.
Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof that helps it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.
Edgeland House, built on a cliff-top lot in Austin by architect Thomas Bercy for lawyer and writer Chris Brown, is topped by a living roof that helps it blend into the landscape. The concrete, steel, and glass house is divided into two distinct public and private halves.
As creative director of Knoll since 2005, Cosonas is constantly looking to fashion because of its profound influence on interior design. Learn how she has collaborated with major fashion houses to take her fabrics to the next level.
As creative director of Knoll since 2005, Cosonas is constantly looking to fashion because of its profound influence on interior design. Learn how she has collaborated with major fashion houses to take her fabrics to the next level.
Jens RisomJens Risom’s spot in the canon of mid-century American design is one marked by displacement. Some of the accolades heaped upon the great designers should rightly have gone to Risom, who, with Hans Knoll, began priming the market for modern design as early as 1941 with the Risom-designed 600 line for Knoll. It included the first Knoll chair ever. View his prefab house in Rhode Island here.
Jens RisomJens Risom’s spot in the canon of mid-century American design is one marked by displacement. Some of the accolades heaped upon the great designers should rightly have gone to Risom, who, with Hans Knoll, began priming the market for modern design as early as 1941 with the Risom-designed 600 line for Knoll. It included the first Knoll chair ever. View his prefab house in Rhode Island here.
Singaporeans tend to keep their homes airtight, but Nicolette de Waart prefers to bring the outdoors—–and her Dutch design aesthetic—–in.
Singaporeans tend to keep their homes airtight, but Nicolette de Waart prefers to bring the outdoors—–and her Dutch design aesthetic—–in.
Frank Tjepkema’s freestanding Il Treno was first designed in 2011 as a fixed booth for Fabbrica Restaurant in Norway.
Frank Tjepkema’s freestanding Il Treno was first designed in 2011 as a fixed booth for Fabbrica Restaurant in Norway.
Arranged and slotted together like a tidy row of Legos, the IJsselstein housing project reflects typical Dutch efficiency, “not just in terms of materials used,” notes architect Gregory Kiss, “but in terms of space as well.”
Arranged and slotted together like a tidy row of Legos, the IJsselstein housing project reflects typical Dutch efficiency, “not just in terms of materials used,” notes architect Gregory Kiss, “but in terms of space as well.”
Seen here from the south, Villa van Vijven’s orange facade is meant to mimic the tiled rooftops of Holland’s country buildings, while the building’s horizontal pull echoes the flat landscape. The second-floor living rooms look out on the 4,200-square-foot communal garden, one of only two shared spaces in the whole community. Bob Krone, Koos Sweringa, and Marianne Schram stroll the grounds.
Seen here from the south, Villa van Vijven’s orange facade is meant to mimic the tiled rooftops of Holland’s country buildings, while the building’s horizontal pull echoes the flat landscape. The second-floor living rooms look out on the 4,200-square-foot communal garden, one of only two shared spaces in the whole community. Bob Krone, Koos Sweringa, and Marianne Schram stroll the grounds.
Recalling the form of an airplane engine, his cylindrical D2V2 pendant hovers above his sculptural Easy Rider, a mobile desk-seat hybrid set on castors.
Recalling the form of an airplane engine, his cylindrical D2V2 pendant hovers above his sculptural Easy Rider, a mobile desk-seat hybrid set on castors.
Wardrobe by Rene Siebum An example of his minimalist style, the Dutch designer’s coat rack is a simple study in geometry. “One shape can repeat itself endlessly,” he says. “You don’t need to do so much to create something functional.” Photo by Rene van der Hulst
Wardrobe by Rene Siebum An example of his minimalist style, the Dutch designer’s coat rack is a simple study in geometry. “One shape can repeat itself endlessly,” he says. “You don’t need to do so much to create something functional.” Photo by Rene van der Hulst

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