Meteor Lights designs and fabricates custom fiberglass lampshades, mod acrylic lamp bases , and modern pendant light fixtures in retro, atomic, and mid-century/modern styles. Our drum and tiered lampshades also look great with tiki, vintage western, and Danish Modern styles, to accommodate your Eames-era and contemporary residential and commercial lighting needs. We offer a wide selection of retro and contemporary lampshade styles, colors, and designs -- providing a nearly infinite range of lighting possibilities.

Booo, based in Eindhoven, The Netherlands, created the concept of bulb and lampshade in one. They work with notable designers such as Nacho Carbonell, Formafantasma, Front and others to create innovative and sustainable LED lamps.

When Zero was set up in 1978, the founders had long experience – of glass. This experience lead them to leave glass for a while – then return – and start to make lampshades from sheet metal instead. Börge Lindau, the designer, was attracted by the daring idea and began a long-term involvement. Considering their limited resources, Börge felt that the choice of material for the first lamps was very important, so that the lamps would be perceived as being new, and attract publicity for their innovative design. So he suggested that a suitable material would be perforated sheet metal, and the decision was made. The choice of material then achieved such a success that for the first ten years, almost all the product range consisted of lampshades of all shapes and sizes, made from a variety of types of perforated sheet metal. Slowly but surely, Zero began to expand and they moved their operations from the garage where they started up, to an industrial unit in central Nybro. There was plenty of space for the company here which, after a few years, began to grow at an increasing rate. When Börge phased out his involvement to devote time to Blå Station, his own furniture company, Zero initiated their long-term and fruitful collaboration with another designer, Per Sundstedt. He then got tired of sheet metal and wanted to start designing glass lampshades. The time was right, and Zero’s product range is now dominated by various glass lampshades, many designed by Per Sundstedt, with contributions from other exciting Scandinavian designers such as Thomas Bernstrand, Mattias Ståhlbom, Fredrik Mattson, the Front design group, Mia Gammelgaard etc.

Visit Twig Antiques & Interiors, Tetbury, UK for the exclusive collection of large abstract paintings, garden antiques, antique furniture, wall decor paintings, 19th century furniture, 19th century statues, 19th century antique urn, furnishing an orangery, hand painted lampshades, contemporary ceramics, etc. Get more-https://www.twigltd.com

+41 76 462 52 37
 boris(at)borislab.com Over the past ten years, Swiss designer Boris Dennler has developed a highly personal and playful form of design. A self-taught craftsman, Dennler navigates freely between styles and references; he is just as ease in recycling found objects as in shaping highly technical and precise forms. An enthusiastic iconoclast, he relentlessly strives toward redefining the status of the object and its form, and has no inhibitions when it comes to opposing the appearance of a piece of furniture with its precise function. To dim the light of his fist lamps designed in 2004, the membranes made of Tyvek® paper had to be crumpled and smoothed, thus redefining their shape with every use. Tetanos Lamps, a subsequent series, combined wall lamps, lampshades or suspensions made from old rusty objects, thus endowing them with a function, a form and a status that were entirely new. In a similar spirit, Dennler has designed a series of seats made of old radiators. As an archetypical object of the upcycling movement, pictures of those seats were published all over the world -in blogs, interior design magazines and social networks. Wooden Heap, the most iconic piece of furniture imagined by the designer, is featured in the permanent collection of the Victoria & Albert Museum in London. Boris Dennler’s work has been exhibited abroad, notably in Paris, Milan and Brussels, and has been acquired by private and prestigious collectors such as Uli Sigg in Lucerne or the Pierre Bergé Foundation. Boris Dennler works for both private and public clients.